59 books like The Big Con

Out of all the investigative reporting that emerged from the 2008 financial meltdown, Henriques’ account of the scheme that out-Ponzied Ponzi is the book that stays with me.

The Madoff story is about brazen lies and insatiable greed, to be sure, but Henriques’ approach is nuanced, thorough, yet accessible, showing the complacency (one might say complicity) of investors and regulators, dazzled or cowed by Madoff’s magic.

How do you pull off a $65 billion scam? With a lot of help. 

Warner deftly weaves three narratives: the lurid life of the French aristocrat whose sexual exploits led to the coining of the term “sadism,” the fate of his most infamous work, and the collapse of a rare-book investment scheme devised by a man accused of being “the Bernie Madoff of France.”

It’s a lot of ground to cover, but this well-researched, well-crafted account hums along, introducing us to revolutionaries, surrealists, sexologists, high-end book collectors, and more, all fascinated by the handwritten scroll of 120 Days of Sodom.

And it raises questions about what makes a rare and suppressed book truly valuable – is it the unique history of its author, the dangerousness of its ideas, or its potential as an investment vehicle?   

This as-told-to memoir by Weil, better known as the Yellow Kid, is a crash course in grifts of all kinds, from petty barroom scams to elaborate shady deals in oil, stocks, and real estate.

Weil is a witty tour guide and a gifted impostor, posing as a geologist, banker, or tycoon as needed. To me, what’s most eye-opening is his total lack of compassion for his victims, whom he regards as greedy suckers who deserve to be fleeced.

Criminals rarely see themselves as in the wrong, and Weil’s efforts to justify his larcenous career make for an intriguing con played on the reader.  

Nobody was better than New Yorker writer Mitchell at capturing the gritty realities of the Bowery, but he met his match when he decided to profile Joe Gould, a Harvard-educated bohemian said to be working on a massive “Oral History of Our Time.”

Twenty years later, Mitchell returned to his subject and revealed the secret he’d learned shortly after the first piece was published: that Gould had perpetrated (with Mitchell’s unwitting help) one of the great literary hoaxes of all time – not out of greed or a desire for fame, but out of desperation and mental illness.

But is Mitchell giving us the straight story, or is there more he’s not telling? This labyrinth of smoke and mirrors still astonishes me. 

After football and music, my first love was languages. From an early age I became fascinated with how language works and how significant it is in shaping social life and interpersonal relationships.

That fascination still remains, but what I find particularly interesting (and significant) is the relationship between language and social justice. Unfortunately, this has been hijacked by the simplistic ‘political correctness’ approach that seeks to simply ban certain words. The reality is far more complex and nuanced than this, and so a much more sophisticated approach is needed.

That’s where this excellent book comes in. It provides a very helpful analysis of how language and society interact in a variety of ways. 

In this first book of The Shill Trilogy struggling actress Jane Innes is seduced by a handsome new arrival in her acting class. He admits he’s a con man and needs Jane to pose as a rich, carefree heiress to fulfill his intricate scam. I loved this book because Jane, being desperate for money, and love, agrees to help the con man that has seduced her. Is it love or money the reason she agrees? I believe there is no black and white, good or evil in characters when it comes to morals. I enjoy stories that show us the gray in us, and how one can be swayed to the dark side through desperation if given the right opportunity.

Manipulation is a simple art.

I require all students and mentees to read this book and keep it on their shelves. It is an easy read and contains information that will keep future law enforcement officers safe from inmate behavior. Civilians can apply these skills to everyday life to protect themselves as well. We call it “the trick bag”, falling for a simple ruse and landing as a pawn in an inmate’s game in prison. The “game” is a series of manipulations over time that might lead to the target’s incarceration, loss of job, and public humiliation. 

This book is an effective tool for offender management and exposing criminal scams. The examples are accurate and anyone can use the tools it discusses. The authors discuss the anatomy of the setup, susceptibility profiles of both inmate and target, survival traits, and more. It can start with a pencil and end with… show more.

The best tale and totally mesmerizing story of the confidence-man Felix Krull, who developed the art of subterfuge and deception to a phenomenal degree.

Escaping from a childhood of poverty he eventually rose to mingle with the highest echelons of European society. Helped by being young and good-looking Krull was irresistible to women, of which he was not slow to take advantage.

This chameleon-like quality enabled him to adapt to countless situations and to pursue his career as a highly gifted swindler impervious to the conduct and morals of normal humankind.

When, eventually, the Marquis de Venosta makes him a proposal he cannot refuse - his world changes.

A bewitching experience.

One of the most enduring stereotypes about poverty and welfare, has been that of the welfare queen – someone living the good life on welfare and grossly abusing the system. 

Ronald Reagan used the example of Linda Taylor in the 1970s to epitomize and capitalize on this myth in order to score political points. Josh Levin tracked down the actual story of Linda Taylor. As is so often the case, the truth is much stranger than fiction. 

A riveting biography of the individual who was at ground zero of the welfare queen myth.

Another Jim Thompson classic, The Grifters is about a trio of con artists trying to move up from being small-time crooks. They add love and a mother/son relationship into the mix which only makes things worse. The film directed by Stephen Frears is a master-class in acting from Anjelica Huston, Annette Bening, and John Cusak. The scene at the end couldn’t be more shocking as a way to wrap up a noir film. Money is paramount in the world of the grifters, everything else secondary. What could be more noir than that?