Here are 100 books that The Animals in That Country fans have personally recommended if you like
The Animals in That Country.
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Growing up in the sub-tropics of Brisbane, there was a magic in the heat. It was one that spoke to me from a really young age, and I’d daydream about finding portals to secret worlds in the stutter of a sprinkler’s spray, or the ooze of a monster in mid-afternoon sweat. There was no way I couldn’t find a story in the oppressive swelter of year-round summers, and in my head, I’d cast roles for my family and my friends. Over the years, that bred into a love of writing and reading stories about strange families finding their own sorts of magic with each other and their environments, and the ways that little taste of the uncanny can reveal and conceal in equal measure.
Okay, this is a little bit of a cheat, as there’s no magical realism exactly in Karen Joy Fowler’s novel, but there’s certainly the uncanny. This story of two sisters separated during childhood trying to find each other in adulthood is wry and funny, but also immensely heartfelt and dramatic, and the twist at the halfway mark (which I won’t spoil for you!) makes this one a personal favourite.
The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize.
Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.
SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2019
"There is a poetry in Mills's writing that shimmers like desert air - and in her storytelling, in the way she captures the moods of time, there is something mystical. Daring, original and ambitious." The Australian
An electrifying novel about an oracle. A small town. And the end of the world as we know it...
One morning, the residents of a small coastal town somewhere in Australia wake to discover the sea has disappeared. One among them has been plagued by troubling visions of this cataclysm for years. Is she a prophet?…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.
Robbie Arnott's mad, wild debut novel is rough-hewn from the Tasmanian landscape and imbued with the folkloric magic of the oldest fireside storytellers.
A young man named Levi McAllister decides to build a coffin for his twenty-three-year-old sister, Charlotte-who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire.
The answers to these riddles are to be found in this tale of grief and love and the bonds…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Doyle’s first novel, The Island Will Sink, was a wild ride into a technology-obsessed, nature-depleted future society. Echolalia is situated firmly in present-day, suburban Australia and unlike most climate change novels it recognises that environmental crisis is part of a deeper web: the novel looks at how class, money, and white dispossession of Australia’s first nations people all complicate the way we deal with heat, drought and a frightening future. A compelling portrait of a woman falling to pieces.
Before: Emma Cormac married into a perfect life but now she's barely coping. Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too.…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.
This novel is a graphic and passionate family saga. I came from a big family and could totally relate to the story of many generations.
I read it in one math class in high school and got punished by the teacher. I clearly remember the teacher’s distorted face when he threw my book out of the window. “Could this crap be more important than math?” I said YES. Yes. Yes. Yes. A thousand yeses.
He failed me, which was fine. Allende’s magical realism allowed me to aspire to become a novelist. I did become a writer, and I would still say YES to my math teacher.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.
On a remote island in the Pacific Northwest, a Hello Kitty lunchbox washes up on a beach.
Tucked inside is the diary of a sixteen-year-old Japanese girl. Ruth, the auto-fictional protagonist of this novel, is a writer who finds the lunchbox and suspects it’s debris from Japan’s 2011 tsunami. Thus ensues a dual storyline in which each of these characters seeks out the other and, in the process, reckons with family, fate, and ancestral heritage.
I chose this National Book Award finalist from 2014 for its subtle use of the two main characters liminal realities to wrestle with the possibility of how two people living at a vast distance apart and even in different times might be connected to each other.
As a writer I was blown away by this passage which comes late in the novel. “[Ruth] thought back to the mystery of the missing words. Had she somehow…
A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and Emptiness
Finalist for the Booker Prize and the National Book Critics Circle Award
"A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be."
In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
Set in Oregon during the 1918
influenza pandemic, this historical young adult novel features a teen girl
separated from her family as the illness spreads from the east coast of the US to
the west. Like Lil, the main character from my book, Cleo in A Death-Struck Year grapples
with moral dilemmas. I was drawn to Cleo’s struggle of wanting to help others,
which will put her life at risk, and of desperately wanting to survive.
Schools, churches, and theaters shut down. The entire city is thrust into survival mode-and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to…
I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.
I loved that the main character was a kickass female. Ashley is a fabulous character who is more than what people think she is, which is how I often feel. The fun thing is that Ashley is just like everyone else, a woman trying to get through a very rough day. Ashley felt like she could be any of us or all of us. In fact, I hope that I can be Ashley if there is a zombie apocalypse, a strong female who doesn’t let anyone cause me to die (except me).
Ashley was just trying to get through a tough day when the world turned upside down.
A terrifying virus appears, quickly becoming a pandemic that leaves its victims, not dead, but far worse. Attacked by zombies, Ashley discovers that she is a 'Wild-Card' -- immune to the virus -- and she is recruited to fight back and try to control the outbreak.
It's Buffy meets the Walking Dead in a rapid-fire zombie adventure!
