Here are 100 books that Page Fright fans have personally recommended if you like
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I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
An incredible recounting by an author who remained current for over two centuries and in several art forms – plays, films, novels, and short stories. Orphaned at ten, and giving up a promising career in the medical profession to become a writer in his early twenties, Maugham reached the pinnacle of success and wealth in this perilous profession. In this collection of sketches, vignettes, and anecdotes, he looks back on his life at the Biblical age of “three score and ten” and accepts his shortcomings, mistakes, and secrets. His only lament: that there were four more novels left to write – the unreachable star that had been his guiding light throughout life. Five years later, he had finished three…
Filled with keen observations, autobiographical notes, and the seeds of many of Maugham's greatest works, A Writer's Notebook is a unique and exhilarating look into a great writer's mind at work. From nearly five decades, Somerset Maugham recorded an intimate journal. In it we see the budding of his incomparable vision and his remarkable career as a writer. Covering the years from his time as a youthful medical student in London to a seasoned world traveler around the world, it is playful, sharp witted, and always revealing. Undoubtedly one of his most significant works, A Writer's Notebook is a must…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A comedy that exposes “prize-based meritocracy” in the literary profession, where prizes lead to best-sellers, where sponsors influence outcomes to promote their own image instead of works of artistic merit, and where writers sell their souls, and bodies, for that elusive prize. The literary stereotypes are present: nymphomaniacal ingenues, insomniacal agonizers, paradoxical theorists, opportunistic editors, and self-published authors with money to burn – all weaving and bobbing around each other to gain personal advantage.
St. Aubyn presents this story in elegant prose, moving the plot brilliantly, while exposing the underbelly of the literary establishment, in which the result of all this finagling is mediocrity.
Each of the judges of the Elysian Prize for literature has a reason for accepting the job. For the chairman, MP Malcolm Craig, it is backbench boredom, media personality Jo Cross is on the hunt for a 'relevant' novel, and Oxbridge academic Vanessa Shaw is determined to discover good writing. But for Penny Feathers of the Foreign Office, it's all just getting in the way of writing her own thriller. Over the next few weeks they must read hundreds of submissions to find the best book of the year, and so the judges spar, cajole and bargain in order that…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.
Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life.
Mamoon is an eminent Indian-born writer who has made a career in England -- but now, in his early seventies, his reputation is fading, his book sales have dried up and his new wife has expensive tastes. Harry, a young writer, is commissioned to write a biography to revitalise Mamoon's career. He greatly admires Mamoon's work and wants to uncover the truth of the artist's life, but Harry's publisher seeks a more salacious tale of sex and scandal to generate headlines. Meanwhile, Mamoon himself is mining a different truth altogether -- but which one of them will have the last…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writers often struggle to think of themselves as “writers” because the world has us believing that we can only carry that title if we aresuccessfully published, and of course words such as “success” and even “published” can be fraught with subjective controversy. One of the lessons I learned from Brenda Ueland, among other great thinkers, is that we need to focus first on our own authenticity and only much, much later dare we think about what the world might have to say. This allowed me to let go and move on and trust myself on my writing path. It wasn’t easy, but as emphasized in If You Want to Write, we will be all right if we believe in our inner richness.
Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In If You Want to Write: A Book about Art, Independence and Spirit she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how find that spark that will make you a great writer. Carl Sandburg called this book the best book ever written about how to write. Join the millions of others who've found inspiration and unlocked their own talent.
After writing more than sixty romance novels, I can sometimes find myself at a loss for words, unable to think of the right word or find myself using the same ones. Having a good thesaurus is invaluable. I use my own thesaurus, Naughty Words for Nice Writers, all the time. I wrote it as a survival guide—it was the book I needed that didn’t exist when I started writing romance. Besides Naughty Words, the thesauri/reference books I’m recommending are tools I couldn’t live without.
A trope is a common plot device used in fiction, such as the billionaire hero, fated mates, secret baby, fake relationship. Even before I knew what a trope was, I was using them.
The Trope Thesaurus is more than a listing of common tropes, it also explains how to creatively and effectively use them to create conflict and to plot your fiction. The author gives examples in romance, mystery, suspense, thriller, science fiction, and fantasy. If you’re ever stuck for a plot idea, check out this book.
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
Throughout my career, I’ve come across so many everyday people with awesome ideas of life-changing potential for a select group of people. And most of them struggle to reach the people they can most help. This is such an incredible shame! I’m passionate about connecting those entrepreneurs and business owners who have great ideas with the people who will most benefit from their solutions, so both parties win. A big part of that is ensuring their marketing engages their target audience, hence this book list.
This book was like a trusted mentor in book form, helping me craft content that’s clear, engaging, and downright effective. Ann strips away the boring writing advice everyone seems to give and delivers practical advice (which aligns with my own copywriting philosophy) with warmth and wit. It’s not just about grammar or structure—it’s about connecting with your audience in a way that feels authentic.
What I loved most is how versatile this book is. Whether I’m writing blog posts, website copy, or emails, I’m always using something Ann taught me. Her book is packed with actionable tips and relatable examples, and her conversational tone made it a joy to read. This is another book in my toolkit that I flick through whenever I need inspiration.
Finally a go-to guide to creating and publishing the kind of content that will make your business thrive. Everybody Writes is a go-to guide to attracting and retaining customers through stellar online communication, because in our content-driven world, every one of us is, in fact, a writer. If you have a web site, you are a publisher. If you are on social media, you are in marketing. And that means that we are all relying on our words to carry our marketing messages. We are all writers. Yeah, but who cares about writing anymore? In a time-challenged world dominated by…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writing professor Gabriele Rico knows how to take the fear out of writing, which is why this book became such a powerful best-seller and why I love to read and recommend it. Among the many strategies and techniques she offers in Writing the Natural Way, one of my favorites is her brainstorming strategy called clustering, which gives us permission to wander and bypass the critical censorship we are often hindered by. In turn, this fuels creativity and prompts us to make associations among ideas, memories, and feelings that are otherwise seemingly diverse or disorganized. She also firmly believes that, although writing can be a painful process, it’s not what hurts us that matters but rather it’s how we deal with the pain, and it’s through an honest expression of our truth that we can grow and heal.
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…
I’ve been writing novels for more than three decades, and when I started out, I sucked. Truly! I had never even heard of structure. Really, it’s about getting to the heart of your story and reaching the heart of your reader. My first novels went nowhere. But once I dug into these very books (among many others), I learned how to write commercial best sellers. I’ve sold more than 250,000 copies of my self-published books. As a writing coach and copyeditor, I work with thousands of writers, and I have published about twelve writing craft books. I also teach online courses, which have been taken by more than 6,000 writers.
You may be wondering why I’ve listed this 20-year-old book as my top recommendation if you want to write a terrific commercial novel. This was my go-to “bible” when I penned my first few novels. I religiously followed all her advice, as I was and still am an avid fan of her Inspector Lynley detective novels.
Listen: you don’t have to be a crime or thriller writer to learn the best skills for writing a best seller from this book. She shares personal routines and techniques, an overview of the craft, and covers the plot, characters, and scene structure. It’s not extensive but will give any fiction writer new eyes and skills in the art of writing.
Elizabeth George is one of the most successful writers of crime fiction in the world. Her twelve novels have appeared on bestseller lists in the UK, USA and Australia, and several of them have been dramatised by BBC Television as the Inspector Lynley Mysteries. She has also written a collection of short stories and edited a crime anthology.
Now she shares this wealth of experience with would-be novelists, and with crime fiction fans. Drawing extensively on her own work, and that of other bestselling writers including Stephen King, Harper Lee, Dennis Lehane and many others, she illustrates her points about…
