Here are 100 books that Tainaron fans have personally recommended if you like
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I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.
I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
I teach and have written too many articles on these books as an English professor. There’s a time for tragic or difficult books (James Joyce, anyone?), but also a time for fun, and I believe it’s good for my students to giggle and enjoy reading while they learn. As a Canadian, I’m told my humor is dry but warmer, and accordingly, the books I prefer make me think—and some break my heart—but my favorites also make me laugh. If you want a quality read but aren’t above a fart joke, I hope you will check out my list.
How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.
I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.
First book of the original and best CITY WATCH series, now reinterpreted in BBC's The Watch
'This is one of Pratchett's best books. Hilarious and highly recommended' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . _________________
'It was the usual Ankh-Morpork mob in times of crisis; half of them were here to complain, a quarter of them were here to watch the other half, and the…
Growing up in Los Angeles, I am well familiar with strange, grotesque, illogical, and wonderful cities. My love of fantasy has always been for the odd ones out, less the bucolic farmlands and forest, more for those that present a twisted mirror of modern urban life. As an amateur lover of history, I love to study the evolution, mutation, and decay of cities. I find most interesting cities, in both real life and fantasy, to be those shaped by not one single culture, but by many over history and space.
If dragons and elves are the mainstays of traditional fantasy, then mushrooms and squids are the mainstays of weird fantasy. And there’s no city with more squids or mushrooms than Vandermeer’s Ambergris. A haphazard port town infested by fungi and built on ancient ruins holding dark secrets, there’s nothing quite like Ambergris.
What I love so much about Vandermeer’s trilogy is that the city evolves and changes. City of Saints and Madmen is an excellent short story collection that introduces the setting in peacetime, and by the end of Finch it has seen so much conflict and upheaval that Ambergris evolves into a completely different and yet equally fascinating city.
From the author of Annihilation, now a major motion picture on Netflix.
From Jeff VanderMeer, an author praised by writers such as Laren Beukes, China Mieville and Michael Moorcock, City of Saints and Madmen is by turns sensuous and terrifying. This collection of four linked novellas is the perfect introduction to VanderMeer's vividly imagined world.
In the city of Ambergris, a would-be suitor discovers a sunlit street can become a killing ground in the blink of an eye. An artist receives an invitation to a beheading and finds himself enchanted. And a patient in a mental institution is convinced he's…
Growing up in Los Angeles, I am well familiar with strange, grotesque, illogical, and wonderful cities. My love of fantasy has always been for the odd ones out, less the bucolic farmlands and forest, more for those that present a twisted mirror of modern urban life. As an amateur lover of history, I love to study the evolution, mutation, and decay of cities. I find most interesting cities, in both real life and fantasy, to be those shaped by not one single culture, but by many over history and space.
Speaking of books that push up against the genre boundaries of fantasy, Bishop’s The Etched City crafts a dark, foreboding, but somehow one of the beautiful cities in fantasy.
Ashamoil is a grim place, decadent and decayed, a humid jungle-born city filled with disgraced freedom fighters, slavers, and crime lords. Its fantasy elements are less floating magic gemstones and dragons and more weird, inexplicable things, miracles, and their dark inverse.
At times The Etched City feels like a dream, but the best kind of dream, the one you want to tell everyone about, if you could just find the right words.
“Combine equal parts of Stephen King’s Dark Tower series and Chine Miéville’s Perdido Street Station, throw in a dash of Aubrey BeardsleyandJ.K. Huysmans, and you’ll get some idea of this disturbing, decadent first novel.”—Publishers Weekly
Gwynn and Raule are rebels on the run, with little in common except being on the losing side of a hard-fought war. Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just—and lost—causes. Bound by a desire to escape the ghosts of the past, together they flee…
The subject of friendship can be explored endlessly, as every friendship is unique. I am especially drawn to stories of unlikely friendships that look at the surprising and interesting ways that we show up for one another. One of the things that I see in all of the stories that Giselle and I have chosen, is that these unusual friendships make a difficult, awkward, or downright scary world a better place to be.
Jerry Pinkney beautifully tackles Aesop’s fable, The Lion & the Mouse. His version is wordless except for a few, potent calls from the animals in the savanna. Pinkney’s luminous watercolor illustrations depict alive and intricate landscapes and animals. Life is shown to be rich, beautiful, and dangerous as a mouse narrowly escapes the talons of an owl, only to stumble upon a magnificent lion. The lion kindly sets the mouse free, and later in the story when the lion is captured by hunters, the mouse hears his mighty roar and comes to his aid, nibbling away the ropes. Once released the lion and the mouse return to their families. I love how this story reflects the inter-dependency of all of us, and how we all matter for the well-being of the other, no matter the size or status of any one individual.
The Caldecott Award-winning and New York Times bestselling fable of compassion and kindness retold by acclaimed artist Jerry Pinkney.
In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.
As a curious Pratt Institute art school professor and loving parent of a daughter who has also written and/or illustrated sixteen children’s books I want to share my favorite books with other children’s book connoisseurs. It also helps that I have lots of opinions. Too many to count. And when someone actually wants to listen to my opinions I get very excited. I’m hoping one of my favorites becomes one of your favorites.
A ridiculous, hysterical old tale of a hat salesman who loses his hats to a bunch of monkeys and has to find a way to get them back.
I use to imitate the salesman and the monkeys while reading this book to my young daughter with a heavy Italian accent. I had more fun reading it out loud than any other book I’ve read.
Caps for Sale is a timeless classic beloved by millions...one of the most popular picture books ever published! Children will delight in following the peddler's efforts to outwit the monkeys and will ask to read it again and again. Caps for Sale is an excellent easy-to-read book that includes repetition, patterns, and colors, perfect for early readers. This tale of a peddler and a band of mischievous monkeys is filled with warmth, humor, and simplicity and also teaches children about problem and resolution.
I’m a Filipino illustrator who draws children’s books for both publishers and for private commissions. I also have been reading children’s books as part of my job. My go-to children's stories are often about animals and nature. I hope you'll like the books on this list as much as I do!
I like reading a lot of animal stories and Aesop’s Fables is definitely on top of my list. The Town Mouse and Country Mouse fable is my favorite. When I was young, I never got to appreciate it but reading it as a grown-up, I can totally relate to how Town Mouse and Country Mouse felt about their hometowns. For me, no matter what place I travel to, I will still always prefer to live in my hometown. I recommend this version in particular because it’s geared towards younger readers. The morals are indicated at the start of every story to guide the readers on what lesson is being taught. I love the aesthetic of this book as well. It has a beautiful painterly and cartoony style to it.
A delightful collection of six stories, with lively retellings and colourful artwork by Columbian illustrator, John Joven. A perfect first introduction to Aesop for little children. Stories include well-known classics The Lion and the Mouse, The Town Mouse and the Country Mouse and The Ant and the Grasshopper.
As an organizational psychologist, I am driven to study and work to improve work activities that are causing great frustration and not working effectively—meetings are the perfect fit. And, for 20 years I have been actively publishing in this space and have spoken to well over 100,000 leaders through my keynotes/events/videos. What excites me is that meeting science can truly help leaders, teams, and organizations. The books I recommend are well-aligned with the science, and can be difference makers. I hope you enjoy them and find them helpful.
This is a really unique and different meeting book – it basically teaches about how to run meeting effectively by inserting them naturally into a fable. The fable is really quite engaging and something most of us can relate to. The learnings, although not extensive, align quite well with the science. Overall it is a fun and informative book.
Casey McDaniel had never been so nervous in his life. In just ten minutes, The Meeting, as it would forever be known, would begin. Casey had every reason to believe that his performance over the next two hours would determine the fate of his career, his financial future, and the company he had built from scratch. 'How could my life have unravelled so quickly?' he wondered. In his latest page-turning work of business fiction, best-selling author Patrick Lencioni provides readers with another powerful and thought-provoking book, this one centred around a cure for the most painful yet underestimated problem of…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
One of my favorite fiction collections, it contains everything from selkies to homework assignments to imagined histories.
I’m drawn to stories that illuminate hidden literature, imagine landscapes, or unearth a secret history. Stories with footnotes, poems, and epistolaries. Tender is all these things, and in the best fabulist tradition, these elements are not the point. They heighten the stakes and experiences.
I love books where the unreal and uncanny don’t distract from reality but create a focus to make a fictional reality more real. In Tender, even stories that appear to be straight science fiction become something bigger and stranger.
Samatar is a masterful stylist, and her prose is outrageously good.
World Fantasy, British Fantasy, and Locus award finalist
Divided into "Tender Bodies" and "Tender Landscapes," the stories collected here in this first collection of short fiction from a rising star travel from the commonplace to the edges of reality. Some of Samatar's weird and compassionate fabulations spring from her life and literary studies; some spring from the world, some from the void. Tender explores the fragility of bodies, emotions, and landscapes, in settings that range from medieval Egypt to colonial Kenya to the stars, and the voices of those who question: children, students, servants, researchers, writers.
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I wish publishers translated more fantastical fiction from around the world. This collection by Mexican authors offers a buffet of the weird, fabulist, and otherworldly.
The translated prose is masterful. Many stories draw the distant, decaying realm lying between life and death, directly and viscerally, into the homes and lives of the characters.
Anthologies can often suffer from an unevenness between authors, but this collection is consistently surprising and offers something for any reader of fabulist fiction.
A huge, energetic, and ambitious groundbreaking anthology from emerging and established Mexican authors which showcases all-new supernatural folktales, alien incursions, ghost stories, apocalyptic narratives, and more. Stereotypes of Mexican identities and fictions are identified and transcended. Traditional tales rub shoulders with mindbending new worlds. Welcome to the new Mexican fantastic. Eduardo Jimenez Mayo's translations include books by Bruno Estanol, Rafael Perez Gay, and Jose Maria Perez Gay. Chris N. Brown lives in Austin, Texas. He is a contributor to the blog No Fear of the Future. Bruce Sterling lives in Turin, Italy, and blogs at Wired's Beyond the Beyond.
