As a writer, I love words and am continuously fascinated by the way they work. In terms of writing manuals, I particularly value the work of writers who combine knowledge and understanding of writing techniques while also providing inspiration and keys to freeing the imagination. I’ve found these books brilliantly complement my professional interest in story structure and how story works, and match my own approach to combining theory with practice; craft with art in my work on story. I hope you find they inspire creativity in you, too.
Starting where Christopher Booker and Joseph Campbell leave off, Story and Structure tells the untold story of how story works. Using just six primary symbols, it outlines eighteen story structures and shows how they all contain optimal solutions to the different kinds of problems which give rise to each of them. It reveals hitherto unfathomed depths to narrative, demonstrates a much wider application of storytelling than is generally perceived and presents story as a dynamic force of life.
Writers, storytellers, creative writing teachers, folklorists, narrative therapists, anthropologists, poets, and readers interested in how story works will all find this book useful, informative. Reinspire your creativity. Rethink your idea of story.
If you’re in need of inspiration, this book will either make you fall in love with writing or fall back in love with it again. Although it’s a book for the younger writer (aged 9-12), it’s a perfect book for the young-at-heart, grown-up kid. It’s full of energy and verve – just the thing to boost creativity and confidence. Although it’s one of the shortest books on my list, its content packs a punch. It contains exercises to spark the imagination, helpful hints and tips from established authors, and plenty of advice on writing both fiction and nonfiction.
A lively and humorous self-help book for children aged 9-12 on being a writer. It shows them how to develop writing practice as part of their everyday lives, rather than just in the classroom. The book offers advice on avoiding unhelpful feelings such as anxiety, impatience and self-rejection and shows how writing is a brilliant tool for building self-confidence, understanding and effectiveness throughout life. "Aimed at schoolchildren, here is a book that should capture their imagination, make them realise that writing can be fun, and inspire them to create their own written material." Writing Magazine
This book, by Pulitzer prize winner Robert Olen Butler, is in three parts. Transcripts of inspiring lectures are followed by well-edited accounts of individual coaching sessions. These provide very useful nuggets of practical wisdom about unblocking habitual patterns that get in the way of flowing writing practice – habitual patterns that every writer faces and needs to deal with. The stories analysed in the book are found in the final part. An appendix follows, with a story by Butler called ‘Open Arms’, which demonstrates his skill as a writer. A theme that flows through the book is ‘yearning’ – and the book invites you to engage with this theme… with open arms. It’s a work that I go to when I’m stuck – it never fails to inspire.
This comprehensive guide to writing creative fiction collects the lectures of the Pulitzer Prize winning author, Robert Olen Butler, transcribed and edited by Janet Burroway, the author of the classic text on creative writing, "Writing Fiction". "From Where You Dream" reimagines the process of writing as emotional rather than intellectual, and tells writers how to achieve the dreamspace necessary for composing honest, inspired fiction. Proposing fiction as the exploration of the human condition with yearning as its compass, Butler reinterprets the traditional tools of the craft using the dynamics of desire. Butler offers invaluable insights into the nature of voice…
If this book only contained Erasmus’ virtuoso display and structural analysis of how the sentence ‘Your letter pleased me greatly’ can be expressed in over 150 ways, it would be well worth getting. The book, however, contains far more – including examples of descriptive writing that Erasmus admired. If you want ideas on how you might describe a shipwreck, a storm, or a whirlwind, you’ll find them here. It also has ideas on how to describe games, processions, and battles. It features interesting descriptions of living creatures, ranging from porcupines to bees to mythical creatures like the phoenix. Not many writing manuals offer an appreciative evaluation of classical texts easily accessible on line. I’ve enjoyed engaging with the work of the authors quoted – and would recommend it for anyone seeking to drink deep from the fountain of historic practices, to refresh and reinvigorate their own writing style.
The first edition of the De duplici copia verborum ac rerum of Erasmus was completed during Erasmus’ third and most lengthy visit to England (1509-1514). It is dedicated appropriately to John Colet for use in St. Paul’s School, which he had recently opened in London. The present translation was made from a seventeenth century copy of the De copia which had first been collated with a copy of the first edition of Schurer, dated January, 1513, with a copy of the first revised edition, published by Froben in 1526, and with a copy of the 1540 Basle Opera Omnia edition…
I picked up this book as the title sounded interesting, but it sat on my bookshelves for over five years before I delved into it. Since then, it’s become one of my favourite guides to writing. It’s described as ‘probably the most unusual guidebook for creative writing in the world.’ It’s full of insights such as ‘grammar is a mapping of the human soul,’ or ‘the social word… is serious play.’ The play takes place in a field with the four ‘great human virtues’ at its corners: beauty, good will, truth, and openness. It’s a ‘sourcebook of spells’ that have the power to ‘carry you into that place of the heart from which true language comes.’
This is an inspirational workbook of creative writing exercises for poets and teachers, and for all who wish to develop the life of the imagination. Paul Mathews gives us permission to indulge our fantasy, and then, when that life is flowing, provides the tools to craft it into poetry and song. There are over 300 exercises for improving writing skills, for self study. They are also ideally suited for group work with adults. Teachers will find these exercises popular with students.
Whatever genre you’re drawn to, this book is well worth investing in. It delivers exactly what its subtitle describes:a hands-on guideto writing picture books from story creation to publication.Although not primarily a picture book writer, I’ve found the book incredibly useful in developing general writing skills. I’ve used the exercises on language to improve the aural and rhythmic qualities of my writing. It’s also given me new ways to think about approaching layout and composition. It has the potential to enhance writing quality almost effortlessly. Although the revised expanded edition published in 2018 contains information specific to the publishing market then, the practical information in the book is unlikely to date as quickly. Who knows? You could end up writing picture books as well!
Master the Art of Writing Enthralling Tales for the Youngest pre-and emerging readers!
Fully updated and thoroughly revised, Writing Picture Books Revised and Expanded Edition is the go-to resource for writers crafting stories for children ages two to eight. You'll learn the unique set of skills it takes to bring your story to life by using tightly focused text and leaving room for the illustrator to be creative.
Award-winning author Ann Whitford Paul helps you develop the skills you need by walking you through techniques and exercises specifically for picture book writers. You'll find:
Burne’s been hiding out in the forest since deserting the King’s Guard. Each time he tries to return to the village, he begins to panic. And then one day, he encounters a handsome stranger picking flowers and hides behind a tree instead of talking.
He wants to be braver—and he’s about to get another chance. Because the stranger is Gray, a fairy and master of illusions who’s now following Burne home. And Gray’s got more on his mind than talking. Would a fairy that beautiful ever want someone like him? Stranger things have happened.
Burne hid behind a tree. He wanted to talk to the handsome man picking flowers at the edge of the forest, but he'd only flub it if he tried-he'd stumble over his words and blush bright red. And now the man is gone.
He tries to continue on to the village, but the same thing happens as always: his hands start shaking and panic wells up inside him. What if he runs into the bullies who tormented him in the King's Guard last spring? Ever since he deserted, he has hidden out in the…
