74 books like Scene of the Crime

This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of why the elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.

Romance is all about feelings. The highs. The lows. The dejection and the joys. But you need to “show” and not “tell” how your characters are feeling.

To do that, you use gestures, dialogue, facial expressions, internal sensations, and thoughts. The Emotion Thesaurus provides all that and more. There are more than 130 entries to help writers show emotion. This is a fantastic book for all novel genres. If I could only keep one reference book (other than mine), this would be it!

I sold three novels before I found this book, and it transformed how I think about writing. If you want to write stories that grab your readers by the throat and makes them want more, this is the book for you.  Swain’s basic premise is simple: fiction is movement, action, and reaction. He deduces from this specific, actionable ways to construct compelling sentences that turn movement to action, action to scenes, and scenes to stories. Swain’s influence on screenwriting is everywhere, from The Rockford Files to The Mandalorian. His influence on contemporary fiction is just as pervasive. His ideas about “motivation reaction units” and “scenes/sequel pairs” are now in many “how-to” books, but no one describes them better than the man who invented them.   

I’m a mathematician. Mathematicians start with basic ideas—axioms and definitions—and use logic to deduce magical things called theorems. When I decided I wanted to write fiction, I looked for books on writing. I found lots of good books, but they left my mathematical brain unsatisfied. Then I found Gardner’s book. Gardner’s genius is that he provides a theory of fiction, a framework for understanding what makes writing come alive. Reading Gardner, I saw at once the difference between, say, Edgar Allen Poe and Stephen King. They’re both geniuses, to be sure, but King’s writing draws you into his fictional worlds in ways Poe’s never does. The underlying theory, the fictional dream, makes all the difference. The fictional dream is the secret to compelling writing.

Just about any of Leonard’s several dozen suspense novels could have a top spot in this reckoning, including the better known Get Shorty, Freaky Deaky, and Glitz. My vote for the best goes, however, to Killshot, his dark, deftly plotted, highly comedic 1989 thriller about two bumbling killers and a ballsy middle-aged married couple the killers mistake for easy marks. Armand Degas, a soulful Ojibway known as the Blackbird, has grown tired of being a hit man for the Detroit mob. He’s befriended by a moronic thug named Richie Nix, whose bucket list includes robbing a bank in every state. When they decide that Carmen, a real estate agent, and her steelworker husband Wayne Colson hold the keys to a fortune, they learn that, like the Bible says, the wages of sin is death.  

In this gripping courtroom drama, an explosion in Miracle Creek, Virginia, destroys the business of South Korean immigrants Pak and Young Yoo and puts their daughter Mary into a monthslong coma. As arguments mount against the woman accused of starting the fire, Young struggles with a question many immigrants must face. Maybe she shouldn’t have brought her child to the US, where Mary struggles as a teenager and where she was almost killed. The tension between the two generations resonated with me as a parent and immigrant. As Young hopes to discover who caused the explosion that killed two other people, she must also help Mary imagine a future in their adoptive country.

I love a great mystery and I adore fantastic characters.

That’s why A Spoonful of Murder is so high on my list. It’s cozy crime with attitude. Having a detective story that doesn’t feature any actual detectives is the challenge for all cozy crime writers.

And J.M. Hall does this with such verve, vigour, and lightness of touch that you find it impossible not to fall in love with Liz, Pat, and Thelma.

There’s a wonderful fraternity amongst us cozy crime writers and I’m very lucky to count Mr. Hall as a friend. He makes me want to be a better author, just to keep up with him!

As I’d ended up enjoying Eeny Meeny I didn’t hesitate to pick up The Players.

Following a similar vein of psychological manipulation and exploitation of secrets, the game in this novel refers to a series of dangerous activities orchestrated by ‘The Host’ who carefully chooses two ‘players’ to fight to the death. And if that’s not twisted enough, the fights are posted to social media. This gives a modern edge to the novel and plays on fears about the far-reaching implications of the internet.

I felt a sense of unease all the way through and particularly enjoyed the underlying dilemma of whether you would be able to live with the guilt of killing someone to protect your family or make the decision to sacrifice yourself for another’s sake.

I couldn't get enough of the character, Rocco Schiavone, from the TV series Ice Cold Murders, so I decided to check out the original novels by Antonio Manzini. They are equally good—or better.  Rocco is a police inspector from Rome who gets transferred to Aosta, an alpine ski resort town. In Black Run, Rocco instructs his provincial team in big-city police techniques, including cutting corners and avoiding superiors. He contrives useless errands to get his two dumbest cops out of the office. And he introduces his classification of Things That Are a Pain in the Ass, with "sand in your clams" at Level Seven and "unsolved homicide" at Level 10. Black Run begins on the slopes, at Level 10, with the discovery of an unidentified corpse mangled by a snowcat.

This is a psychological thriller with a difference. This story appears to be one thing and is, in fact, something else. Following the path of a struggling working mother with post-natal depression, we see the world through her paranoid eyes.

What I really enjoyed about this book is the unexpected twists and turns. Is she really imagining this, or did she see that little girl on the platform? It makes you question everything, including the motives of those surrounding the main character (always a good thing!). It is a masterpiece of misdirection and an unreliable narrator.