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Travels of William Bartram.
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I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
From the extensive Draper Collection of interviews with Boone’s son Nathan, and daughter-in-law Olive, Hammon has put together one of the most valuable portraits of Boone and the Boone family that exists, in the authentic words and voice of the younger son. When I was writing the biography I found it invaluable, both for the information it contains, and for a sense of the family connections.
One of the most famous figures of the American frontier, Daniel Boone clashed with the Shawnee and sought to exploit the riches of a newly settled region. Despite Boone's fame, his life remains wrapped in mystery.The Boone legend, which began with the publication of John Filson's The Adventures of Col. Daniel Boone and continued through modern times with Fess Parker's Daniel Boone television series, has become a hopeless mix of fact and fiction. Born in 1819, archivist Lyman Draper was a tireless collector of oral history and is responsible for much of what we do know about Boone. Particularly interested…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this study Belue creates a sense of the world of Kentucky before settlement, as Long Hunters began to explore the Bluegrass and send reports back east of the streams and savannas, the game, and beauty of the land. While writing Boone, I found this volume especially useful for visualizing the places where Boone hunted in his first and second forays into Kanta-kee.
The Hunters of Kentucky covers a wide range of frontier existence, from daily life and survival to wars, exploits, and even flora and fauna.
The pioneers and their lives are profiled in biographical sketches, giving a rich sampling of the personalities involved in the United States' westward expansion. Author Ted Franklin Belue's colourful and vivid prose brings these long-forgotten frontiersmen to life.
Using the Draper manuscripts and a variety of other primary sources Belue has woven together a fine narrative of life on the frontier.
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this volume Belue has done the almost impossible task of transcribing the text of Draper’s unpublished manuscript of Boone’s life. Draper spent his career collecting documents and interviews about Boone and the settlement of the Ohio Valley, but never managed to finish the work. Only those who have tried to read Draper’s manuscripts can appreciate the heroic task Belue has accomplished. I relied extensively on this volume.
Draper, the first secretary of the State Historical Society of Wisconsin, collected more than 500 volumes of material on the famed frontiersman Daniel Boone. His biography of Boone remained unfinished for 100 years until Ted Franklin Belue, a widely read scholar of early Americana, added his authoritative editing. This long-awaited work is filled with little-known information on Boone and his family, long hunters, the Shawnee, the fur trade, and frontier life in general.
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
With his expertise about frontier life, Faragher brought Boone's studies to a new level. Making use of the Draper Collection at the Wisconsin Historical Society, he created a portrait of Boone in his times that all future biographers will need to refer to.
Winner of the Los Angeles Times Book Prize for History for 1993
In the first and most reliable biography of Daniel Boone in more than fifty years, award-winning historian Faragher brilliantly portrays America's famous frontier hero. Drawing from popular narrative, the public record, scraps of documentation from Boone's own hand, and a treasure of reminiscence gathered by nineteenth-century antiquarians, Faragher uses the methods of new social history to create a portrait of the man and the times he helped shape. Blending themes from a much vitalized Western and frontier history with the words and ideas of ordinary people, Faragher has…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartram’s Travelsin American literature.
More than two centuries have passed since the publication of William Bartram's Travels in 1791. His work was visionary, fostered the development of a truly American strain of natural history, and transcended scientific boundaries to deeply influence Coleridge, Wordsworth, and other Romantic poets. His text continues to ignite the imaginations of those who love nature. Being on the road with Bartram involves cliffhanger encounters with dreadful weather, charismatic predators, and even deadlier humans. And throughout the book, he reveals a deep spiritual connection to nature. Bartram's holism lays the foundation for major themes of modern nature writing as well as…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of ""true"" native Americans.
Thomas Jefferson's pioneering archaeology concluded that the earthen mounds were…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
When I give talks about Jackson, audience members often bring up his “adoption” of Lyncoya, a Creek Indian boy, as an argument against his racist and violent treatment of Native Americans. Peterson delves into that episode, and similar events in the lives of Jackson and men like him, to explain what elite white “adoption” of Native children actually meant and how it reflected larger national themes of acquisition and subjugation.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an "unusual sympathy," Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building.
As the United States aggressively expanded into Indian…
I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.
I read this book during the summer of 2021 when a lot of pandemic restrictions were still in place, and I wasn’t going anywhere. Reading Bacchanal made me feel like I was on a road trip, traveling across the dusty American southwest in the 1930s.
Veronica G. Henry’s debut features a traveling carnival making its way across middle America during the Great Depression. But the carnival isn’t all fun and games—behind the scenes, a hungry demon runs the show, and Liza might be in danger of becoming the creature’s next meal.
Bacchanal features a cast of interesting humans and demons, and the book really shines when it showcases real-life personages such as Stephanie St. Clair, a Black crime boss in 1920s Harlem. I love how danger lurks around every corner in this novel, with the traveling carnival offering up a mix of scares and delights.
Evil lives in a traveling carnival roaming the Depression-era South. But the carnival's newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.
Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It's a gift for communicating with animals. To some, she's a magical tender. To others, a she-devil. To a talent prospector, she's a crowd-drawing oddity. And the Bacchanal Carnival is Eliza's ticket out of the swamp…
I’m a baseball history fanatic who writes on a wide range of topics for work and pleasure, which I’m glad to say often are the same thing. I’ve been a journalist for many years, even covered a few World Series, and I’ve written stories for books published by the Society for American Baseball Research. I’ve also written a lot about music, science, business, and politics, for newspapers and magazines. I’ve been a playwright, fortunate to have seen my work staged in different venues. And I also wrote a book called, The Music and Mythocracy of Col. Bruce Hampton: A Basically True Biography, which I’m really excited to tell you about in the next section!
This novel by one of my favorite writers, the late, great Paul Hemphill – an icon of journalism and storytelling in the American South – is a hilarious, vaguely autobiographical story of life in the low minor leagues. Hemphill perfectly captures the language, grit, rhythm, and flow of minor league baseball in the mid-1950s, touching on issues of worker’s rights, segregation, sex, love, teamwork, and courage, without preaching or being sentimental.
My favorite moment in the book (and the terrific HBO movie version, starring William Peterson and Virginia Madsen) is when a Klan roadblock stops the Stogies’ team bus because they want to lynch the team’s star catcher, Joe Louis Brown, the only black player in the league – one the Stogies suggests, “let ‘em hang Whisenant, he’s only batting .179.”
A story with a heart of gold about love and the loss of innocence at the bottom of the most minor league in baseball-the class D Alabama-Florida League in the 1950s, with a sour old maverick manager, a yearning teenage second baseman, and a black catcher masquerading as a Venezuelan. "A first-rate novel."-Newsweek. "A sharp, unsentimental portrait of the minor league life...and Hemphill makes it all come to life, believably and memorably."-Sports Illustrated. "So good, so true, so funny..."-New York Times Book Review.
John J. Miller is director of the Dow Journalism Program at Hillsdale College, a writer for National Review, and the host of two book-themed podcasts, The Great Books and The Bookmonger. His books include The Big Scrum: How Teddy Roosevelt Saved Football and Reading Around: Journalism on Authors, Artists, and Ideas. He lives on a dirt road in rural Michigan.
“So you’re the little woman who wrote the book that started this great war,” Abraham Lincoln supposedly said when he met Stowe. The quote may be apocryphal, but it points to a truth about the 1852 novel that shaped American opinions about the cruelty and injustice of slavery. The writing is a bit melodramatic for modern sensibilities, but it’s hard to beat the scene in which the escaped slave Eliza tries to carry her young son across an icy river for freedom on the other side.
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery"-Alfred Kazin
"To expose oneself in maturity to Uncle Tom's cabin may...prove a startling experience"-Edmund Wilson
In Uncle Tom's Cabin, Harriet Beecher Stowe created America's first black literary hero as well as the nation's antecedent protest novel. The novel's vast influence on attitudes towards African American slavery was considered an incitation towards the American Civil War; conjointly, its powerful anti-slavery message resonated with readers around the world at its time of publication.
With unashamed sentimentality and expressions of faith, Harriet Beecher Stowe, in Uncle…
