100 books like Spooky Archaeology

As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.

Dighton Rock in Massachusetts is covered in incised images, some in geometric patterns, others in the shape of animals, and others still depicting human-like figures. It’s fascinating and, like many before me, when I saw it I wondered about the meaning and origin of that rock writing. As soon as European settlers encountered the artifact in the seventeenth century, they vigorously contested its origins. Some claimed the highly eroded markings reflected an assortment of Old World languages including Phoenician and Norse. Others asserted that its message recorded the presence of Portuguese explorers in the early 1500s. Author Douglas Hunter shines an investigative light on Dighton Rock, masterfully debunking all of these speculations, proving the rock’s messages should be credited to the Native People of New England.

I was only 9 or 10 years old when I first saw the Cardiff Giant at the Farmers’ Museum in Cooperstown, New York. I was enthralled by the recumbent ten-foot tall stone man and his story continues to fascinate me. Though it pales in comparison to the famous Piltdown Man fraud in terms of its longevity and archaeological significance, as Scott Tribble shows in his informative and entertaining book, the Cardiff Giant hoax of 1869 was much funnier. Deemed by some to be the remains of a biblical giant, thousands of dollars were made from its exhibition until a cigar manufacturer in Binghamton, New York admitted to crafting it. P.T. Barnum tried to buy it. Mark Twain penned a short story about it. And Scott Tribble wrote this marvelous book about it.

Whenever I encounter people who interrogate me concerning my archaeological skepticism that the “Lost Continent of Atlantis,” as described by Greek philosopher Plato in about 360 BC, was a real place or even one loosely based on an actual historical event, I invariably direct them to Paul Jordan’s thorough and definitive book. “But didn’t Plato say that Atlantis was real?” they ask. Nope. “But don’t ancient civilizations share so much in common they must have derived their cultures from a single source, Atlantis?” Nope. “But didn’t Plato base his discussion of Atlantis on the catastrophic destruction of the Minoan civilization?” Nope. Why all my “nopes?” Read Jordan’s authoritative book to find out. He is a terrific researcher and a damn good writer.

Who has not heard of King Tut? Written by the discoverer of the tomb, the book is a fascinating glimpse into the mind of an accomplished archeologist and a window to the fabulous riches of Egypt. Reading firsthand about what they saw and how things were placed gives us an insight into how things may have been in the last few hours of sealing the tomb. I often use such content to fuel my imagination of what might have happened.

I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.

My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.

Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region… show more.

Many, many years ago, Rose Macauley’s classic book, The Pleasure of Ruins, went a long way to inspiring my sense of wonder at the remnants of past worlds.

In this book, Roloff Beny interprets Macauley’s words in the same way that I attempt to encapsulate and share some of the feelings of awe I get when I visit these magical places.

I was at the landmark conference in 1987 that legitimated critical analyses of archaeological work and the socio-cultural parameters in which it takes place. We were all surprised at the numbers, range of interests, range of professional standing of the participants, and enthusiasm––all reflected in the papers in this book.  Dipping into it startles with the diversity of persons and places and times affecting the history of archaeology. Feminist concerns were loud and clear and critiqued from a supportive standpoint. Pair this with Trigger's magisterial history to see how he distilled a multitude of disparate activities oriented to the past, into his deeply discerning long story.  

The Israeli narrative is particularly strong among Christain and Jewish communities due to a tale full of fabrications that stretches back to ancient times. This methodical and erudite research exposes the role of archeology in providing "scientific" scaffolding for that tale.