100 books like The Apple of His Eye

A masterpiece. Royall Tyler translates this tale, which had been recited orally by blind monks in the fourteenth century, into beautiful English; the rhythms of the language, its beauty, tragedy, and poetry become accessible to an English-speaking audience for the first time. One of the greatest accomplishments in translation and a must-read for all interested in medieval Japanese warfare and epic war tales.

This is the first novel I read by Haruki Murakami and it got me hooked on his writing.

Toru Okada is tasked with finding his lost cat but, as he searches, the past stories of other characters constantly intersect and become inescapable detours, which often foster ambiguity and a sense of becoming lost in a charmed world.

We’re left with an impression of a world slipping into the surreal, where reality becomes blurred like Okada’s memory of what his missing cat looks like, and where “Ten minutes is not ten minutes” because time can stretch and shrink. I was frequently surprised and sometimes confounded by this but, because of Murakami’s skill as a writer, felt pleasantly lulled with the same dreamlike acquiescence as his hero into following Okada’s convoluted journey.

Cipolla, a brilliant author, shows in this study how economic history and economic concepts can be used to study the past even when they did not exist at the time. Cipolla engagingly explains how economic concepts, even when unrecognized, can be useful tools of analysis. In order to demonstrate this principle, for example, he memorably explains how the clothes used to prevent plague in medieval Europe were effective for reasons totally different than contemporaries realized. Mistaken understandings could still lead to effective actions.  

Noah Charney is an art historian and has written several interesting books that I have read. Even though this book, Stealing the Mystic Lamb, came out too late for my novel, the “altarpiece” of my book is in fact the “Mystic Lamb” otherwise known as the Ghent Altarpiece. My quasi-obsession with this monumental piece of art is matched by Charney and he describes how often it has been stolen and nearly destroyed. No other piece of art has had a history quite like this one. 

The subtitle gives it away—this is my (and, I’m guessing, most other medieval military historians’) go-to book for that most famous of crusades. France masterfully combines a captivating narrative with abundant historical detail, keen tactical/operational/strategic analyses, and expert interpretation. Each chapter is a delight, but not to be missed is France’s discussion of medieval generalship, his close study of army sizes, and especially the three full chapters on the fighting in and around Antioch in 1097-1098—which still constitute the best scholarly treatment of the events there. Despite a rash of newer works on the First Crusade over the last three decades, this remains the standard treatment for those interested in the war’s martial contours.

This lavishly illustrated book focuses on the crusades’ material objects: sculptures, paintings, manuscripts, architecture, coinage, and even jewelry. As historical evidence, artifacts are as important as documents, and these carefully chosen items provide privileged insights into the largely-shared crusader worldview and sense of mission. They further illuminate the complex relationships that developed between crusaders and the many foreign cultures with which they came into contact.  

James Patterson is one of my favorite authors and his historical novel The Jester is a masterpiece, blending an intriguing story of treachery, deceit, and love against the backdrop of Medieval Britain. Patterson brings the characters into living color, especially the poor peasants who toil within the cold, stone walls. While the plot is fantastic in its own right, the author does something unique that sets him apart – his chapters are always short and easy to read. Cliffhangers dangle at the end of most of the pages, keeping the reader on the edge of his seat. The combination makes this book hard to put down and you’ll be finished in no time. It's clear he understands what the reader wants, and he delivers!

Numerous fascinating first-hand accounts of American “Doughboys” who saw front-line service in World War I. Many of the stories are poignant and personal.

Stallings was there, on the frontlines, fighting. He was wounded, lost a leg. He received the Croix de Guerre from the French government and the Silver Star and Purple Heart from his government. Reading his book, you’re right there with the first Americans landing in France and then following them and those who came after right up until the armistice on November 11, 1918. He also published an award-winning photographic history of the war, wrote a novel about his experiences and, in 1924, with playwright Maxwell Anderson, co-wrote the famous play that twice was turned into a movie, “What Price Glory.” If you want to know what World War I was like for America, it’s well worth the read.

A classic. Originally published in 1956, it was one of the first retorts to the dominant strain of military history that emphasized decisive battle, as seen through the eyes of 19th-century theory. Instead, Smail advances the notion—now widely held—that medieval warfare deemphasized risky battles and instead utilized a range of effective operational approaches (raiding, ravaging, sieging, and skirmishing) in a coherent, positional fashion. Similarly in opposition to older approaches, Smail examines not only western warfare through the activities of crusader and crusader-state armies but also how Muslim forces were organized, sustained, and fought. While his sections on military organization, fortifications, and technology have been greatly updated by newer studies, this remains a standard text for anyone interested in the general subject.