Here are 100 books that Pope Joan fans have personally recommended if you like
Pope Joan.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!
I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.
I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.
Here is the tragic tale of the rise and fall of Camelot - but seen through the eyes of Camelot's women: The devout Gwenhwyfar, Arthur's Queen; Vivane, High priestess of Avalon and the Lady of the Lake; above all, Morgaine, possessor of the sight, the wise, the wise-woman fated to bring ruin on them all...
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
“She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.” I read these opening sentences over and over. They both threw me off and enchanted me. What is this strange cadence? I wondered.
The song of the words wove around me and drew me into a world both political and mystical. In some ways like the Avalon of Marion Zimmer Bradley, in other ways, most definitely not. I have friends who are Lauren Groff fans. I have never made it past the first few pages… until I picked this book up.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
OMG. I have recommended this book to more people than any other. It’s truly a historical fiction masterpiece. I read slowly but my eyes flew over these titillating pages as if I was a famished glutton and had to devour them quickly lest they disappear. The intrigue! The avarice! The anarchy!
It is an ambitious literary project that splashes over the colorful canvas set in 12th-century England. If, like me, you love the complexities of the human condition, read this book and prepare for the rapture that is virtuoso storytelling.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.
I don't think there is an author who hasn't at least once wished that he was the one who wrote a book by another author. Ever since I first read Umberto Eco's masterpiece, I wished I had written it. That wish only intensified whenever I reread it—and I did it many times. It is a perfect novel by all standards. It is a superb literary work based on storytelling virtuosity and a colossal erudition.
The detective narrative drive is a background of the main theme—how the Renaissance was borne. No other novel in the history of literature has managed to depict a long-gone century in such an impeccably authentic way. Among many authors who influenced my writing, Umberto Eco is certainly the most prominent.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I am a full-time Children’s Fantasy author and illustrator; the result of having my imagination captivated by all the stories told before me. When delving into a story my desire is to have my imagination captured and swept up on a dizzyingly wonderful and fantastical ride. When reading, I just want a good, solid adventure. More importantly, I want to feel like I’m withthe characters (and that I actually want to be with them)—that I’m seeing the world unfold as they do. I love when my imagination is inspired, invigorated, startled, and surprised. If you’re like me, give the books on my list a go—your imaginations will (hopefully) be captured and swept up, too!
This wonderful (and danger-ridden) adventure starts by establishing a believable and endearing bond between siblings Ottilie and Gully—despite their grim life circumstances. The stakes are shot sky-high when Gully goes missing, and Ottilie risks life and limb to find him and get him back—only to discover a much more incredible (and terrifying) predicament that spans way beyond her small little (family-orientated) world. The mystery and tension driving Ottilie (and the story) are tight and addictive. And the world-building and dangers are delightful in the most imaginative (and scary) way. Secret organizations, dangerous hunts, blight-spreading monsters. And a scared but clever and determined girl who must disguise herself as a boy, to save the one she loves most. A well-worth read!
In the most thrilling fantasy of the year, a young girl must pretend to be a boy to rescue her brother from a secret order of monster hunters.
Ottilie Colter and her brother, Gully, have always fended for themselves. So when Gully goes missing one night, Ottilie sets out to find him - and soon makes a horrible discovery. Gully has been forcibly recruited by the Narroway Hunt, a secretive male-only organisation that hunts savage, blight-spreading monsters called 'dredretches'.
Disguising herself as a boy, Ottilie infiltrates the Hunt - but quickly realises that taking her brother home won't be easy.…
At heart, I’m still just a girl. I don’t think I’ll ever grow out of wanting to experience the excitement of first kisses, first loves, and of coming out, when everything was new and exciting, and the world was full of promise. That’s why we return to YA even as adults. To feel the butterflies of a first crush, the fluttering of first love, and the agony of first loss. Those transformative books, the ones that change the trajectory of our lives, are usually young adult novels. I wrote The Space Betweento give readers a story to fall in love with and take with them the rest of their lives.
If you identify anywhere on the LGBTIQ2+ scale and haven’t heard of Sarah Waters, you’ve likely been living under a rock.
Her debut novel, Tipping the Velvet, is probably better known as the three-part BBC series, but the book is what truly makes the characters come to life. From naïve, small town, oyster-girl in Kent to the life of the London Stage, Waters takes you through Victorian-era England via the point of view of beloved heroine Nan Astley.
If you’re looking for a sexy, sensuous, and downright gritty novel about what life was truly like for a ‘tom’ growing up and coming out in the nineteenth century, this is thebook.
'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.'
A saucy, sensuous and multi-layered historical romance set in the 'roaring' 1890s, Tipping the Velvet follows the glittering career of Nan King on her journey from Whitstable oyster-girl to music-hall star to cross-dressing rentboy to East End 'tom'.
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
Another companion on my journey to becoming a medievalist, The Oldest Vocation is one of the earliest works of medieval scholarship to take the history of motherhood seriously. Atkinson showed us how mothering was a calling in the medieval world, whether it was a physical experience or a spiritual one. I think this was the first book I ever bought the moment it was available!
According to an old story, a woman concealed her sex and ruled as pope for a few years in the ninth century. Pope Joan was not betrayed by a lover or discovered by an enemy; her downfall came when she went into labor during a papal procession through the streets of Rome. From the myth of Joan to the experiences of saints, nuns, and ordinary women, The Oldest Vocation brings to life both the richness and the troubling contradictions of Christian motherhood in medieval Europe.
After tracing the roots of medieval ideologies of motherhood in early Christianity, Clarissa W. Atkinson…
I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
In this book, Chris Wickham surveys the passage from Antiquity to the Middle Ages in a lucid and engaging manner that challenges past scholarship on the matter. Unlike Edward Gibbon (d. 1794) and his followers, who argue that the fall of Rome initiated a new age–the Middle Ages–marked by the triumph of barbarism and religion, Wickhams stresses the transformations that swept Europe and the Mediterranean World from the fifth century onwards and consequently re-shaped it.
I particularly like Wickham’s account because it gives Gibbon’s thesis on the decline and fall of the Roman empire the proper burial it deserves. Wickham is extremely revealing how profoundly effective and dynamic were the shifts that marked the transformation of the Roman world–shifts that laid the foundations for modern society and civilization.
'The Penguin History of Europe series ... is one of contemporary publishing's great projects' New Statesman
The world known as the 'Dark Ages', often seen as a time of barbarism, was in fact the crucible in which modern Europe would be created.
Chris Wickham's acclaimed history shows how this period, encompassing peoples such as Goths, Franks, Vandals, Byzantines, Arabs, Anglo-Saxons and Vikings, was central to the development of our history and culture. From the collapse of the Roman Empire to the establishment of new European states, and from Ireland to Constantinople, the Baltic to the Mediterranean, this landmark work makes…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Another synthesis of the ‘Dark Ages’ Europe, this one from the Penguin History series. An easy, but thorough read, painting a broad canvas from Ireland to Byzantium, and from the last days of Rome to the last days of Anglo-Saxon England, shines the light on the centuries that, while still seen as shrouded in the darkness of violence and barbarism, are in fact the true cradle of the European civilization as we know it today.
"The breath of reading is astounding, the knowledge displayed is awe-inspiring and the attention quietly given to critical theory and the postmodern questioning of evidence is both careful and sincere."--The Daily Telegraph (UK)
"A superlative work of historical scholarship."--Literary Review (UK)
A unique and enlightening look at Europe's so-called Dark Ages; the second volume in the Penguin History of Europe
Defying the conventional Dark Ages view of European history between A.D. 400 and 1000, award-winning historian Chris Wickham presents The Inheritance of Rome, a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material…
Patrick Geary is Professor of History Emeritus at the Institute for Advanced Study in Princeton, and Distinguished Professor of History Emeritus at UCLA. He is the author of some fifteen books and many articles and edited volumes on a broad range of topics including barbarian migrations, religious history, ethnicity, nationalism, genetic history, and the modern misuse of ancient and medieval history in the nineteenth through twenty-first centuries. Currently he co-directs an international, interdisciplinary project funded by an ERC Synergy Grant that uses genomic, historical, and archaeological data to understand population structures during the so-called Migration period at the end of the Roman Empire in the West.
Guy Halsall has a comprehensive knowledge of the history and archaeology of the early Middle Ages as well as a firm control of all of the centuries of debates and controversies about this period.
He cuts through a lot of the misunderstandings and misinterpretations of this crucial period of history. Often opinionated but never dull, he provides the best general narrative guide to date in English on the transformation of Western Europe.
This is a major survey of the barbarian migrations and their role in the fall of the Roman Empire and the creation of early medieval Europe, one of the key events in European history. Unlike previous studies it integrates historical and archaeological evidence and discusses Britain, Ireland, mainland Europe and North Africa, demonstrating that the Roman Empire and its neighbours were inextricably linked. A narrative account of the turbulent fifth and early sixth centuries is followed by a description of society and politics during the migration period and an analysis of the mechanisms of settlement and the changes of identity.…
