Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
I wrote...
Women in the World of Frederick Douglass
By
Leigh Fought
What is my book about?
In Women in the World of Frederick Douglass, Leigh Fought illuminates the life of the famed abolitionist off the public stage. She begins with the women he knew during his life as a slave: his mother, from whom he was separated; his grandmother, who raised him; his slave mistresses, including the one who taught him how to read; and his first wife, Anna Murray, a free woman who helped him escape to freedom and managed the household that allowed him to build his career. Fought examines Douglass's varied relationships with white women-including Maria Weston Chapman, Julia Griffiths, Elizabeth Cady Stanton, and Ottilie Assing--who were crucial to the success of his newspapers, were active in the antislavery and women's movements, and promoted his work nationally and internationally.
By examining the circle of women around Frederick Douglass, this work brings these figures into sharper focus and reveals a fuller and more complex image of the self-proclaimed "woman's rights man."
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The Books I Picked & Why
Pocahontas and the Powhatan Dilemma
By
Camilla Townsend
Why this book?
Disney, folklore, images of “noble” or “good” Native Americans (but with derogatory terms used), and modern-day understandings or misunderstandings of Stockholm Syndrome and brainwashing have influenced interpretations of Pocahontas. Camilla Townshend instead turns to other studies of Native American women contemporary to Pocahontas, using them to analyze the sources that document her life. Pocahontas, called that only as a little girl, emerges as a woman named Matoaka, who may have seen herself as an important mediator between cultures and nations at a tenuous moment in the history of her people.
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Betsy Ross and the Making of America
By
Marla R. Miller
Why this book?
Betsy Ross sewed the first American flag. That’s the legend, which did not appear until her grandchildren started to capitalize on tourism to the Philadelphia Centennial celebrations in 1876. The real Betsy Ross proves far more exciting. She sewed flags, but she was also an artisan, a businesswoman, a Quaker who was too political for her Meeting, and involved in the public protests leading up to the Revolution. Miller connects family networks, the material culture of the drapery and textile industries, British trade policies, and Revolutionary politics and protest into a whole cloth. This is a visceral look at the War for Independence from one of its epicenters and the vantage of one of its most iconic women.
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Sojourner Truth's America
By
Margaret Washington
Why this book?
Find a performance of Truth’s speech, “A’rn’t I a Woman,” and the actress inevitably slips into a southern accent. Margaret Washington’s book, along with Nell Irvin Painter’s Sojourner Truth: A Life, a Symbol, will tell you that Truth actually spoke with a Dutch accent and that the more famous version of that speech was a revision by a white abolitionist woman. Truth was born and raised in New York, not the south, and she slipped through the cracks of the state’s Emancipation laws, remaining a slave well into adulthood. Her life tells a national story of slavery and shows the complicated relationships of religion, abolition, women, and class.
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Mrs. Lincoln: A Life
By
Catherine Clinton
Why this book?
Mary Lincoln (she did not use “Todd,” as readers will learn) was much hated by her husband’s chroniclers. They painted her as mentally unwell, frivolous, too intrusive in her husband’s business, too lavish in her spending, and a detriment to his career. Clinton looks past these assessments and, with great sympathy, shows a woman who had actually been a great asset to her unpolished spouse because she was interested in politics, bold, and attractive. She also endured great tragedy during her years in the White House. Clinton’s sensitivity will leave readers not only reassessing what they think they know about the wife of this president but also the way that the lives of many women have been written and retold by unsympathetic parties without reference to the woman’s own experience.
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Prairie Fires: The American Dreams of Laura Ingalls Wilder
By
Caroline Fraser
Why this book?
Laura Ingalls Wilder maintains an avid fanbase in spite of reappraisals of her racial attitudes; and re-encountering her as an adult can be an exciting, disappointing, jarring, but fascinating experience. Caroline Fraser sorts through the semi-autobiographical sources, not least of which are their fictional writings, of Wilder and her collaborator daughter, Rose Wilder Lane, all of which they infused with their own nostalgia and libertarianism. The tortured landscape becomes almost another living figure, as well, since natural disasters set the scene for the novels and their writing. The books’ creation, their influences, and, in turn, their influence in the mythmaking of the American West, contemporary racism, and man-made climate change included, make Wilder more than just a little girl growing up in little houses. Readers might also find themselves wishing to revisit other figures from their youth.
