Here are 100 books that Schulz and Peanuts fans have personally recommended if you like
Schulz and Peanuts.
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I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
As a native New Yorker and lifelong fan of Harriet the Spy (one among legions) reading the product of Leslie Brody’s detective work into the life of her creator is a special pleasure. Born in 1928, Fitzhugh was the product of a high society Memphis marriage that ended in scandal. She went on to live a vibrant, turbulent life in the queer artist and writers scene in New York. It makes total sense that someone who straddled so many different worlds had such a deep understanding of the multiple lives we all lead, and such a keen ability to perceive other people, all of which she poured into her characters. I also recommend her other incredible YA novel, Nobody’s Family Is Going to Change, which tackles race, children’s rights, and the profound beauty of tap dancing.
The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh.
Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of…
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Laura Ingalls Wilder maintains an avid fanbase in spite of reappraisals of her racial attitudes; and re-encountering her as an adult can be an exciting, disappointing, jarring, but fascinating experience. Caroline Fraser sorts through the semi-autobiographical sources, not least of which are their fictional writings, of Wilder and her collaborator daughter, Rose Wilder Lane, all of which they infused with their own nostalgia and libertarianism. The tortured landscape becomes almost another living figure, as well, since natural disasters set the scene for the novels and their writing. The books’ creation, their influences, and, in turn, their influence in the mythmaking of the American West, contemporary racism, and man-made climate change included, make Wilder more than just a little girl growing up in little houses. Readers might also find themselves wishing to revisit other figures from their youth.
'Just as gripping as the original novels . . . As pacy and vivid as one of Wilder's own narratives' Sunday Times
Millions of readers of Little House on the Prairie believe they know Laura Ingalls - the pioneer girl who survived blizzards and near-starvation on the Great Plains where 'as far as a man could go to the north in a day, or a week, or a whole month, there was nothing but woods. There were no houses'. Her books are beloved around the world.
But the true story of her life has never been fully told. The Little…
I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
I love letter collections and this one is among my very favorites. From 1940 to 1973, Ursula Nordstrom was the director of the Department of Books for Boys and Girls at Harpers, one of New York’s biggest publishing houses. Her letters to the authors she worked with are so funny, sharp, and wise that I always wish I’d had a chance to work with her. Even if I had, though, the competition was stiff as her authors included pretty much every single person who wrote and/or illustrated what we now think of as a children’s classic. To name just a few: Charlotte’s Web and Stuart Little; Where the Wild Things Are; Goodnight Moon; The Little House on the Prairie Books, and many, many more. You’ll learn how they all came to be and also close the book feeling like you had a great, gossipy publishing lunch in…
She trusted her immense intuition and generous heart--and published the most. Ursula Nordstrom, director of Harper's Department of Books for Boys and Girls from 1940 to 1973, was arguably the single most creative force for innovation in children's book publishing in the United States during the twentieth century. Considered an editor of maverick temperament and taste, her unorthodox vision helped create such classics as Goodnight Moon, Charlotte's Web, Where the Wild Things Are, Harold and the Purple Crayon, and The Giving Tree.
Leonard S. Marcus has culled an exceptional collection of letters from the HarperCollins archives. The letters included here…
I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
Though I love The Wizard of Oz, I’ve always thought the best book in the series is Ozma of Oz (close second: TikTok of Oz). Still, this book shows where the book most people think of as Baum’s masterpiece came from and how his imagination was fueled by the trends, triumphs, and politics of 19th century America. His personal life was far from the fantasy depicted in Oz, which is perhaps why so many of his characters find themselves in great peril.
A groundbreaking new look at an American icon, THE WIZARD OF OZ.
Finding Oz tells the remarkable tale behind one of the world's most enduring and best loved stories. Offering profound new insights into the true origins and meaning of L. Frank Baum's 1900 masterwork, it delves into the personal turmoil and spiritual transformation that fueled Baum's fantastical parable of the American Dream. Prior to becoming an impresario of children's adventure tales--the J. K. Rowling of his age--Baum failed at a series of careers and nearly lost his soul before setting out on a journey of discovery that would lead…
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
I love it as a tale of heroism, youthful idealism, success, defeat, death over and over. I first read the final chapter of this book in an excerpt after which I ordered it immediately. I had been curious about the real story behind this highly intelligent icon. Disturbing and illuminating, this book shows how driven, outright murderous in the name of revolution, Che was and how this catapulted Fidel and the Cuban revolutionaries to victory over Fulgencio Batista. I had such empathy for Che as I read through his life that I couldn’t reread the final chapter about his brutal prolonged death.
Che Guevara's legend is unmatched in the modern world. Since his assassination in 1967 at the age of 39, the Argentine revolutionary has become an internationally famed icon, as revered as he is controversial. A Marxist ideologue, he sought to end global inequality by bringing down the American capitalist empire through armed guerrilla warfare - and has few rivals in the Cold War era as an apostle of change.
In Che: A Revolutionary Life, Jon Lee Anderson and Jose Hernandez reveal the man behind the myth, creating a complex portrait of this passionate idealist. Adapted from Anderson's masterwork, Che transports…
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
I was a Black Panther and worked with Eldridge editing the Black Panther Party newspaper in 1967-1968 in San Francisco. I’ve known Marvin X since I was a teenager. He gives an up close, insider’s look at the Black Power movement, naming names and telling truths that are insightful and uncomfortable. Cleaver left the U.S., lived in exile and returned with a sharp turn to the right and an embrace of Christianity; Marvin X was his buddy at several key points on this pariah’s path. This memoir captures him (and Marvin) fighting to survive the post-revolutionary era and his demons.
A memoir, full of stories about his life in Oakland, his travels, prominent international personalities of the 1960s and 1970s, and the Black Panther Party. Praised by Amiri Baraka, who contributed a short Introduction.
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
I’ve thought of Sharon Stone as a rebel since seeing her breakthrough filmBasic Instinct. Every interview I’d read since then convinced me that I was right. This memoir shows why. The title comes from her life-and-death fight with a brain aneurysm which derailed her film career but not her life. Right off the bat, Stone’s memoir makes the distinction between lace-curtain Irish and kitchen-sink Irish, her family standing on the kitchen sink side. This class distinction and loyalty to her roots in Pennsylvania are part of her honesty, her fight against the phoniness of the film industry, and the appeal of this story. It’s also her strength as her family comes to her side when her career is jettisoned by serious illness.
One of Vogue's Best Books to Read in 2021 One of O Magazine's 55 Most Anticipated Books of 2021 One of Marie Claire's 25 Best 2021 Memoirs to Pre-Order Now
'Electrifying.' The Sunday Times
'A glorious, rogue, raw account ... It is funny; it is shocking; it is good.' The Times
'Dangerous, alluring and misunderstood: Sharon Stone remains one of our best ever movie stars ... Her new book serves as a spectacular reminder of the outrageous fun of her Nineties fame and why she is more than due for…
I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.
This coming-of-age story is set in Depression-era South Carolina. My relatives in Oklahoma from that era also were driven out of the South by racism, segregation, and the threat of death. Adam, who was my mentor and colleague at Laney College in Oakland, California, was a young Black male facing lynching. He was too intelligent to survive in the South. He reminds me of my father, a Tuskegee airman who fought the good fight and left the South for good also.
A memoir of an African American childhood in the Jim Crow South
At age nineteen, A. D. Miller sat in a jail cell. His crime? He passed a white girl a note that read, "I would like to get to know you better." For this he was accused of attempted rape.
"Ticket to Exile" recounts Miller's coming-of-age in Depression-era Orangeburg, South Carolina. A closet rebel who successfully evades the worst strictures of a racially segregated small town, Miller reconstructs the sights, sounds, and social complexities of the pre-civil rights South. By the time he is forced into exile, we realize…
I've been cartooning, or "curtooning," my entire life. As a child, I drew cartoons of everything, from animals to dinosaurs, and was the cartoonist for my elementary school, junior high school, high school, and college newspapers. My cartooning style with big eyes and simple lines came from my favorite cartoonists and their cartoon strips that I read every day in the newspapers. However, my most significant influence was reading every cartoon in Mad Magazine, including comics from Don Martin, Sergio Aragonés, and Al Jaffee. When cable came out with multiple channels in the 1980s, I felt there was not enough kid-friendly content, so I created my award-winning cable show titled It's Curtoon Time.
I’m the biggest Peanuts cartoon strip fan and enjoy this book because it teaches artists how to draw each Peanuts character in an easy-to-follow step-by-step manner. Most people that don’t think they can draw become overwhelmed with where to start. This book reminds cartoonists to follow a pattern and to focus on one line at a time that will all come together and form Snoopy, Charlie Brown, or Lucy. My wife and I have even flown into the Charles M. Schulz–Sonoma County Airport and visited the Charles M. Schulz Museum and Research Center in Santa Rosa, California, on two different occasions. I highly recommend visiting! Good grief, buy this book!
Allen Klein is the world’s only “Jollytologist®”. Through his books, workshops, and keynote speeches, for the past 30-plus years, he has been showing audiences worldwide how to use humor and positivity to deal with life’s not-so-funny stuff. He is a pioneer in the therapeutic humor field and a recipient of a Lifetime Achievement Award from the Association for Applied and Therapeutic Humor. Comedian Jerry Lewis has said that Klein is “a noble and vital force watching over the human condition.”
It is useless to talk about how humor and how laughter can be therapeutic without experiencing it. I’m therefore suggesting this series of books published by Reader’s Digest. Each one contains 1,000 jokes, quotes, and cartoons. With that many funny things, it is most likely you will find something to tickle your funnybone.
Laughter the Best Medicine is a collection of Reader's Digest magazine's funniest jokes, quotes, stories, cartoons, anecdotes, and laugh-out-loud captions. A little chuckle every day will keep the doctor away.
This hilarious collection offers up some of the funniest moments that get us through our day, in the form of jokes, gags and cartoons that will have readers laughing out loud.
Editors have mined the Reader’s Digest archives to bring readers Laughter the Best Medicine, All-Time Faves, a collection of the most hilarious jokes and anecdotes we’ve come across over the years. As you turn the pages of our newest…
