Here are 96 books that Joe Gould's Secret fans have personally recommended if you like
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My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
Out of all the investigative reporting that emerged from the 2008 financial meltdown, Henriques’ account of the scheme that out-Ponzied Ponzi is the book that stays with me.
The Madoff story is about brazen lies and insatiable greed, to be sure, but Henriques’ approach is nuanced, thorough, yet accessible, showing the complacency (one might say complicity) of investors and regulators, dazzled or cowed by Madoff’s magic.
How do you pull off a $65 billion scam? With a lot of help.
Who is Bernie Madoff, and how did he pull off the biggest Ponzi scheme in history? In "The Wizard of Lies", Diana B. Henriques of "The New York Times" - who has led the paper's coverage of the Madoff scandal since the day the story broke - has written the definitive book on the man and his scheme, drawing on unprecedented access and more than one hundred interviews with people at all levels and on all sides of the crime, including Madoff's first interviews for publication since his arrest. Henriques also provides vivid details from the various lawsuits, government investigations,…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
Warner deftly weaves three narratives: the lurid life of the French aristocrat whose sexual exploits led to the coining of the term “sadism,” the fate of his most infamous work, and the collapse of a rare-book investment scheme devised by a man accused of being “the Bernie Madoff of France.”
It’s a lot of ground to cover, but this well-researched, well-crafted account hums along, introducing us to revolutionaries, surrealists, sexologists, high-end book collectors, and more, all fascinated by the handwritten scroll of 120 Days of Sodom.
And it raises questions about what makes a rare and suppressed book truly valuable – is it the unique history of its author, the dangerousness of its ideas, or its potential as an investment vehicle?
NEW YORK TIMES EDITORS’ CHOICE • The captivating, deeply reported true story of how one of the most notorious novels ever written—Marquis de Sade’s 120 Days of Sodom—landed at the heart of one of the biggest scams in modern literary history.
“Reading The Curse of the Marquis de Sade, with the Marquis, the sabotage of rare manuscript sales, and a massive Ponzi scheme at its center,felt like a twisty waterslide shooting through a sleazy and bizarre landscape. This book is wild.”—Adam McKay, Academy Award–winning filmmaker
Described as both “one of the most important novels ever written” and “the gospel of…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
Linguistics professor Maurer was fascinated by con-artist slang and subcultures, but this classic 1940 work is more than a sociology treatise.
It offers precious insights and yarns from the aristocrats of the underworld, the operators of the Big Con, a high-stakes form of flim-flammery that required many talented performers and thrived in the early years of the twentieth century.
(The fake betting parlor in the movie The Sting is a good example of how these folks operated.)
Maurer peels back the layers of a juicy world of crime and deception.
The classic 1940 study of con men and con games that Luc Sante in Salon called “a bonanza of wild but credible stories, told concisely with deadpan humor, as sly and rich in atmosphere as anything this side of Mark Twain.”
“Of all the grifters, the confidence man is the aristocrat,” wrote David Maurer, a proposition he definitely proved in The Big Con, one of the most colorful, well-researched, and entertaining works of criminology ever written. A professor of linguistics who specialized in underworld argot, Maurer won the trust of hundreds of swindlers, who let him in on not simply…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
This as-told-to memoir by Weil, better known as the Yellow Kid, is a crash course in grifts of all kinds, from petty barroom scams to elaborate shady deals in oil, stocks, and real estate.
Weil is a witty tour guide and a gifted impostor, posing as a geologist, banker, or tycoon as needed. To me, what’s most eye-opening is his total lack of compassion for his victims, whom he regards as greedy suckers who deserve to be fleeced.
Criminals rarely see themselves as in the wrong, and Weil’s efforts to justify his larcenous career make for an intriguing con played on the reader.
The story of Joseph “Yellow Kid” Weil, a man who could—and often did—pull off scams to outshine The Sting.
In his long career as a confidence man, Joseph “Yellow Kid” Weil swindled the public of more than eight million dollars and established the reputation for robbery and trickery. Always beating the police at their own game, “Yellow Kid” used phony oil deals, women, fixed races, and an endless list of other tricks to best an increasingly gullible public. One day, he was Dr. Henri Reuel, a noted geologist who traveled around and told his hosts that he was a representative…
I’m the author of eleven novels for young readers (so far!). I’m also a lifelong bookworm, and I’ve got a special love for all things creepy, fantastical, and odd. Growing up, I adored mysteries from Scooby-Doo to Sherlock Holmes, and you could often find me hiding under the covers with a stack of books and a flashlight long after I should have been asleep. Here are five more recent middle-grade mysteries that I've loved. If they’d been around when I was a kid, they would have kept me up hours past my bedtime.
If a Wes Anderson movie collided with From the Mixed-Up Files of Mrs. Basil E. Frankweiler, it would feel something like this.Thirteen-year-old Theodora’s grandfather recently died, leaving her alone with her mentally ill mother, a crumbling Greenwich Village townhouse, a heap of unpaid bills, and the cryptic message, “Look under the egg”—and what Theo uncovers is a compelling mystery that stretches from the Italian Renaissance to the Nazi prison camps. The community that builds around Theo as she looks for answers is full of great New York eccentrics, and the Manhattan setting is captured with love and charm.
When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather's painting, she discovers what seems to be an old Renaissance masterpiece underneath. That's great news for Theo, who's struggling to hang onto her family's two-hundred-year-old townhouse and support her unstable mother on her grandfather's legacy of $463. There's just one problem: Theo's grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen. With surprising twists, heartwarming moments, and historical facts, Laura Marx Fitzgerald creates the perfect adventure in Under the Egg.
Children were seen and not heard when I was growing up in Flushing, Queens, where I had one tree in front of my house. I moved to Connecticut as an adult and now I look out on woods and bears sneaking into my garage. The result of my silent childhood is I’m an excellent listener and an even better eavesdropper—superb traits for a writer. I owned a Connecticut advertising agency for most of my adult life then realized I could make less money if I became an author. My first book was published when I turned 63—which is amazing because I'm only 40.
Let me start by saying I adore every book by bestselling author Jennifer Belle, from her debut, Going Down, to her latest, The Seven-Year Bitch. Belle is witty, wonderful, and truly New York, New York. Here I will discuss High Maintenance, her top-of-the-charts, five-star love story between a woman—and an apartment. Protagonist Liv Kellerman is engrossing. Upon leaving her husband and a fabulous penthouse, Liv relocates to a hovel in Greenwich Village that is certainly from the “beat” generation. In her efforts to be top floor again, she becomes a realtor in the cutthroat Manhattan market. You won’t want to put this one down.
Liv Kellerman is 26, newly divorced, and has just lost the love of her life. Her husband? You've got to be kidding. It's her apartment she's in mourning for - her lovely penthouse apartment with its Empire State Building view. On her own for the first time in her life, Liv is forced to relocate to a crumbling Greenwich Village hovel, but things are about to get a lot worse. She's about to become an estate agent. Belle's gift for creating eccentric and winning characters, and her acute observations of both the absurd and the poignant in everyday life, are…
When I was a young girl, I was lucky to have friends from all over the world, so learning about a new country or a new city always fascinated me, and it still does. I’m always trying to learn new things, meet new people and whenever I can I like to travel the world. As a writer and illustrator, it’s always nice to experience new things, it helps to expand my imagination. I hope this list inspires you not only to read but to learn a few things here and there.
Anyone who is curious about other cities and cultures will love the complete series of the This Is… books by Miroslav Sasek. They are filled with exciting facts and the colorful illustrations are truly delightful. From New York, to London, to Hong Kong, and many more, these books will inspire you to travel the world!
With the same wit and perception that distinguished his stylish books on Paris, London, and Rome, M. Sasek pictures fabulous, big-hearted New York City in This Is New York, first published in 1960 and now updated for the 21st century. The Dutchman who bought the island of Manhattan from the Native Americnas in 1626 for twenty-four dollars' worth of handy housewares little knew that his was the biggest bargain in American history. For everything about New York is big -- the buildings, the traffic jams, the cars, the stories, the Sunday papers. Here is the Staten Island Ferry, the Statute…
A banker by day and a cynical cartoonist-cum-blogger by night, I have traveled the world, have met many interesting people with compelling backgrounds, and have experienced many peculiar and beautiful things.
I love getting inspiration from my experiences and spinning stories out of that. As an author, I always look out for the unconventional ending fueled by my fervid imagination.
I prefer the medium of the short story as it keeps the author honest and sharp—no meandering into unrelated tangents.
William Sydney Porter, better known by his pen name, O. Henry, was an American writer known primarily for his short stories. He also wrote poetry and nonfiction. He is most famous for his short story "The Gift of the Magi", from which many modern romantic novels and books have been derived.
I, however, like The Last Leaf more for its poignant climax and the delicate depiction of empathy. His other stories in the collection are sepia-tinted portrayals of a different world in a more genteel times with a cast from all stratas of American society. All the other stories are equally entertaining and engrossing.
The Trimmed Lamp (1907) is a collection of twenty-five short stories by American writer O. Henry. Inspired by his experiences as a fugitive and prisoner, these stories address themes of poverty and city life with humor and abundant empathy. Its focus on the regular, working class people of New York City makes The Trimmed Lamp a sequel of sorts to Henry’s The Four Million (1906), perhaps his most important collection. In “The Trimmed Lamp,” two friends discuss work, love, and money while standing on a city street-corner. They both came to New York in search of work, and though Nancy…
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
