100 books like Tunnels

The story of people living in an underground Silo who don’t know why they're there, and only that the outside world is toxic and they must survive.

The characters in this story are heroic and relatable. I just wanted this book to keep going, and luckily there are two more in the series – Shift and Dust. The TV series is also a great addition and keeps a similar tone to the book.

The unique underground setting hooked me from the start.

Ember is the last beacon of light in a darkened world, and now even its great lamps are at risk of going out. Friends Lina and Doon must find a way to keep them burning or face utter darkness and the end of civilization as they know it.

I loved the post-apocalyptic feel to this story, as well as all the mysteries and secrets lurking behind every dimly lit corner. 

Chances are many of you have heard of this one, or at least of its author.

Neverwhere is not Gaiman’s best-known or best-selling book. Not by a long shot on either score. But it is my personal favorite, in part because it is less flashy than his other books, while managing to be just as exciting and suspenseful.

Like all of Gaiman’s work, it is at once humorous and dark, fanciful and brutally believable. Our hero, Richard Mayhew, is hapless but ultimately lovable. Our villains, a pair of killers named Croup and Vandemar, are terrifying.

And the characters we discover in the world below the streets of London, are charming and worth fighting for.

I have recommended this book to so many people over the years! I loved the unique setting—deep beneath the sewers of New York City—and the way Gregor travels to this world—through a chute in his apartment’s laundromat. 

My ten-year-old son and I both read this one and loved all the talking creatures and subterranean adventure—giant anthropomorphic rats, cockroaches, and bats you can ride! All those creepy crawlies might sound a little icky to some, but I loved how inventive and unexpected it all was. One of my favorite characters is a smart-mouthed, grumpy warrior rat named Ripred, who, deep down, has a soft side (plus a powerful love for stinky food).  

This was a hard book to put down. Nearly every chapter ends with a high-stakes, dangerous development. I just had to keep turning the pages to find out what would happen next. 

The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer as Rome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S. 

Peeling back the stratigraphic layers of archaeology’s history, self-described “weirdshitologist,” archaeologist Jeb Card, reveals the discipline’s very “spooky” foundations in this riveting book. These foundations included a belief in a mythic time that preceded our modern world which has left behind its spoor in the form of eerie and phantasmagorical archaeological sites imbued with evil spirits, elves, pixies, djinn, elementals, and other paranormal entities. Card discusses haunted landscapes, bloodthirsty Druids, cursed mummies, and Lovecraftian “Old Ones” in his romp through all that is weird, strange, and, indeed, spooky in archaeology. Finally, Card shows that archaeology as presented on cable TV, YouTube videos, blogs, and social media is still haunted by the specter of Victorian Age beliefs about humanity’s presumably spooky past.

I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.

This task was a little overwhelming and Digging Up Britain taught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.

Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.

It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout. 

I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.

My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.

Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region… show more.

Palace of King Minos at Knossos on Crete seized the imaginations of scores of modernist writers, artists, psychoanalysts, and philosophers as wealthy English archaeologist Arthur Evans had its ruins disinterred and reconstructed with reinforced concrete, a novel building material in the early twentieth century. Evans' imaginative palace complex is today mobbed by tourists (I recommend going off-season in January, as I did) who revere the Aegean as the birthplace of Civilization. Gere ties it in to Modernist projects rejecting Victorian overstuffed ornamentations in favor of supposed ancient purity. Her fascinating documentation of culture leaders from Freud to Le Corbusier buying into Evans' myth of an idealized past embeds archaeology in arts and humanities fashions that still confuse speculation with history.