Here are 100 books that Free Love fans have personally recommended if you like
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Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
I love the humor, self-confidence, and acerbic wit of Margaret Anderson–a woman known by few, but those who know her love her.
Writing in her thirties she looks back with a keen eye for the geniuses of modernism–Joyce, Eliot, Pound, etc. She also, with her lover Jane Heap, published early feminist and LGBTQ content. And she is funny. An iconoclast from Day 1.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.
Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genet. For half a century she described life on the Continent with matchless elegance.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
As a native New Yorker and lifelong fan of Harriet the Spy (one among legions) reading the product of Leslie Brody’s detective work into the life of her creator is a special pleasure. Born in 1928, Fitzhugh was the product of a high society Memphis marriage that ended in scandal. She went on to live a vibrant, turbulent life in the queer artist and writers scene in New York. It makes total sense that someone who straddled so many different worlds had such a deep understanding of the multiple lives we all lead, and such a keen ability to perceive other people, all of which she poured into her characters. I also recommend her other incredible YA novel, Nobody’s Family Is Going to Change, which tackles race, children’s rights, and the profound beauty of tap dancing.
The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh.
Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
The child of Communist parents, Alix would grow up to be one of the most profound movers and shakers of the lesbian music movement, producing the first full-length lesbian album, Lavender Jane Loves Women, in 1973. But this memoir is a series of chapters on her early years growing up in the 1950s with progressive activists and folk club life, embarking on her own career in the folk circuit, singing against the backdrop of repressive politics, and coming into the women’s movement as a married mother about to fall in love with another woman.
Women’s music legend Alix Dobkin for the first time chronicles her rise to fame as the first artist to record an openly lesbian album in 1973. Her story, however, opens much earlier in postwar New York City, where, growing up in a Communist family, she watches Jackie Robinson steal home, rubs elbows with radical Left celebrities like Paul Robeson, and comes of age under the watchful eye of the FBI. Dobkin herself joins the party at the height of the McCarthy witch hunts and offers readers a firsthand glimpse of daily life as a young person living under government surveillance.…
I began reading mystery novels while I was still a young boy, thanks to the influence of my parents who were both fans of crime fiction. Early on, I was drawn toward the hard-boiled school of crime fiction and I’ve always particularly enjoyed reading novels about both private detectives and police department detectives. Several years ago, I began writing my own series featuring a Phoenix, Arizona homicide detective, Sean Richardson, and his partner, Maggie McClinton. I’ve also written two fairly traditional mysteries, one set in Montana and the other in South Dakota as well as a standalone suspense novel and one nonfiction book.
This novel introduced Matthew Scudder, an ex-New York City cop turned unlicensed private investigator. In this case, a young woman has been brutally murdered and the police believe they have solved the crime. But the victim’s father hires Scudder to look deeper into the case which will produce more than its share of surprises. The beauty of this series, though, lies in the development of the Matthew Scudder character, who remains one of the most fascinating and compelling figures in all of crime fiction. The first chapter, which introduces Scudder, is one of the best opening chapters of any crime novel.
The first novel in the explosive Matthew Scudder Series. The tenth novel in the series - A WALK AMONG THE TOMBSTONES - is set to be a major Hollywood film, starring Liam Neeson.
A pretty young girl is butchered in her Greenwich Village apartment.
The prime suspect, a minister's son, is found dead in his jail cell.
As far as the NYPD is concerned, the case is closed.
But ex-cop Matt Scudder, is persuaded to look into the case by the dead girl's father. And suddenly he's up to his neck in sleaze and corruption, phoney religious cults and murderous…
Children were seen and not heard when I was growing up in Flushing, Queens, where I had one tree in front of my house. I moved to Connecticut as an adult and now I look out on woods and bears sneaking into my garage. The result of my silent childhood is I’m an excellent listener and an even better eavesdropper—superb traits for a writer. I owned a Connecticut advertising agency for most of my adult life then realized I could make less money if I became an author. My first book was published when I turned 63—which is amazing because I'm only 40.
Let me start by saying I adore every book by bestselling author Jennifer Belle, from her debut, Going Down, to her latest, The Seven-Year Bitch. Belle is witty, wonderful, and truly New York, New York. Here I will discuss High Maintenance, her top-of-the-charts, five-star love story between a woman—and an apartment. Protagonist Liv Kellerman is engrossing. Upon leaving her husband and a fabulous penthouse, Liv relocates to a hovel in Greenwich Village that is certainly from the “beat” generation. In her efforts to be top floor again, she becomes a realtor in the cutthroat Manhattan market. You won’t want to put this one down.
Liv Kellerman is 26, newly divorced, and has just lost the love of her life. Her husband? You've got to be kidding. It's her apartment she's in mourning for - her lovely penthouse apartment with its Empire State Building view. On her own for the first time in her life, Liv is forced to relocate to a crumbling Greenwich Village hovel, but things are about to get a lot worse. She's about to become an estate agent. Belle's gift for creating eccentric and winning characters, and her acute observations of both the absurd and the poignant in everyday life, are…
I’m originally from New York but have lived in Portugal for the last 31 years. I write my novels in English and my children’s books in Portuguese. When I discovered the Lisbon Massacre of 1506, in which 2,000 forcibly converted Jews were murdered and burnt in the city’s main square, I asked my Portuguese friends what they could tell me about it. They all replied, “What Massacre?” I found out then that this crime against humanity wasn’t taught in Portuguese schools. It had been nearly completely forgotten. That made me furious, so I decided to write a novel about it (The Last Kabbalist of Lisbon). When I’m not working on a book, I like to garden and travel.
Are you prepared to read a novel that might challenge your perspective on sexual practices generally considered perverse and perilous? The narrator of this touching fictional autobiography is Terry Andrews, a compassionate, witty, and wildly promiscuous children’s book author and resident of pre-AIDS Greenwich Village. Unfortunately for him, he discovers that he is most drawn to what he cannot have – a family and kids. His attraction to down-and-out misfits and sadomasochism seems to rule that out until he falls in love with a married father of six. When that relationship comes undone, however, Terry slides into suicidal depression. Even so, his narration remains charged with magical exuberance and black humor. Is it a scandalous work? Definitely! Dangerous? Probably. Worth reading? You decide…
My father was a stage magician, and I grew up looking for the gimmick behind the marvel. As a journalist, I gravitated toward true crime and the many varieties of fraud, deception, and misdirection on display in any high-stakes criminal trial. I am particularly fascinated by elaborate cons, whether they involve sideshow mitt readers, political hucksters, or cryptocurrency barons. When I found out that a century ago my hometown was the center of a Big Con operation that raked in millions, I had to learn more. The result is my book Gangbuster.
Nobody was better than New Yorker writer Mitchell at capturing the gritty realities of the Bowery, but he met his match when he decided to profile Joe Gould, a Harvard-educated bohemian said to be working on a massive “Oral History of Our Time.”
Twenty years later, Mitchell returned to his subject and revealed the secret he’d learned shortly after the first piece was published: that Gould had perpetrated (with Mitchell’s unwitting help) one of the great literary hoaxes of all time – not out of greed or a desire for fame, but out of desperation and mental illness.
But is Mitchell giving us the straight story, or is there more he’s not telling? This labyrinth of smoke and mirrors still astonishes me.
'It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer' Nicci French, Independent
It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History - the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.
