Fans pick 62 books like Dear Genius

I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.

Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.

I read bios and memoirs because I need to know what really happened. I read several bios of the same person; then piece together a sense of the truth. As a journalist, I understand that all of a person’s life won’t make it into the final story. Editors have a mission of their own; books are molded by exigent demands and social mores. That’s why The Autobiography of Malcolm X in 1965 had one view of its subject, and Manning Marable’s bio in 2011 another. I’ve read both and other accounts to formulate my own ideas about the man and his times.

I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.

As a writer, I love words and am continuously fascinated by the way they work. In terms of writing manuals, I particularly value the work of writers who combine knowledge and understanding of writing techniques while also providing inspiration and keys to freeing the imagination. I’ve found these books brilliantly complement my professional interest in story structure and how story works, and match my own approach to combining theory with practice; craft with art in my work on story. I hope you find they inspire creativity in you, too.

It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.

I have always been a voracious reader and was blessed with parents who filled my home with books, who read to me, and who exposed me to both true and fictional stories that expanded my heart and nourished my imagination. I grew up on Christian biographies, along with devouring history and novels. I was shaped, nourished, and strengthened by the stories of real men and women who lived lives that mattered, and who understood that God never puts His children in times, in places, or in circumstances where He cannot enable them to shine brightly, and where they cannot speak truth and compassion into the darkness.

I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!

 As a military wife, and daughter, sister, mother, and mother-in-law to military members, I gained a strong perspective of what it is like to be behind the scenes, keeping the family together and building my own career while supporting the important missions of the men around me. In my reading, I’m drawn to historical fiction, as I feel it makes the stories come alive for me. I love a good story, and what entertains and informs even better than the documented facts are the dialog, relationships, and emotions of the characters. So it seems only natural to write about the amazing women behind the curtain in history in the engaging and memorable form of novels.

I am a nonfiction writer who aims to bring heart to my writing. If I can move the reader and enable them to connect to their inner world, then I consider that I have been successful. As I consider my purpose is rehabilitating women whom history has mistreated, my way into these misunderstood women is to examine their inner lives. What moves them and how they manage to survive and surmount their own heartbreak is the question that I am most interested in.