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Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
Is there a madder moment of madness in all of literature than that of The Driver’s Seat’s protagonist Lise?
A firecracker of a novel (most editions come in under one hundred pages of breakneck-speed story), and yet a whole firework display of literary techniques (most startlingly a third chapter opening prolepsis – flashforward – to the suicidally-invited murder of Lise). It’s the technique itself that is the star. Is this satire, parody, comedy? Can comedy be so dark?
Spark noted both that this book was an existential ‘whydunnit?’ without feeling the need to provide us with anything so simplistic as a ‘why’, and also that it was her favourite of all her novels. There is no reason on Earth why it shouldn’t also be one of your favourites.
Driven mad by an office job, Lise flies south on holiday - in search of passionate adventure and sex. In this metaphysical shocker, infinity and eternity attend Lise's last terrible day in the unnamed southern city that is her final destination.
I find the experience of being at large in the world without a definite goal or obligation—that is, the state of drifting—to be a profound and intense way of communing with yourself and the place you’re in. If you’re hurrying someplace, or caught up in internal worries, you miss something about the world that only becomes clear if you let yourself drift, no matter how scary that can be.
This book is an obvious choice perhaps, but one that can't be omitted. The tragicomic frustration of the surveyor who can't complete the job he's been sent to do no matter how hard he tries is massively influential for a number of very good reasons. Also, the way that the castle is both a literal place and a potent metaphor is crucial—as ever in Kafka, it's never just a metaphor, just as it's neverjust a dream, but rather a dream or a metaphor that also develops out of and into a very concrete situation. This is crucial writing advice for anyone interested in working with dreamlike or surreal elements.
'He is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him' Vladimir Nabokov
The story of K. and his arrival in a village where he is never accepted, and his relentless, unavailing struggle with authority in order to gain entrance to the castle that seems to rule it. K.'s isolation and perplexity, his begging for the approval of elusive and anonymous powers, epitomises Kafka's vision of twentieth-century alienation and anxiety.
I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.
The Famished Road is often categorized as a novel of “magical realism” although the author rejects this categorization. Okri’s tale follows Azaro, a spirit child in Okri’s native Nigeria as he watches the post-colonial state transform with the acceleration of global technology. While Okri weaves the spiritual and physical realms into his narrative, the juxtaposition of the spiritual and physical realms for Okri is a cornerstone of traditional African religion (and is therefore not seen as “unrealistic”). More accurately,The Famished Road resembles Fyodr Doestoevsky’s Notes from Underground: a classic philosophical novel. InThe Famished Road, Okri argues that there is no salvation on Earth—even for the spiritual realm that resides alongside us. Azaro sees the people of his village being exploited by politicians and foreign actors and there is nothing he—as a transdimensional creature—can do about it. Transforming Doestoevsky’s cynicism into something even more all-encompassing or…
Winner of the Man Booker Prize: “Okri shares with García Márquez a vision of the world as one of infinite possibility. . . . A masterpiece” (The Boston Sunday Globe).
Azaro is a spirit child, an abiku, existing, according to the African tradition, between life and death. Born into the human world, he must experience its joys and tragedies. His spirit companions come to him often, hounding him to leave his mortal world and join them in their idyllic one. Azaro foresees a trying life ahead, but he is born smiling. This is his story.
I’m a philosopher with a voracious appetite for literature. I inhabit a world of abstract ideas but always return to fiction because it vividly portrays the real-world consequences of our beliefs and reminds us that ideas also move us irrationally: they’re comforting or disturbing, audacious or dull, seductive or repellant. I prefer world literature because it plants us in new times and places, helping us, like philosophy, see beyond our blinders. Deprived of the assumptions that prop up our everyday arrogance, we can clear a mental and emotional path to what we’ve ignored or covered up, as well as rediscover and reaffirm shared values, arrived at from new directions.
Nietzsche’s greatest admirers often distort his views. Mishima is no exception. Considering his nationalism, militarism, and ritualistic suicide, it’s little surprise he endorses the popular misconception of Nietzsche as a champion of egoism and power.
In this fascinating, disturbing story, adolescent boys create a club devoted to an amoral, pseudo-Nietzschean ideal. When they encounter a mysterious sailor, they worship him as a living embodiment of their values until he defies the image they’ve created.
Mishima misinterprets Nietzsche but in a critically illuminating way. The boys’ ultimate reaction to their disappointing demi-god proves their hypocrisy, revealing that they idolize precisely the qualities they lack. So Mishima inadvertently debunks the stereotypical image of the “overman,” a cartoonishly impossible superhero, a fantasy who attracts only his polar opposites: the insecure, resentful, conformist, and childish.
A band of savage 13-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard this disallusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. I’ve never really liked reading travel guidebooks. They date so quickly and can be too limiting but I’ve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
Travelling in India is never easy or predictable and it is a great test for ones resilience and sense of calm.
I read Slowly Down the Ganges before making my first trip to the north of India and I found it to be a great source of information and wisdom.
Newby travels with such a positive outlook open to all happenings and eventualities.
He set himself a difficult talk in sailing the Ganges but he shares beautiful and fascinating descriptions of the landscapes and villages. Newby talks with great respect about the sacred importance of the River Ganges and tells us all her 108 names.
The book makes you realize that travelling in India will be difficult but ultimately so rewarding.
National Geographic Adventurer of the Year, Heather Anderson is the only woman who has completed the Appalachian, Pacific Crest, and Continental Divide National Scenic Trails each three times. This includes her historic Calendar Year Triple Crown hike in 2018 when she hiked all three of those trails in one March-November season, making her the first female to do so. As an itinerant hiker, runner, and mountaineer she has logged over 40,000 foot miles since 2003 including over a dozen thru-hikes and many ultramarathons. She is also an avid mountaineer and peakbagger working on several ascent lists in the US and abroad.
All aspiring hikertrash have to start somewhere and Derick relates this journey with great honesty and humor. I started my vagabond life on the Appalachian Trail a decade before Derick did, but I found myself laughing in commiseration with his escapades as he learned what it means to walk across the country. Unlikely captures not only the highlights of hikertrash life, but also the lows, the drudgery, and the beautiful camaraderie that forms between people on journeys. Whether you hike or wander a different path, these themes connect for us all.
Derick Lugo had never been hiking. He certainly couldn't imagine going more than a day without manicuring his goatee. But with a job cut short and no immediate plans, this fixture of the New York comedy scene began to think about what he might do with months of free time. He had heard of the Appalachian Trail, but he had never seriously considered attempting to hike all 2,184.2 miles of it. Suddenly he found himself asking, Could he do it?
The Unlikely Thru-Hiker is the story of how a young black man from the city, unfamiliar with both the outdoors…
I like trying to solve problems about the mind: Is the mind just the brain? What is consciousness, and where is it in the brain? What happens in the brain during aesthetic experience? Why are we prone to self-deception? In approaching these questions, I don’t limit myself to one discipline or set of techniques. These mental phenomena, and the problems that surround them, do not hew to our disciplinary boundaries. In spite of this, someone needs to collect, analyze, and assess information relevant to the problems—which is in many different formats—and build theories designed to make sense of it. During that time, more data will become available, so back you go.
In the mid-1980s, Patricia Churchland started to pursue the idea that philosophers interested in the mind might want to have a look at what is going on in neuroscience, in her book Neurophilosophy.
This book was formative for me, in that it showed a way I could combine my interest in the brain with my love for philosophy. Since then, new generations of graduate students have seen the naturalness of the link and begun to bring the wealth of neuroscientific discoveries into the philosophical debates.
In Conscience, she looks at the evolutionary roots of our tendencies to form bonds and create social norms to approach the issue of whether our sociality is hardwired. She also discusses the troubling case of sociopaths, who appear to be naturally unethical.
Patricia Churchland, the distinguished founder of neurophilosophy, reaches beyond the familiar argument of nature versus nurture to bring together insights from philosophy and revolutionary research in neuroscience. Scientific research may not be able to say with certainty what is ethical, and the definition of morality varies from person to person. But, from birth, our brains are configured to form bonds, to co-operate and to care.
Delving into research studies, including work on twins and psychopaths, Churchland deepens our understanding of the brain's role in creating an ethical system. She then turns to philosophy to explore why morality is central to…
Don’t ask me why I grew aware, from the earliest age, of living in more than one world. There seemed to be a strident world of what we said was happening, and a twilight world of what was really happening. I ended up liking and writing about the world of what really happens, because while all our seamless goal-driven plans are filling the air there’s this beautiful, whimsical, frail and often ridiculous world where we’re hapless and riddled with twists. The world of humanity. The backstage of laughter and tears. And for that, I present five outrageous old friends living in books from our strange human history.
A doctor in early twentieth-century Trieste demands that an eccentric patient write his memoirs as a form of psychotherapy. These pages are those memoirs – the doctor calls them all lies – and form the fictional life story of one of my favourite misfits, the unreliable Zeno Cosini, with his horde of idiosyncrasies. Between proposing to three sisters within an hour and making a fortune on the stock market by mistake, he spends his time nurturing his hypochondria and trying to give up smoking, which means endlessly smoking ‘last cigarettes’. A seminal work of modernism, this is another novel with autobiographical ties to the author, and I left it torn between laughter and tears over just how complex, ironic and funny we humans can be.
A marvel of psychological insight from one of the most important Italian literary figures of the twentieth century
When vain, obsessive and guilt-ridden Zeno Cosini seeks help for his neuroses, his psychoanalyst suggests he writes his memoirs as a form of therapy. Zeno's account is an alternative reality, a series of elliptical episodes dealing with the death of his father, his career, his marriage and affairs, and, above all, his passion for smoking and his spectacular failure to resist the promise of that last cigarette. A hymn to self-delusion and procrastination, Svevo's devilishly funny portrayal of a man's attempt to…
Lilli Botchis, PhD, is a psycho-spiritual counselor, educator, and vibrational medicine developer with four decades of experience in advanced body/soul wellness and the development of higher consciousness. Her expertise includes botanicals, gems, color, flower essences, bio-energy therapies, and holographic soul readings. Lilli is an alchemist, mystic, and translator of Nature’s language as it speaks to our soul. A brilliant researcher in the field of consciousness, she understands the interconnectedness of Nature and the human being and is known as an extraordinary emissary of the natural world. Lilli has been inducted into the Sovereign Order of St. John of Jerusalem, Knights Hospitaller. Many seek her out for her visionary insights and compassionate wisdom.
Most people think of time simply as a passive, mechanical tool for measuring reality. But in this groundbreaking book, Janet Sussman introduces the idea that time is a dynamic field responsible for creating the material universe. Readers interested in the study of consciousness will begin to understand the importance of time to the unfoldment of unity consciousness and self-realization.
This book is a brilliant combination of the science of consciousness and human development, written in beautiful, lyrical language. It invites the reader into a world that is non-linear yet coherent. It causes the reader to quantum leap over the logical mind into an experiential event of time as one's own consciousness. The author describes her book as giving "voice to the freedom enjoyed by those who can transcend time through their own awareness and be free of imposed restrictions on the naturally holographic avenues of the mind."
This finely crafted work presents an experiential, wholly original perspective on the nature of time and human awareness. Physics readers will marvel at how quantum mechanics can be elucidated from the inside out. Readers interested in the study of consciousness will begin to understand the importance of time to the unfoldment of unity consciousness and self-realization.
Most people think of time simply as a passive, mechanical tool for measuring reality. The new idea introduced here is that time is a dynamic field responsible for creating the material universe. The Reality of Time seeks to explain that inner reality.
I am a teacher and professor of psychology and consciousness studies. I have been fascinated by the enigma of consciousness my entire adult life. Over the years I have written and taught in a number of different fields including biology, psychology, history, art, and philosophy, always looking to the nature of consciousness, and always exploring its spiritual dimensions. My writings include the present selection, Consciousness Explained Better, described by Ken Wilber as “the finest book on consciousness in modern times, bar none” and The Radiance of Being, that shared a book of the year award with Nobel laureate Roger Penrose’s book, The Emperor’s New Mind.
This book includes essays by some of the foremost thought leaders of our time, on the topic of consciousness seen through the eyes of postmaterialist science. Each seeks a scientific understanding of consciousness that is not reducible to physical processes in the brain. Their intention is not to exclude traditional science and its reliance on neurology and the brain, but rather to reach for a broader view of reality, one that includes well documented nonphysical dimensions of conscious experience, including phenomena such as out-of-the-body and near-death experiences, as well as telepathy, precognition, and more.
Each of these authors is well known and respected in their own field and presents here the cream of a lifetime of research in these areas.
The Academy for the Advancement of Postmaterialist Sciences is publishing an Advances in Postmaterialist Sciences book series to educate scientists, students, and science-minded readers about postmate-rialist consciousness research and its applications. Our intent is that each volume combines rigor and creativity, expresses first person (inner expe-riences) as well as third person (external observations), and facilitates the betterment of humanity and the planet. Some volumes will address spe-cific topics or themes, others will be wide ranging and diverse collections of research topics. Collectively they will help define and advance the evolution of postmaterialist theory, research and applications.
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