Here are 100 books that The Animals in That Country fans have personally recommended if you like
The Animals in That Country.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I loved how the novel doesn't reveal right away what it is truly about but lets it dawn on you and then invites you into a moving family story. Another tale of humans and apes, it made me feel the joys and repercussions of deep bonds across species and between siblings.
I was moved by a family that begins as a scientific experiment, struggling to find love and justice and what we like to call humanity, though maybe we need to find another word.
The New York Times bestselling author of The Jane Austen Book Club introduces a middle-class American family that is ordinary in every way but one in this novel that won the PEN/Faulkner Award and was a finalist for the Man Booker Prize.
Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee,” she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.
SHORTLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2019
"There is a poetry in Mills's writing that shimmers like desert air - and in her storytelling, in the way she captures the moods of time, there is something mystical. Daring, original and ambitious." The Australian
An electrifying novel about an oracle. A small town. And the end of the world as we know it...
One morning, the residents of a small coastal town somewhere in Australia wake to discover the sea has disappeared. One among them has been plagued by troubling visions of this cataclysm for years. Is she a prophet?…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.
Robbie Arnott's mad, wild debut novel is rough-hewn from the Tasmanian landscape and imbued with the folkloric magic of the oldest fireside storytellers.
A young man named Levi McAllister decides to build a coffin for his twenty-three-year-old sister, Charlotte-who promptly runs for her life. A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire.
The answers to these riddles are to be found in this tale of grief and love and the bonds…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Doyle’s first novel, The Island Will Sink, was a wild ride into a technology-obsessed, nature-depleted future society. Echolalia is situated firmly in present-day, suburban Australia and unlike most climate change novels it recognises that environmental crisis is part of a deeper web: the novel looks at how class, money, and white dispossession of Australia’s first nations people all complicate the way we deal with heat, drought and a frightening future. A compelling portrait of a woman falling to pieces.
Before: Emma Cormac married into a perfect life but now she's barely coping. Inside a brand new, palatial home, her three young children need more than she can give. Clem, a wilful four year old, is intent on mimicking her grandmother; the formidable matriarch Pat Cormac. Arthur is almost three and still won't speak. At least baby Robbie is perfect. He's the future of the family. So why can't Emma hold him without wanting to scream? Beyond their gleaming windows, a lake vista is evaporating. The birds have mostly disappeared, too.…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.
This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.
On a remote island in the Pacific Northwest, a Hello Kitty lunchbox washes up on a beach.
Tucked inside is the diary of a sixteen-year-old Japanese girl. Ruth, the auto-fictional protagonist of this novel, is a writer who finds the lunchbox and suspects it’s debris from Japan’s 2011 tsunami. Thus ensues a dual storyline in which each of these characters seeks out the other and, in the process, reckons with family, fate, and ancestral heritage.
I chose this National Book Award finalist from 2014 for its subtle use of the two main characters liminal realities to wrestle with the possibility of how two people living at a vast distance apart and even in different times might be connected to each other.
As a writer I was blown away by this passage which comes late in the novel. “[Ruth] thought back to the mystery of the missing words. Had she somehow…
A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and Emptiness
Finalist for the Booker Prize and the National Book Critics Circle Award
"A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be."
In Tokyo, sixteen-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a…
I have read over 50 zombie novels and watched pretty much every zombie movie available to me. I write horror and a lot doesn’t really scare me anymore. The books I’ve listed are some of the ones that have stuck with me and gave me nightmares. My favorite zombie movies are the Norwegian film Dead Snow, Train to Busan, and REC (so scary as it added religion to the mix). I read a lot of zombie novels as research for my own zombie novels as I want my books to present new ideas that aren’t readily available, or overused.
I loved that the main character was a kickass female. Ashley is a fabulous character who is more than what people think she is, which is how I often feel. The fun thing is that Ashley is just like everyone else, a woman trying to get through a very rough day. Ashley felt like she could be any of us or all of us. In fact, I hope that I can be Ashley if there is a zombie apocalypse, a strong female who doesn’t let anyone cause me to die (except me).
Ashley was just trying to get through a tough day when the world turned upside down.
A terrifying virus appears, quickly becoming a pandemic that leaves its victims, not dead, but far worse. Attacked by zombies, Ashley discovers that she is a 'Wild-Card' -- immune to the virus -- and she is recruited to fight back and try to control the outbreak.
It's Buffy meets the Walking Dead in a rapid-fire zombie adventure!
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
The ‘decade of centenaries’ from 2013-2023 has seen a plethora of books published about events during the Irish Revolution of a hundred years ago or so. Most of them have a glaring omission in that they do not mention, or only barely mention, the great influenza pandemic (the Spanish Flu) of 1918-1919, despite the fact that infection rates and mortality rates were extremely high. Milne’s book tackles the subject head-on, and fills a gap in the narrative of the pivotal decade 1913-23 in Irish history. The high quality of the research is evident in the enormous level of detail throughout the book, and Milne has given a human voice to many of the victims’ families by including survivor memories passed down through the generations. A sombre, thought-provoking read!
The 1918-19 influenza epidemic killed more than 50 million people, and infected between one fifth and half of the world's population. It is the world's greatest killing influenza pandemic, and is used as a worst case scenario for emerging infectious disease epidemics like the corona virus COVID-19. It decimated families, silenced cities and towns as it passed through, stilled commerce, closed schools and public buildings and put normal life on hold. Sometimes it killed several members of the same family. Like COVID-19 there was no preventative vaccine for the virus, and many died from secondary bacterial pneumonia in this pre-antibiotic…
