Here are 96 books that Ramona the Pest fans have personally recommended if you like
Ramona the Pest.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Looking at this list, I think it reveals that I am fundamentally a nosy person. I love reading other people’s diaries and letters and getting the inside story of a person’s life. And I’m also fascinated by how people present themselves to the world. Giving presentations is one way to show ‘who you are,’ so perhaps it's not surprising that I now work with people to help them tell their stories, share their ideas, and be the best they can be in front of an audience. Many people say they ‘hate’ presenting, and my mission is to help them overcome that.
When I was nine, I stayed with my Grandparents for a week and went to the local bookshop every morning. One day, I randomly picked up Harriet the Spy, read the first page, and couldn’t stop. Over the years, I have read it over 50 times, and it still remains one of my all-time favorites.
This book has nothing to do with presenting and everything to do with being observant, a writer, and a spy. I couldn’t have a list of book recommendations without including this. Harriet is one of the best and most realistic heroines in children’s literature, and if you haven’t read it, you’re in for a treat.
First published in 1974, a title in which Harriet M. Welsch, aspiring author, keeps a secret journal in which she records her thoughts about strangers and friends alike, but when her friends find the notebook with all its revelations, Harriet becomes the victim of a hate campaign.
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Of course, if you’re talking classic impulse-control-challenged YA heroes, you’re almost obligated to mention Holden Caulfield.
So, okay: Holden Caulfield. But now let’s talk about Earl, who is not the protagonist of Me, Earl, and the Dying Girl, but the protagonist’s incredibly foul-mouthed, incredibly short, incredibly angry, incredibly funny sidekick and creative partner, who will windmill-kick you in the head if you mention his height to him.
Nonetheless, when alerted to the fact that the Girl is indeed Dying, it’s Earl who insists that Greg (Me) step up and be her friend, and it’s Earl who has the moral compass to teach Greg that compassion is more important than dignity. Earl might be a chain-smoking high-school dropout, but he has standards.
Seventeen-year-old Greg has managed to become part of every social group at his Pittsburgh high school without having any friends, but his life changes when his mother forces him to befriend Rachel, a girl he once knew in Hebrew school who has leukemia. 25,000 first printing.
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Everyone should spend 30 minutes each day admiring Calvin and Hobbes, the best comic strip ever made.
Calvin is one of the truly magnificent heroes of children’s literature, an embodiment of all the imaginative and moral power that kids have and grownups don’t.
His best friend, Hobbes, is a profound thinker as well as an intermittently alive stuffed tiger, and together they live, squabbling and happy, in their own crazed world, triumphing over parents, teachers, and other authorities with dazzling illogic and hairbreadth escapes to other realities, much more interesting than this one, where you can evade chores by traveling into a future when they’ve already been done or mysteriously shrink to the size of an insect and wreak revenge on bullies.
The award-winning cartoonist details the further adventures of Calvin, a mischievous young boy with boundless energy and imagination, and his lovable stuffed tiger.
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Obviously, the Cat in the Hat is the King of Mayhem. But is he a hero?
I have to admit, The Cat in the Hat made me nervous as a kid—the Cat’s a force of chaos; the house is ruined; Mom will be mad! Even the happy ending seemed too precarious to enjoy and also involved lying to Mom, which, in my experience, never turned out well.
But when the Cat returns in The Cat in the Hat Comes Back,he seems, after a spate of insanity, to become sympathetic to the protagonists’ fears (they are awfully law-abiding, those kids), and he reforms to the extent of providing a solution to the problem he’s created: VOOM, which in my opinion is a metaphor for nuclear power, is a great cleaning agent and soon everything returns to its original tranquility, proving that the while the Cat in the Hat is…
The riotously funny follow-up to The Cat in the Hat!
The Cat is back-along with some surpise friends-in this beloved Beginner Book by Dr. Seuss. Dick and Sally have no time to play. It's winter and they have mountains of snow to shovel. So when the Cat comes to visit, he decides to go inside and to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates is a very BIG pink problem when he transfers the stubborn stain from the bath onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately,…
My favorite books as a child were the ones where kids went off on wild, impossible adventures alone, figuring things out, learning important lessons, and finding they were more capable than they thought. Wisdom, truth, insight, inspiration… those are the treasures found in these fantastical places. I’ve written (and told) stories all my life, but it wasn’t until I was in my fifties that my goal of publishing a book was realized. And now I have four more coming out (Lord willing!) within the next year and a half. It’s never too late. Unless you’re dead, then you blew it. So don’t stop trying, whatever your goals are.
No, not a magical world, but it was a pure joy seeing other kids being really clever. It was aspirational.
This author wrote in a way that made the reader feel like they, too, could work out the mystery alongside the characters while dodging (outsmarting) bullies. Every kid wants to be a hero. Sobol puts the reader in the driver’s seat.
I’ve loved mysteries since childhood. That passion started with silly attractions like Scooby-Doo, Dark Shadows, and Nancy Drew. As I grew older, my love of mystery expanded to include the “what if” elements of folklore and urban legends. I’ve written two, 3-book series employing dual timelines, each wrapped in multiple layers of folklore. Crafting separate plotlines then weaving them into a tidy ending takes patience. I enjoy reading books that are well-executed and if they include a touch of the supernatural, all the better. My passion for urban legends has led me to give presentations to local community groups and also to engage in travel when needed for on-site research.
My first experience reading a book with dual storylines, this novel held me spellbound cover to cover. McMahon has since become an auto-buy author for me, thanks to this fantastical story that puts a magnifying glass on the life of two sisters, a childhood friend, and an unexplained disappearance. The story moves between past and present and revolves around the Tower Motel in Vermont, now a ruined shell that refuses to yield its secrets. Secrets the girls discovered while playing games there as children.
An unexpected splash of the paranormal and the use of letters from one sister to Mr. Hitchcock (yes, that Hitchcock) add the perfect touch to this disturbing gem.
From the New York Times bestselling author Jennifer McMahon (The Winter People) comes an atmospheric, gripping, and suspenseful tale that probes the bond between sisters and the peril of keeping secrets.
The Tower Motel was once a thriving attraction of rural Vermont. Today it lies in disrepair, alive only in the memories of the three women—Amy, Piper, and Piper’s kid sister, Margot—who played there as children. They loved exploring the abandoned rooms … until the day their innocent games uncovered something dark and twisted that ruined their friendship forever.
Now, Amy stands accused of committing a horrific crime, and the…
Here are words I like for their feel, especially when they describe fantasy: surprise; twist; subvert. I am generally a mild-mannered writer, but I do love the passing strange. By that I mean, twisty, not shocking. Surprising and intriguing, but grounded in a relatable story. A story with something wondrous and unexpected but also deeply human. I’ve written eighteen fantasy and science fiction novels, and each time, though I am creating a strange—hopefully wondrous, place—central in the story are people who desire, fear, love, and strive.
I love stories set in modern times, with the fae living—secretly—in the local woods. It reminds me of the uncanny in real life, and the possibility of adventure.
The pleasure of this rendition of the fae-next-door is that the human realm is brought fully to life and slowly entwines with the fantastical. Also: It gradually dawned on me that the human thread of the story is a fairy tale in its own right. That really twisted my expectations.
Imogen and her sister Marin escape their cruel mother to attend a prestigious artists' retreat, but soon learn that living in a fairy tale requires sacrifices, whether it be art or love in this critically acclaimed debut novel from "a remarkable young writer" (Neil Gaiman, American Gods).
Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn't imagine how a stepmother could be worse than her mother now. As…
Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.
V.C. Andrews was my first dive into gothic fiction. Fans often fawn over Flowers in the Attic but something about Andrews' only standalone book (let's not talk about the sequel!) really spoke to 14-year-old me.
I loved the isolating setting of the aging Whitefern estate. I hated every member of the family. Audrina herself is an unreliable narrator who assures the reader just how unreliable she is. And so, of course, when a boy shows her interest, she dives headfirst into her only source of comfort.
Teenage me was smitten with this book, and adult me now sees all the red flags these characters wave. Andrews might not have been the best writer, but her storytelling ability sure cut into my coming-of-age female psyche like no other writer could.
A haunting story of love and deceit, innocence and betrayal, and the suffocating power of parental love from V.C. Andrews.
The idea of her sister hovered above them all.
Audrina fiercely desired to be as good as her sister. She knew her father could not love her as he loved that other girl, for her sister was so special, so perfect—and dead.
Upstairs in a locked room awaited her sister’s clothes and dolls, her animals and games—and her sacred rocking chair. Now Audrina will rock and rock and rock to reclaim all of her gone sister’s special gifts.
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
This is the Twelve Dancing Princesses meets the Hunger Games! It’s a great start to a new series of fairytale retellings that manages to take some well-known stories and make them feel new. All while maintaining that familiar comfort of what we expect from a classic tale. It’s a great weaving of old and new that has you rooting for these princesses and wondering whose story you’ll get to read next.
When Princess Liliana and her twin sister set sail for new lands, Lily hopes to find adventure and romance. But the people of Marin live under the shadow of a curse—one powerful enough to destroy entire kingdoms. To protect them all, Lily and eleven other princesses are forced to participate in a mysterious and secret tournament. Lily spends her nights competing in a magical underground realm and her days unraveling the dangers of this new court. Although she needs the help of the Marinese prince, Lily knows she can’t let herself grow too close to him. There’s no time for…
Being diagnosed with an incurable cancer and told I may only live 5-years forced me to become an expert in the misconceptions of how to behave and what to say to cancer patients. It’s all bunk! What I know: (1) Don’t tell me “Call if you need anything.” I’m the one who’s sick, you need to call me. (2) Please don’t patronize me; I live in reality, not the land of rainbows, unicorns, and miracles. (3) It’s okay not to know what to say; I’m as blown away as you are. What patients need is honesty, present and available support, and laughter – a lot of it.
What a wonderful, moral-rich, non-preachy, feel-good, tapped several of the big societal issues (adultery, death, divorce, pride, bullying, regret, work vs. family; you get the point), without ever once making me squirm with too many religious overtones, or want to run off to confess my improprieties. As a flower child at heart, I loved the continual nuances of people and growth compared to good soil and water, seasons, and blooms. This book was beautifully done.
When the matriarch of a loving family is diagnosed with cancer and determined to live out her days without treatment, there are twists and turns of reality that make this book a must-read. I too, nearly chose the path of non-treatment and this book resonates.
From New York Times bestselling author Julie Cantrell comes a story of family and the Southern roots that call us home.
"If Julie Cantrell isn't on your reading list, she should be." -Lisa Wingate
Years ago, Lovey chose to leave her family and the South far behind. But now that she's returned, she's realizing things at home were not always what they seemed.
Eva Sutherland-known to all as Lovey-grew up safe and secure in Oxford, Mississippi, surrounded by a rich literary history and her mother's stunning flower gardens. But a shed fire, and the injuries it caused, changed everything. Her…
