86 books like Philosophical Investigations Into the Essence of Human Freedom

In Žižek’s view, philosophy as we know it today does not well and truly begin until the late-eighteenth century, with Kant’s critical-transcendental “Copernican revolution.” The Critique of Pure Reason inaugurates this revolution. It insists on the ineliminable centrality of the structures and dynamics of minded subjectivity for the constitution of what we experience as objective reality. Moreover, on Žižek’s psychoanalytic rereading of Kant’s epoch-making 1781/1787 masterpiece, Kant anticipates, among many other things, Lacan’s idea of an internally divided subject as the ultimate unconscious condition of possibility for how we humans register and understand ourselves and our world. Moreover, the Kant of the first Critique is crucial for Žižek as the inspiration for the entire tradition of post-Kantian German idealism so central to Žižek’s own philosophical program.

By Žižek’s own admission, Hegel is as important to him as Lacan. And, Hegel’s mature Logic, spelled out in greatest detail in his hulking Science of Logic, sits at the very center of the entire Hegelian system in all its sprawling, encyclopedic scope. In the Science of Logic, Hegel elaborates and explores at great length the basic categories most fundamental to the very intelligibility of anything whatsoever. In addition to delineating the various conceptual contents contributing to reality being knowable, Hegel also provides, in the Science of Logic, a virtuoso display of the ways of thinking peculiar to his (in)famous speculative dialectics. One cannot fully appreciate Hegel without appreciating his Logic. Likewise, one cannot fully appreciate Žižek without appreciating Hegel.

Of all Freud’s writings, 1920's Beyond the Pleasure Principle occupies a special place in relation not only to Žižek’s conception of psychoanalysis but also to his philosophical/theoretical framework as a whole. This is the text in which Freud introduces his audacious and controversial hypothesis of the “death drive” (Todestrieb). It is not until 1920 that Freud fully brings to light tendencies within the psyche disrupting and disobeying the pleasure principle, forces of negativity able to suspend (if only momentarily) the psyche’s usual pursuits of gratification, satisfaction, well-being, and the like. Žižek repeatedly insists that his core intellectual agenda ultimately is to demonstrate an underlying equivalence between the Cogito-like subject of German idealism and the death drive as per Freud and Lacan.

One prominent feature of Žižek’s oeuvre that initially brought him to fame is his impressive ability to make Lacan’s writings and ideas crystal-clear and tangibly concrete—and this by contrast with Lacan himself, who often is described as “notoriously difficult.” Écrits is Lacan’s magnum opus, containing his most important essays and articles from the 1930s through the mid-1960s. Although the volumes of Lacan’s Seminar are comparatively easier to read, Écrits provides the single most comprehensive survey of Lacan’s thinking provided by Lacan himself. This 1966 book contains such Lacanian contributions to psychoanalytic theory as the mirror stage, the unconscious structured like a language, and the Real-Symbolic-Imaginary triad. Neither Lacan nor Žižek can be fully comprehended without a tour of the Écrits.

I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.

All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.

Okay, if you try to tell me that Star Wars doesn’t have a magic system, then I will fight you right here and now. I mean it, I will actually fight you. In all honesty, Star Wars is sci-fantasy, not really sci-fi. I think every kid and even adult from my generation can remember trying to move something using the force. In fact, I still wave my hand in front of electric doors and pretend I am a Jedi. Oh, don’t judge me, you know you do it too. Jedi and Sith are, after all, simply space wizards. They even dress the part. Well, maybe more like space clerics, but you get the point. Why I chose this book is because I feel that it gets into a lot of discussion on how each side views the force and its applications. I am particularly fascinated by Malgus and his ideology… show more.

It’s always a joy to find a good short story collection, better yet when the stories are all giving the villains from fairy tales a chance to tell their side of the story. From Jack in the Beanstalk to The Little Mermaid, this collection is a great one to dive into and find out what makes our famous villains tick. 

I have always loved literary thriller queen Daphne Du Maurier's complex and resilient characters, and Mary Yellan is no exception. Everything’s looking pretty miserable for her after her mother’s death forces her to give up the family farm and her hometown to live in a creepy inn with her miserable aunt and aggressive drunk of an uncle.

So I really enjoy how brave and resourceful she is in getting past violence, danger, miserable living conditions, a desolate setting, and bad taste in men to find out whether something more sinister than smuggling is going on at the empty inn.   

I recommend the entire Broken Earth trilogy, but the final book does the most interesting things with the series’ latticework of narrative symmetry. By this point, it’s clear that a mother and her daughter are the centerpieces of the story, and that they are both on track to collide. As they draw nearer and their journeys beget staggering losses and sacrifices, they switch polarities and the daughter, once meek, challenges her warrior mother, who has pacified after a life of war and loss. And amid all this is a story about why the Earth, which is a living being, rages against humanity. The layers amplify the thrills of the payoffs and reversals, and subtly unpack the cyclicity of revenge.

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.