100 books like Tell Me What Really Happened

Moving away from YA and into adult thrillers, this book has a major plot twist that left me shook!

In a final effort to fix their marriage, Mr. and Mrs. Wright retreat to a secluded cottage in Scotland. However, they’re soon confronted with the ghosts of their past, leaving them vulnerable.

With the clever inclusion of diary entries, which serve as a breadcrumb trail for readers to follow, this story weaves a complex narrative of deceit, fixation, and deception. 

Next, we have a true standout in YA—a novel that arguably revolutionized the mystery genre for teen readers.

While mysteries have long been a staple in YA literature, in my view, this book sparked a new age. This novel, now adapted into a popular Netflix series, firmly established YA mystery as a force to be reckoned with, largely thanks to its clever twist.

Taut, scandalous, and enthralling, this book exemplifies the blame game genre.

I love this 1926 Agatha Christie standout, famed for pioneering the use of red herrings and misdirection.

With Hercule Poirot at the helm, Agatha Christie's renowned detective delves into a case investigating a series of murders linked to the mysterious Roger Ackroyd.

As always, Christie delivers a captivating and confounding mystery that kept me on my toes throughout!

This book carved its place in the YA genre.

Who lurks behind the ominous alias “Aces”? With its compelling narrative and prose, this book fearlessly confronts weighty topics like racism and homophobia.

It captivates with its brisk pace and emotional impact. And the ending was a twist I did not see coming.

This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’ 

There are many terrifying monsters, but few were as feared as the beast of Gévaudan, which terrorized the French countryside in the 1760s.

Said to be, variously, a werewolf, a dog-hybrid, a hyena, or some unknown beast, it was blamed for killing many dozens of villagers. The French government sent top hunters to kill the beast, and conspiracy theories ran rampant. I recommend Monsters of the Gevaudan because I love the way it blends history, folklore, and investigation into a compelling mystery.

Don’t believe the mystery-mongering TV shows offering wild theories: the truth is in this book—and it’s stranger than fiction. 

Ziad Fahmy’s book on the importance of popular culture in the history of modern Egypt and the anti-British revolution of 1919 was a real landmark. Bringing together songs, jokes, vaudeville plays, and more, he manages to draw out a story of Egyptian anti-colonial, nationalism that is not confined to elite circles or confined by bourgeois morality. This is history from the streets. Although it is an academic book, it is written with an engaging style that captures some of the excitement of this period. Published in 2011, Fahmy’s book opened up space for research and writing on the history of Arabic pop culture.

I am recommending this book, because it is the first edited volume, and, really, the first academic book to directly engage black popular culture as a field of study. It was avant-garde. It gave a name to cultural productions that, at that time, during my first semester of graduate school in 1997, I had no idea had a collective name. I love this book, because I encountered it simultaneously to learning concepts like “high” and “low” art. The book, in my opinion, made a compelling argument for why the popular, the folk, the vernacular, and so-called “low” art matters.

I wanted to recommend a couple of funny graphic novels to help stave off dread, and this book by Lisa Hanawalt is simply the funniest graphic novel I have ever read. The author is perhaps best known as one of the co-creators of Bojack Horseman (with her signature animal characters) as well as Tuca & Bertie. It’s a collection of musings and essays, told through Lisa’s incredible artwork. She has such an unexpected left-field sense of humour that is sharp but somehow always warm, underpinned by her beautiful illustrations. This book is like riding on a strange multicoloured rollercoaster though a candy dreamland, but you’re very securely fastened into your seat and feel very snugly held throughout.

In 2018, I visited one of the most unusual exhibitions I’d ever been to. Hosted by the Ashmolean Museum in Oxford, ‘Spellbound’ examined how magical thinking has been practiced over the centuries.

From mummified cats to lovers’ rings, the displays were dazzling. Every time I open the accompanying book, with its remarkable photographs and illustrations, I’m transported back to this extraordinary, baffling world.