80 books like The 39 Steps

Thesiger was a British military officer, explorer, and writer, who, in the second half of the 20th century, traveled on foot, horse, and by camel across Arabia, the Middle East, and Africa. Rub' al Khali, the Empty Quarter, is the largest sand desert in the world, a desolate, dangerous plane of rolling dunes, with a very limited number of waterholes. At the time of Thesiger’s travels in the late 1940s, this desert had been traveled exclusively by the local Bedu. What makes this book intriguing is the description of the harsh landscape and the people that live in it. Thesiger traveled the desert with a purpose (he wanted to find out more about a locust with some ecological relevance), so he and his guides voyaged huge distances. As the reader turns the pages, the overwhelming sense of adventure and Thesiger’s lust for the unknown become contagious. Many books have… show more.

Vance is one of the best Sci-Fi authors of the twentieth century, although for a long time he wasn’t a household name in the genre. Over 70 years he has written an abundance of books, all of which focused on distant worlds and human societies that have differentiated into freedom-loving, anarchic and weird cultures. “Planet of Adventure” is a set of four books, and deals with Adam Reith, a single astronaut stranded on a planet ruled by four races of extraterrestrials. Humans are little more than slaves on this planet, and Adam needs all his wits to survive… and to find a way off the planet and back home. The book resembles a wild, expressionist painting; the extraterrestrials and their strange cultures and the humans that serve them provide the color and texture to a truly amazing adventure.

Verne has written many books about survival, exploration, and technical innovation. In many aspects, he was far ahead of his time, a nineteen century Sci-Fi wonder boy. He was a masterful storyteller, providing an expert rhythm of action scenes followed by contemplative paragraphs. The Mysterious Island deals with a group of people that has landed in an impossible situation: they are castaways on a deserted island. In most books of this genre, the subjects will succumb or barely manage to survive, but not so for Verne’s engineer and his companions. Through the combination of scientific knowledge, the sheer power of man’s muscles, and unwavering optimism, they quickly turn nature to their benefit and remodel the island to their liking. A thrilling adventure story!

This was my father’s favourite book, and the teenage me agreed. It’s the greatest prolonged chase story ever written. An English tourist takes a pot shot at Hitler and is hunted all the way to the West Country in England, where he digs himself into the bank of an unused country lane, cornered like a fox. I lived in Devon at the time, and knew those huge high banks along the sides of ancient tree-covered lanes, and I and the village kids built ourselves exactly the same sort of hideaway, dug into a bank in the woods and invisible from above.

These stories were picked out by the master of suspense, himself, Alfred Hitchcock. These stories are both horrific and suspenseful. With tales involving a flesh-eating troll, something creepy lurking about in the woods that kills anything that comes into its path, and an uninvited odd boy that comes to a party with evil intentions, one will not be able to put this book down. It might even make you want to leave the lights on during the night.

No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.

This is the first book I read that confirmed my own intuition—that Hitchcock’s works are as rich and complex as great literary works.

Brill’s book was a relatively early work of Hitchcock criticism, but an enduring one, a humanistic study with considerable attention paid to the films’ aesthetic and religious dimensions. The latter is fitting because Hitchcock was a deeply Catholic director.

The book offers excellent analyses, with good attention to cinematic and artistic features.

Sheila Kohler, a mentor of mine whose work is featured in this thrilling collection, is fond of saying that suspense arises from putting a vulnerable character in a dangerous situation. A literary writer of the highest caliber, Sheila knows how to generate the suspense that keeps the page turning. Crime fiction has a long history going back to Dostoevsky and beyond, to the great tragedians—the commission of a crime entails motive, means, and is inherently dramatic. This eclectic selection of mystery and female noir, edited by Joyce Carol Oates, features superstar writers like Edwidge Danticat, Margaret Atwood, Sheila Kohler, Elizabeth McCracken, and Joyce Carol Oates herself. The writing is luminous, the themes are varied—from domestic horror to the erotic to dark fairy tales—and the tales keep the reader turning the page.

With the exception of the prefatory material, which one can skip, this is one of the very best books on Hitchcock.

It is beautifully written and attentive to cinematic details and larger themes. It offers rich interpretations of several central films, with the first half focused on close interpretation and the second half, written later in Wood’s career, more orientated toward Marx, Freud, and gay studies.

Though the book is uneven, it contains some of the best analyses one will ever read of Hitchcock’s major films.

If one wants to hear Hitchcock’s voice, this set of interviews provides the gold standard. The book, which was also important for Hitchcock’s reception, includes discussions of every major film.

Hitchcock talks informally about what his intentions were, how he created individual scenes, and what kinds of meanings lie hidden in the works. Most readers are drawn to Hitchcock criticism after being engaged by an individual film, and they will find welcome orientation here.