78 books like Lost for Words

Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.

An incredible recounting by an author who remained current for over two centuries and in several art forms – plays, films, novels, and short stories. Orphaned at ten, and giving up a promising career in the medical profession to become a writer in his early twenties, Maugham reached the pinnacle of success and wealth in this perilous profession. In this collection of sketches, vignettes, and anecdotes, he looks back on his life at the Biblical age of “three score and ten” and accepts his shortcomings, mistakes, and secrets. His only lament: that there were four more novels left to write – the unreachable star that had been his guiding light throughout life. Five years later, he had finished three…

A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.

A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life. 

Not that Anyone Asked is a story about Travis King who literally personifies the idea of a person who is just trying to make it in the world or, better yet, around the world. While some of his adventures are as wild as the title implies, they are not a turnoff. Travis is honest and his stories are real so almost anyone can relate to them. From being down to his last dollars, experiencing heartbreak, and ending up in prison, all while abroad, Not that Anyone Asked is entertaining, funny as well as purposeful. By the time readers get to the end of the book, they’ll be asking themselves, why didn’t they discover the book sooner?

In her life and in her writing, Lydia Lunch is able to alchemize the agony of existence into euphoria more effectively than any artist that I can think of. I could have put any of her titles (Paradoxia, Will Work for Drugs, The Gun is Loaded, etc.) on this list. Her narratives – all true stories from her past – hit like a ton of bricks and leave your own blood on the page. Lydia views the world through carnage visors and takes no prisoners on her journey, weaponizing the abuse she experienced in childhood against authority as an adult. The seamy underbelly of her world is black and white with thunder strokes of red. While reading this collection of personal essays and interviews, you can viscerally hear her spooky, cigarette-burned voice as if she is whispering the prose directly into your ear from behind.

I love to eat, travel, and write about it, and no one did that better than Anthony Bourdain. Weirdly enough, I only got into his TV shows after I read his books and I still like his books a lot more.

It’s such a shame that he isn’t around anymore to produce amazing work, but fortunately more stories can be told through his colleagues and friends…which is where Tom Vitale comes in. Tom traveled extensively with “Tony” filming places for his TV series and shares crazy behind-the-scenes stories about what happened during that time and what his working relationship was like with Bourdain.

I was captivated and laughing out loud listening to this audiobook as we drove through Thailand.

Okay, cards on the table, I cannot be trusted when recommending this book. I have learned more from Anthony Bourdain than from any other traveler, chef, citizen of the world. His open-minded approach to the world is contagious and inspiring. He lets his readers into the untraveled unknown corners of the planet and I’m grateful he shared his journey. I can recommend all of his books, his TV shows, and his essays. The world is sadder without him.

A Yorkshireman married to a Galega, John Barlow has a unique perspective on Galicia and Galician people. Add to that a wild idea to travel throughout Galicia over the course of a year trying to eat every part of a pig (except the squeal), and you have a book which beautifully evokes the people, the landscape, and especially the gastronomic fiestas of this area. Galicia has traditionally had a heavy reliance on the pig, often grown at home on scraps: Barlow writes with humour and a love of Galician food but he missed out the most famous of all the piggy fiestas… around our own town of Taboada anyway, A Festa do Caldo de ósos. Yum!

Tyranny is the landmark book that is moral philosophy’s contribution to the inflection point. Its fundamental concept of ‘contributive justice’ magnificently supersedes Rawls’ dated ‘distributive justice’. To give you a glimpse of two profound works, Rawls invoked some moral gymnastics involving a hypothetical withdrawal from society to a veil of ignorance about a hypothetical lottery of how a hypothetical national cake might be cut up. Sandel places us firmly back in our society and focuses on the agency needed for the moral duty to contribute to the baking of our national cake. Sandel, again at Harvard, is the most famous philosopher in the world, his superb online lectures have been so downloaded that they have triggered complaints from lesser philosophers fearing redundancy. Tyranny will shift your moral compass, but don’t be scared.