Fans pick 100 books like The Art of Fiction

This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of why the elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.

This popular text on screenwriting relates films to narrative ideas found in ancient myths around the world.

Vogler does an excellent job in demonstrating how films often use elements of plot and character that have proven to be universal characteristics of stories for centuries. He applies these concepts not only to fantasy films but standard Hollywood dramas such as Titanic. 

I stumbled upon this one in a library. Yes, they still have things called Libraries. And this book is a little ripper if you are writing fiction. 

If you have ever attempted to write a novel, you would have no doubt found yourself saying things like his heart was racing; he held his breath, a shiver ran up his spine, blah, blah, blah. It’s not until you go back through your manuscript that you realize how many times you have used the same descriptions. Over and over and over again. 

This little gem of a book is jam-packed with alternatives. It offers brilliant tips on expressing the same emotions and feelings with originality and without repetition.

I’m a writing mentor and coach, and this book has helped so many of my novelists understand and implement dramatic story structure. If you are trying to write fiction, screenplays, or memoir, and you haven’t read this, prepare to have your mind blown open. I have one word for you: misbelief. Go read the book and you’ll soon understand why it’s a game-changer. Note: Lisa doesn’t mention memoir but when I interviewed her on my podcast, she assured me the concepts work beautifully and have been successfully applied. 

Aristotle was the world’s first story expert.

As a story consultant myself, it was incredible to have a man from 2,300 years ago talk to me about story theory! And more than that… everything he says is spot on. 

The real meaning of much of what Aristotle said has been debated for millennia. However, when I used his principles as story dynamics in real stories, they became very clear to me; so, in my own work, I have distilled Aristotle’s principles into a modern three-part interpretation, and I give examples of them working in classical and popular modern stories.

Aristotle’s principles are not only applicable today, but they are still better than almost any other new thinking of the last 100 years. Aristotle is amazing. I love him! 

I sold three novels before I found this book, and it transformed how I think about writing. If you want to write stories that grab your readers by the throat and makes them want more, this is the book for you.  Swain’s basic premise is simple: fiction is movement, action, and reaction. He deduces from this specific, actionable ways to construct compelling sentences that turn movement to action, action to scenes, and scenes to stories. Swain’s influence on screenwriting is everywhere, from The Rockford Files to The Mandalorian. His influence on contemporary fiction is just as pervasive. His ideas about “motivation reaction units” and “scenes/sequel pairs” are now in many “how-to” books, but no one describes them better than the man who invented them.   

I love both science fiction and mysteries, so naturally I’ve written novels that combine the two. I know enough science to realize how annoying it is when an author gets a simple thing wrong, like confusing a measure of distance (ahem, a parsec) with a unit of time. When I needed to write about a detective investigating a crime scene, I knew I needed better background than watching Lenny on Law and Order. That’s where this book comes in. Wingate is a former cop and CSI investigator in addition to having a PhD in English, and provides detailed and practical notes, drawn from personal experience, on the scene of the crime. Besides pointing out an excellent reference, the point of this recommendation is to do the research and get the details right no matter the genre.

Thomasina’s musings in Arcadia lead us naturally to Nova Jacobs’ entertaining mystery: the titular equation is closely linked to Thomasina’s ‘theory of everything’ (in fact, a quote from Arcadia opens one of Jacobs’ chapters). When Isaac suddenly dies of an apparent suicide, his adoptive granddaughter Hazel is left to follow his enigmatic clues to discover where Isaac has hidden the equation he spent the last years of his life working on, what exactly it calculates, and who else is after it. 

The best thing about this book is the Severy family, a bunch of mathematicians and theoretical physicists living in a hilariously drawn world of academic pettiness, demanding PhD students, dry periods that seem like they might never end, judgmental relatives, and disappointingly un-academic offspring. Sounds just like our family!

In the mood for a graphic novel starring Bertrand Russell and a supporting cast of famous thinkers like Whitehead, Frege, Gödel, and Wittgenstein? Logicomix is for you!

Flip to Chapter Six, “Incompleteness,” for a peek of Vienna in the 1930s. The logic and philosophy illustrated throughout provide a great context for the work of Vienna’s famous philosophical circle led by Moritz Schlick, whose 1936 murder provides a chilling contrast to the intellectual pursuits of that time.

Frenkel came from the Soviet Union, where discrimination against Jews made it impossible for him to get into Moscow State University. During the oral exam they sent two graduate students to question him, pick holes in his responses, and ensure he failed. He turned to an informal network of Soviet mathematicians for help.

Like him, they were denied serious employment in the field, but after the 'cold war' against the Soviet Union, Harvard invited him to take a fellowship that later turned into a permanent job. Years later, when his old tormentor from Moscow State arrives to give a talk, he confronts the man in a lecture room with first-hand evidence of allegations against the system. Faced with a victim, the Russian mathematician's denials rang hollow. 

This book reaches beyond mathematics to anyone of independent thought in an environment where it is not permitted to step out of line or,… show more.