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Travels of William Bartram.
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I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
From the extensive Draper Collection of interviews with Boone’s son Nathan, and daughter-in-law Olive, Hammon has put together one of the most valuable portraits of Boone and the Boone family that exists, in the authentic words and voice of the younger son. When I was writing the biography I found it invaluable, both for the information it contains, and for a sense of the family connections.
One of the most famous figures of the American frontier, Daniel Boone clashed with the Shawnee and sought to exploit the riches of a newly settled region. Despite Boone's fame, his life remains wrapped in mystery.The Boone legend, which began with the publication of John Filson's The Adventures of Col. Daniel Boone and continued through modern times with Fess Parker's Daniel Boone television series, has become a hopeless mix of fact and fiction. Born in 1819, archivist Lyman Draper was a tireless collector of oral history and is responsible for much of what we do know about Boone. Particularly interested…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this study Belue creates a sense of the world of Kentucky before settlement, as Long Hunters began to explore the Bluegrass and send reports back east of the streams and savannas, the game, and beauty of the land. While writing Boone, I found this volume especially useful for visualizing the places where Boone hunted in his first and second forays into Kanta-kee.
The Hunters of Kentucky covers a wide range of frontier existence, from daily life and survival to wars, exploits, and even flora and fauna.
The pioneers and their lives are profiled in biographical sketches, giving a rich sampling of the personalities involved in the United States' westward expansion. Author Ted Franklin Belue's colourful and vivid prose brings these long-forgotten frontiersmen to life.
Using the Draper manuscripts and a variety of other primary sources Belue has woven together a fine narrative of life on the frontier.
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this volume Belue has done the almost impossible task of transcribing the text of Draper’s unpublished manuscript of Boone’s life. Draper spent his career collecting documents and interviews about Boone and the settlement of the Ohio Valley, but never managed to finish the work. Only those who have tried to read Draper’s manuscripts can appreciate the heroic task Belue has accomplished. I relied extensively on this volume.
Draper, the first secretary of the State Historical Society of Wisconsin, collected more than 500 volumes of material on the famed frontiersman Daniel Boone. His biography of Boone remained unfinished for 100 years until Ted Franklin Belue, a widely read scholar of early Americana, added his authoritative editing. This long-awaited work is filled with little-known information on Boone and his family, long hunters, the Shawnee, the fur trade, and frontier life in general.
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
With his expertise about frontier life, Faragher brought Boone's studies to a new level. Making use of the Draper Collection at the Wisconsin Historical Society, he created a portrait of Boone in his times that all future biographers will need to refer to.
Winner of the Los Angeles Times Book Prize for History for 1993
In the first and most reliable biography of Daniel Boone in more than fifty years, award-winning historian Faragher brilliantly portrays America's famous frontier hero. Drawing from popular narrative, the public record, scraps of documentation from Boone's own hand, and a treasure of reminiscence gathered by nineteenth-century antiquarians, Faragher uses the methods of new social history to create a portrait of the man and the times he helped shape. Blending themes from a much vitalized Western and frontier history with the words and ideas of ordinary people, Faragher has…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartram’s Travelsin American literature.
More than two centuries have passed since the publication of William Bartram's Travels in 1791. His work was visionary, fostered the development of a truly American strain of natural history, and transcended scientific boundaries to deeply influence Coleridge, Wordsworth, and other Romantic poets. His text continues to ignite the imaginations of those who love nature. Being on the road with Bartram involves cliffhanger encounters with dreadful weather, charismatic predators, and even deadlier humans. And throughout the book, he reveals a deep spiritual connection to nature. Bartram's holism lays the foundation for major themes of modern nature writing as well as…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of ""true"" native Americans.
Thomas Jefferson's pioneering archaeology concluded that the earthen mounds were…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
When I give talks about Jackson, audience members often bring up his “adoption” of Lyncoya, a Creek Indian boy, as an argument against his racist and violent treatment of Native Americans. Peterson delves into that episode, and similar events in the lives of Jackson and men like him, to explain what elite white “adoption” of Native children actually meant and how it reflected larger national themes of acquisition and subjugation.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an "unusual sympathy," Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building.
As the United States aggressively expanded into Indian…
After receiving my Ph.D. in history, I spent the next forty years teaching courses in Southern history and culture. Over that span, I somehow managed to publish roughly a dozen books and fifty articles focusing on the American South. All of this is to say that I have been involved in the "Making Sense of the South" business for quite a while now. This may help to account for the historic vintage of most of the books I list below, I suppose. Yet it should not imply that I am either ignorant or by any means dismissive of more recent additions, but rather that I am simply more interested in crediting the historic importance of books that have been critical to shaping its direction and expanding its parameters.
Though published in 1941, this book remains, for my money, at least, the most insightful book on white southerners. In an account equally rich in provocative thought and vivid phraseology, Cash explored the roots of the historically fierce masculine individualism, and near-visceral hostility to new ideas—the "savage ideal," he called it—that not only kept the South a hot mess most of the time, but sustained it as "not quite a nation within a nation, but the next thing to it" right up to the eve of American entry in World War II. Cash trembled at the prospect of the powerful, likely irreversible new forces unleashed by this momentous development colliding with the South's historically rigid resistance to change. When the time came, however,
the region would show a “capacity for adjustment” that would have astounded its reproving, though still affectionate son, had he not taken his own life just short…
Ever since its publication in 1941, The Mind of the South has been recognized as a path-breaking work of scholarship and as a literary achievement of enormous eloquence and insight in its own right. From its investigation of the Southern class system to its pioneering assessments of the region's legacies of racism, religiosity, and romanticism, W. J. Cash's book defined the way in which millions of readers— on both sides of the Mason-Dixon line—would see the South for decades to come. This fiftieth-anniversary edition of The Mind of the South includes an incisive analysis of Cash himself and of his…
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
I love this book because it’s political science at its best; it uses a lot of great data to study how history affects us in the present; it shows us how hard change is and also what makes it possible. It’s depressing and hopeful and super smart. It’s social science but it’s also very readable.
The lasting effects of slavery on contemporary political attitudes in the American South
Despite dramatic social transformations in the United States during the last 150 years, the South has remained staunchly conservative. Southerners are more likely to support Republican candidates, gun rights, and the death penalty, and southern whites harbor higher levels of racial resentment than whites in other parts of the country. Why haven't these sentiments evolved? Deep Roots shows that the entrenched views of white southerners are a direct consequence of the region's slaveholding history. Today, southern whites who live in areas once reliant on slavery-compared to areas…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.
They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.
In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.
His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
