100 books like Sometimes You Have to Lie

Laura Ingalls Wilder maintains an avid fanbase in spite of reappraisals of her racial attitudes; and re-encountering her as an adult can be an exciting, disappointing, jarring, but fascinating experience. Caroline Fraser sorts through the semi-autobiographical sources, not least of which are their fictional writings, of Wilder and her collaborator daughter, Rose Wilder Lane, all of which they infused with their own nostalgia and libertarianism. The tortured landscape becomes almost another living figure, as well, since natural disasters set the scene for the novels and their writing. The books’ creation, their influences, and, in turn, their influence in the mythmaking of the American West, contemporary racism, and man-made climate change included, make Wilder more than just a little girl growing up in little houses. Readers might also find themselves wishing to revisit other figures from their youth.

I love letter collections and this one is among my very favorites. From 1940 to 1973, Ursula Nordstrom was the director of the Department of Books for Boys and Girls at Harpers, one of New York’s biggest publishing houses. Her letters to the authors she worked with are so funny, sharp, and wise that I always wish I’d had a chance to work with her. Even if I had, though, the competition was stiff as her authors included pretty much every single person who wrote and/or illustrated what we now think of as a children’s classic. To name just a few: Charlotte’s Web and Stuart Little; Where the Wild Things Are; Goodnight Moon; The Little House on the Prairie Books, and many, many more. You’ll learn how they all came to be and also close the book feeling like you had a great, gossipy publishing lunch in… show more.

Charlie Brown, Lucy, and “the gang” have fascinated me since I sat at the family table, fighting with my siblings for sections of the newspaper. My copy of this book is copiously highlighted because there was so much to learn about the artist’s life and technique. The opening pages reeled me in when the writer told of Schulz witnessing his mother’s excruciatingly painful death from cancer. I know cartoons have wisdom that goes beyond kids’ comprehension. This book shows how and why Schulz used all the elements of his life to write this strip. Peanuts and the comics of my childhood are why I use graphic novels like Maus in my classrooms. They have truths that hit on many levels.

Though I love The Wizard of Oz, I’ve always thought the best book in the series is Ozma of Oz (close second: TikTok of Oz). Still, this book shows where the book most people think of as Baum’s masterpiece came from and how his imagination was fueled by the trends, triumphs, and politics of 19th century America. His personal life was far from the fantasy depicted in Oz, which is perhaps why so many of his characters find themselves in great peril.

The child of Communist parents, Alix would grow up to be one of the most profound movers and shakers of the lesbian music movement, producing the first full-length lesbian album, Lavender Jane Loves Women, in 1973. But this memoir is a series of chapters on her early years growing up in the 1950s with progressive activists and folk club life, embarking on her own career in the folk circuit, singing against the backdrop of repressive politics, and coming into the women’s movement as a married mother about to fall in love with another woman.

Let me start by saying I adore every book by bestselling author Jennifer Belle, from her debut, Going Down, to her latest, The Seven-Year Bitch. Belle is witty, wonderful, and truly New York, New York. Here I will discuss High Maintenance, her top-of-the-charts, five-star love story between a woman—and an apartment. Protagonist Liv Kellerman is engrossing. Upon leaving her husband and a fabulous penthouse, Liv relocates to a hovel in Greenwich Village that is certainly from the “beat” generation. In her efforts to be top floor again, she becomes a realtor in the cutthroat Manhattan market. You won’t want to put this one down.

This novel introduced Matthew Scudder, an ex-New York City cop turned unlicensed private investigator. In this case, a young woman has been brutally murdered and the police believe they have solved the crime. But the victim’s father hires Scudder to look deeper into the case which will produce more than its share of surprises. The beauty of this series, though, lies in the development of the Matthew Scudder character, who remains one of the most fascinating and compelling figures in all of crime fiction. The first chapter, which introduces Scudder, is one of the best opening chapters of any crime novel.

Nobody was better than New Yorker writer Mitchell at capturing the gritty realities of the Bowery, but he met his match when he decided to profile Joe Gould, a Harvard-educated bohemian said to be working on a massive “Oral History of Our Time.”

Twenty years later, Mitchell returned to his subject and revealed the secret he’d learned shortly after the first piece was published: that Gould had perpetrated (with Mitchell’s unwitting help) one of the great literary hoaxes of all time – not out of greed or a desire for fame, but out of desperation and mental illness.

But is Mitchell giving us the straight story, or is there more he’s not telling? This labyrinth of smoke and mirrors still astonishes me. 

Are you prepared to read a novel that might challenge your perspective on sexual practices generally considered perverse and perilous? The narrator of this touching fictional autobiography is Terry Andrews, a compassionate, witty, and wildly promiscuous children’s book author and resident of pre-AIDS Greenwich Village. Unfortunately for him, he discovers that he is most drawn to what he cannot have – a family and kids. His attraction to down-and-out misfits and sadomasochism seems to rule that out until he falls in love with a married father of six. When that relationship comes undone, however, Terry slides into suicidal depression. Even so, his narration remains charged with magical exuberance and black humor. Is it a scandalous work? Definitely! Dangerous? Probably. Worth reading? You decide…  

This book spares no punches, diving straight into the chaos that was the Women’s House of Detention in NYC’s Greenwich Village, aka The Hellhole in the 60s and 70s. First-person narratives and choice juicy details make the lives of the women come alive, from their annual fashion show to their cellblock politics and pink-painted bars. All too often, dispatches like this lack color and clarity, but this unfiltered take is far more gripping, and avoids stereotypes. We meet a wide range of people, scarred sex workers who refuse plastic surgery as “it’s too late for them,” pregnant teens who dreamt of hair salon careers, and substance abusers who cycled in and out, multiple times.

Despite being forced to live in rat-infested slum-like conditions, with shoddy medical care, many of the women remained spirited, even upbeat. But their continued struggle to maintain their sense of identity and femininity, despite minimal resources,… show more.