Here are 100 books that Bartram's Living Legacy fans have personally recommended if you like
Bartram's Living Legacy.
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I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
“The face that launched a thousand ships,” as Homer would say. Pollan’s witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century “critical plant studies” in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir and…
I’ve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history – the old cottages and churches, local traditions and place names. It’s no accident I became a rural historian! I’m captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.
More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences.
The Chiltern beechwoods I’ve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.
From its earliest origins to the present day, this award-winning, beautifully written book describes the endlessly changing character of Britain's countryside.
'A classic' Richard Mabey
Exploring the natural and man-made features of the land - fields, highways, hedgerows, fens, marshes, rivers, heaths, coasts, woods and wood pastures - he shows conclusively and unforgettably how they have developed over the centuries. In doing so, he covers a wealth of related subjects to provide a fascinating account of the sometimes subtle and sometimes radical ways in which people, fauna, flora, climate, soils and other physical conditions have played their part in the…
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turner’s work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
I love comics of all kinds, so found it impossible to resist Andrea Wulf’s idea of adapting her popular biography of ecological pioneer Von Humboldt to the graphic form. Illustrator Lillian Melcher combines her comic chops and inventive design sense with Von Humboldt’s own drawings, maps, and specimen papers to create a book that truly enhances Wulf’s scholarly investigations. Plus it’s so much fun.
From the New York Times bestselling author of The Invention of Nature, comes a breathtakingly illustrated and brilliantly evocative recounting of Alexander Von Humboldt's five year expedition in South America.
Alexander von Humboldt (1769-1859) was an intrepid explorer and the most famous scientist of his age. His restless life was packed with adventure and discovery, but his most revolutionary idea was a radical vision of nature as a complex and interconnected global force that does not exist for the use of humankind alone. His theories and ideas were profoundly influenced by a…
I have always had an interest in the American frontier and the Native peoples. But while researching the novelBrave Enemies and Boone: A BiographyI spent years studying and visiting places where the stories occur, and using archives and libraries. However, the most important consideration is storytelling, rewarding the reader with a good story.
In this classic account, the botanist William Bartram records his exploration of the southern wilderness just before the American Revolution. He portrays the wilderness and the flora and fauna and Indigenous people before white settlement. While researching and writing Boone I referred again and again to his poetic descriptions. Bartram is an inspiration.
This is the first inexpensive, illustrated edition of one of the most delightful books of the 18th century. A major source work in American geography, anthropology, and natural history, it contains accurate and entertaining descriptions of the area of the New World now embraced by Florida, Georgia and the Carolinas. From 1773 to 1778, William Bartram, a trained naturalist, traveled through southern North America, noting the characteristics of almost everything he encountered: the rivers of Florida, the groves of wild oranges, the swamps and lagoons, the fish, the tropical snakes and reptiles, the land and aquatic birds, the Cherokee Indians'…
My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of ""true"" native Americans.
Thomas Jefferson's pioneering archaeology concluded that the earthen mounds were…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
When I give talks about Jackson, audience members often bring up his “adoption” of Lyncoya, a Creek Indian boy, as an argument against his racist and violent treatment of Native Americans. Peterson delves into that episode, and similar events in the lives of Jackson and men like him, to explain what elite white “adoption” of Native children actually meant and how it reflected larger national themes of acquisition and subjugation.
During his invasion of Creek Indian territory in 1813, future U.S. president Andrew Jackson discovered a Creek infant orphaned by his troops. Moved by an "unusual sympathy," Jackson sent the child to be adopted into his Tennessee plantation household. Through the stories of nearly a dozen white adopters, adopted Indian children, and their Native parents, Dawn Peterson opens a window onto the forgotten history of adoption in early nineteenth-century America. Indians in the Family shows the important role that adoption played in efforts to subdue Native peoples in the name of nation-building.
As the United States aggressively expanded into Indian…
I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
The greatest living travel writer? In my opinion, yes, and his books get better and better. After enjoying his adventures all over the world it was fascinating to see him turn to his own country. He originally intended to drive to the Deep South once in each season of the year, but the conditions and people he encountered kept him going back for much longer. It’s a raw portrait of a part of America that is poorer than many third-world countries but is also rich in history, in compassion, in music, in food, and in characters. Theroux’s gift, as with all the best travel writing, is that he listens to them. I’ve traveled a lot in the Deep South myself, but not to the places that Theroux uncovers.
Acclaimed and beloved travel writer Paul Theroux turns his attention to his own country - America - for the first time in Deep South
For the past fifty years, Paul Theroux has travelled to the far corners of the earth - to China, India, Africa, the Pacific Islands, South America, Russia, and elsewhere - and brought them to life in his cool, exacting prose. In Deep South he turns his gaze to a region much closer to his home.
Travelling through North and South Carolina, Georgia, Tennessee, Mississippi, Alabama and Arkansas, Paul Theroux writes of…
I find the early days of the Confederacy to be fascinating, a chance to look at Americans in the act of nation-making while surrounded by fear and crisis. Far more than in the convention of 1776, this episode offers sources that allow us to look inside their motives, and to evaluate them both as impractical rebels, and social and political idealists [albeit their idealism was always encased within the confines of a slave society]. Having written biographies of Jefferson Davis, Alexander H Stephens, Robert Toombs, and other Confederate politicians, this subject is a natural object of my interest. While I do not at all agree with or endorse the political measures they took in the secession crisis, I can feel some empathy for them and their people who felt themselves caught in a no-win position, facing [in their view] the possible destruction of their economy, society, and culture.
This new 2020 book is a fresh synthesis of the scholarly work that has been done on secession and the young Confederacy in the past 30 years and has much that is new to offer Its treatment of the weeks in Montgomery is rather brief, but insightful, and overall it makes a fine introduction to the political life of the CSA.
Regardless of whether they owned slaves, Southern whites lived in a world defined by slavery. As shown by their blaming British and Northern slave traders for saddling them with slavery, most were uncomfortable with the institution. While many wanted it ended, most were content to leave that up to God. All that changed with the election of Abraham Lincoln.
Rebels in the Making is a narrative-driven history of how and why secession occurred. In this work, senior Civil War historian William L. Barney narrates the explosion of the sectional conflict into secession and civil war. Carefully examining the events in…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
Taylor is one of the authors who made me want to be a writer. He’s a magician of the short story, compressing events and characters from the upper South into luminous stories that can seem more real than life. He wrote longhand in poetic lines, usually drafting about a hundred pages for every ten he kept. The result is a rich reduction of scenes that move us to laughter and tears. Taylor holds the mirror up to life, and you can’t help but be drawn in.
From the grand master of the American short story, these fourteen tales of domestic life in the South during the thirties and forties explore that extraordinary world of manners, expectations and unspoken understanding. The reader is drawn as if by magnetic force into a world rendered in breathtaking, painterly detail. These stories are marvelous entertainments, rich with amusement, yet Taylor renders his characters truly and understands them in a profoundly meaningful way.
