I’ve been reading fiction set in the middle ages since…well, since I could read! Tales of Arthur and his knights featured largely on my childhood bookshelves. In graduate school, I got the chance to study both the literature and the religion of the middle ages and read up on the source texts. Reading literature from the period itself – whether saints’ lives or poems or travel tales – made me realize how rich the age was, and how few stories we tend to retell. I became passionate about writing more about the experiences of those who didn’t fit the mainstream expectations of gender and sexuality. There are a wealth of tales that need to be retold.
I love this novel because of how it takes what seems like an impossible story (a female pope?!) and writes it so carefully and compellingly that the impossible becomes completely plausible. The young woman’s journey from her home and family to becoming pope…how she navigates a world that is completely not designed for her…I was totally captivated by the story.
“Pope Joan has all the elements one wants in a historical drama—love, sex, violence, duplicity, and long-buried secrets. Cross has written an engaging book.”—Los Angeles Times Book Review
In this international bestseller and basis for the 2009 movie of the same name, Donna Woolfolk Cross brings the Dark Ages to life in all their brutal splendor and shares the dramatic story of a woman whose strength of vision led her to defy the social restrictions of her day.
For a thousand years her existence has been denied. She is the legend that will not die—Pope Joan, the ninth-century woman who…
Matrix pulled me in immediately. I loved the realness of the setting: the mud and the cold and the food and the smells. Life in the middle ages wasn’t easy, and Groff’s novel doesn’t try to romanticize that. I also loved the protagonist, a woman who gradually builds a position of power for herself. Groff explores sexuality and desire, community and meaning, religion and power on a scale that is both personal and profound.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
This may be the book that got me hooked on historical fiction about the middle ages. Follet’s account of the cathedral building was both grand in scale and meticulous in detail. I am always amazed when I see castles and cathedrals and wonder – how did that build that? How is it still standing? Follet’s novel answers those questions and also shows the lives of those who did the building – not just the rich and powerful, but the simple stonemasons as well.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
I love a good murder mystery. And when an author can write a compelling whodunit and pair that with a historically accurate depiction of a medieval monastery and then, on top of that, add in some deep reflections on language, desire, and philosophy… swoon! This novel is creepy and captivating and will make you want to visit some catacombs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
If Pillars of the Earth got me into historical fiction set in the middle ages, then The Mists of Avalon is what hooked me for fantasy set in that period. I adored this feminist retelling of King Arthur’s legends – the women, who are in the background and rather one-dimensional in the original, get to be the story-creators here. There are certainly familiar scenes of swords and quests, but there’s also a lot more magic and a lot more mystery and intrigue.
Here is the tragic tale of the rise and fall of Camelot - but seen through the eyes of Camelot's women: The devout Gwenhwyfar, Arthur's Queen; Vivane, High priestess of Avalon and the Lady of the Lake; above all, Morgaine, possessor of the sight, the wise, the wise-woman fated to bring ruin on them all...
There was once, long ago, a foolish king who decreed that women should not, and would not, inherit. Thus when a girl-child was born to Lord Cador – Merlin-enchanted fighter of dragons and Earl of Cornwall – he secreted her away: to be raised a boy so that the family land and honour would remain intact. That child’s name was Silence.
Silence must find their own place in a medieval world that is determined to place the many restrictions of gender and class upon them. With dreams of knighthood and a lonely heart to answer, Silence sets out to define themselves. Soon their silence will be ended.
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come face to face with an otherworldly shark-toothed assassin.
Furious to learn she’s been enlisted by a clandestine race of beings against her…
"Be prepared for a long night of reading as the story unfolds. The end will leave you wanting more." - Goodreads Reviewer
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come…
