Here are 100 books that The Mound Builder Myth fans have personally recommended if you like
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My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
Peeling back the stratigraphic layers of archaeology’s history, self-described “weirdshitologist,” archaeologist Jeb Card, reveals the discipline’s very “spooky” foundations in this riveting book. These foundations included a belief in a mythic time that preceded our modern world which has left behind its spoor in the form of eerie and phantasmagorical archaeological sites imbued with evil spirits, elves, pixies, djinn, elementals, and other paranormal entities. Card discusses haunted landscapes, bloodthirsty Druids, cursed mummies, and Lovecraftian “Old Ones” in his romp through all that is weird, strange, and, indeed, spooky in archaeology. Finally, Card shows that archaeology as presented on cable TV, YouTube videos, blogs, and social media is still haunted by the specter of Victorian Age beliefs about humanity’s presumably spooky past.
Outside of scientific journals, archaeologists are depicted as searching for lost cities and mystical artifacts in news reports, television, video games, and movies like Indiana Jones or The Mummy. This fantastical image has little to do with day-to-day science, yet it is deeply connected to why people are fascinated by the ancient past. By exploring the development of archaeology, this book helps us understand what archaeology is and why it matters.
In Spooky Archaeology author Jeb J. Card follows a trail of clues left by adventurers and professional archaeologists that guides the reader through haunted museums, mysterious hieroglyphic inscriptions, fragments…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
Dighton Rock in Massachusetts is covered in incised images, some in geometric patterns, others in the shape of animals, and others still depicting human-like figures. It’s fascinating and, like many before me, when I saw it I wondered about the meaning and origin of that rock writing. As soon as European settlers encountered the artifact in the seventeenth century, they vigorously contested its origins. Some claimed the highly eroded markings reflected an assortment of Old World languages including Phoenician and Norse. Others asserted that its message recorded the presence of Portuguese explorers in the early 1500s. Author Douglas Hunter shines an investigative light on Dighton Rock, masterfully debunking all of these speculations, proving the rock’s messages should be credited to the Native People of New England.
Claimed by many to be the most frequently documented artifact in American archeology, Dighton Rock is a forty-ton boulder covered in petroglyphs in southern Massachusetts. First noted by New England colonists in 1680, the rock's markings have been debated endlessly by scholars and everyday people alike on both sides of the Atlantic. The glyphs have been erroneously assigned to an array of non-Indigenous cultures: Norsemen, Egyptians, Lost Tribes of Israel, vanished Portuguese explorers, and even a prince from Atlantis.
In this fascinating story rich in personalities and memorable characters, Douglas Hunter uses Dighton Rock to reveal the long, complex history…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
I was only 9 or 10 years old when I first saw the Cardiff Giant at the Farmers’ Museum in Cooperstown, New York. I was enthralled by the recumbent ten-foot tall stone man and his story continues to fascinate me. Though it pales in comparison to the famous Piltdown Man fraud in terms of its longevity and archaeological significance, as Scott Tribble shows in his informative and entertaining book, the Cardiff Giant hoax of 1869 was much funnier. Deemed by some to be the remains of a biblical giant, thousands of dollars were made from its exhibition until a cigar manufacturer in Binghamton, New York admitted to crafting it. P.T. Barnum tried to buy it. Mark Twain penned a short story about it. And Scott Tribble wrote this marvelous book about it.
In October 1869, as America stood on the brink of becoming a thoroughly modern nation, workers unearthed what appeared to be a petrified ten-foot giant on a remote farm in upstate New York. The discovery caused a sensation. Over the next several months, newspapers devoted daily headlines to the story and tens of thousands of Americans-including Oliver Wendell Holmes, Ralph Waldo Emerson, and the great showman P. T. Barnum-flocked to see the giant on exhibition. In the colossus, many saw evidence that their continent, and the tiny hamlet of Cardiff, had ties to Biblical history. American science also weighed in…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
Whenever I encounter people who interrogate me concerning my archaeological skepticism that the “Lost Continent of Atlantis,” as described by Greek philosopher Plato in about 360 BC, was a real place or even one loosely based on an actual historical event, I invariably direct them to Paul Jordan’s thorough and definitive book. “But didn’t Plato say that Atlantis was real?” they ask. Nope. “But don’t ancient civilizations share so much in common they must have derived their cultures from a single source, Atlantis?” Nope. “But didn’t Plato base his discussion of Atlantis on the catastrophic destruction of the Minoan civilization?” Nope. Why all my “nopes?” Read Jordan’s authoritative book to find out. He is a terrific researcher and a damn good writer.
This work unravels the whole Atlantis mythology, starting with the first reference to it in the works of Plato in about 360BC. It follows the evolution of the idea through classical times and the Middle Ages, and shows how the modern approach to the story was pioneered by an Italian poet in 1530.
To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
This was one of my go-to non-fiction books when researching for my book. It gives a great sense of the history and variety of the mounds in the United States. It's estimated there were once thousands, perhaps even tens of thousands. A few have been preserved, most have been forgotten or obliterated.
Brought up to date with the latest research, The Moundbuilders is the definitive visual guide to North America’s eastern region and the societies that forever changed its landscape.
Hailed by Bruce D. Smith, curator of North American archaeology at the Smithsonian Institution, as “without question the best available book on the pre-Columbian . . . societies of eastern North America,” this wide-ranging and richly illustrated volume covers the entire prehistory of the Eastern Woodlands and the thousands of earthen mounds that can be found there, built between 3100 BCE and 1600 CE.
I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a game.
In this book, Robert M. Schoch challenges the mainstream belief of mere coincidence regarding the prevalence of pyramids worldwide.
Schoch explores mysterious geographical and historical examples, from ancient Egyptians to Buddhists and the Mississippi Indians; Schoch argues that ancient cultures shared a common vision of these majestic structures. He believes ancient sailors from Southeast Asia spread the concept of pyramids throughout the world, even reaching the Americas.
Schoch presents a thoughtful, well-reasoned theory that proposes the possibilities of cross-cultural exchange. I really enjoyed Schoch’s thinking, supported by solid evidence from this Boston University Geology professor.
Is it a mere coincidence that pyramids are found throughout our globe? Did cultures ranging across vast spaces in geography and time, such as the ancient Egyptians; early Bud-dhists; the Maya, Inca, Toltec, and Aztec civilizations of the Americas; the Celts of the British Isles; and even the Mississippi Indians of pre-Columbus Illinois, simply dream the same dreams and envision the same structures?
Robert M. Schoch-one of the world's preeminent geologists in recasting the date of the building of the Great Sphinx-believes otherwise. In this dramatic and meticulously reasoned book, Schoch, like anthropologist Thor Heyerdahl in his classic Kon-Tiki, argues…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartram’s Travelsin American literature.
More than two centuries have passed since the publication of William Bartram's Travels in 1791. His work was visionary, fostered the development of a truly American strain of natural history, and transcended scientific boundaries to deeply influence Coleridge, Wordsworth, and other Romantic poets. His text continues to ignite the imaginations of those who love nature. Being on the road with Bartram involves cliffhanger encounters with dreadful weather, charismatic predators, and even deadlier humans. And throughout the book, he reveals a deep spiritual connection to nature. Bartram's holism lays the foundation for major themes of modern nature writing as well as…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this classic account, the botanist William Bartram records his exploration of the southern wilderness just before the American Revolution. He portrays the wilderness and the flora and fauna and Indigenous people before white settlement. While researching and writing Boone I referred again and again to his poetic descriptions. Bartram is an inspiration.
This is the first inexpensive, illustrated edition of one of the most delightful books of the 18th century. A major source work in American geography, anthropology, and natural history, it contains accurate and entertaining descriptions of the area of the New World now embraced by Florida, Georgia and the Carolinas. From 1773 to 1778, William Bartram, a trained naturalist, traveled through southern North America, noting the characteristics of almost everything he encountered: the rivers of Florida, the groves of wild oranges, the swamps and lagoons, the fish, the tropical snakes and reptiles, the land and aquatic birds, the Cherokee Indians'…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
When I give talks about Jackson, audience members often bring up his “adoption” of Lyncoya, a Creek Indian boy, as an argument against his racist and violent treatment of Native Americans. Peterson delves into that episode, and similar events in the lives of Jackson and men like him, to explain what elite white “adoption” of Native children actually meant and how it reflected larger national themes of acquisition and subjugation.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an "unusual sympathy," Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building.
As the United States aggressively expanded into Indian…
I’ve been interested in ancient Egypt ever since I read Asterix and Cleopatra when I was a boy. The hilarious moment of Obelix accidentally knocking off the Sphinx’s nose has always stayed with me in particular. By my early twenties, I was reading authors like Graham Hancock, Robert Bauval, and Colin Wilson, who showed me that what we think we know about ancient Egypt is not wholly correct. For instance, there’s little evidence that the Great Pyramid’s purpose was to be a tomb and the Sphinx seems to be much older than Egyptologists believe. In 2010, at thirty-four years old, I finally got to visit the wonders of Egypt myself.
Much of the key stuff that’s mentioned in the books above are contained in Heaven’s Mirror by the great Graham Hancock and his wife Santha Faiia. So, the book’s a great place to start if you’re new to all this rethinking ancient Egypt malarkey. Heaven’s Mirror also covers other civilizations like the Mayans and Incas. For me, this book is so special because it contains some absolutely glorious and spellbinding photos of key ancient sites in Egypt, such as Karnak, Dendera, Abydos, and the pyramids of Giza, Dashur, and Saqqara, which I was lucky enough to visit myself and which I wrote about in The Road To Purification.
This is the sequel to the international bestseller, "Fingerprints of the Gods". In very different parts of the world, evidence exists of a common legacy - shared by cultures separated by hundreds, sometimes thousands of years. From Mexico to Iceland, Cambodia to Easter Island, China to Egypt, we are finding a common astronomical wisdom handed down from a time before history, a time perhaps before the 'Great Flood'. This book addresses a common wisdom from a lost civilisation which might hold the key to our own identity on earth. "Heaven's Mirror" is a personal quest for the answer - the…
