Fans pick 91 books like A Writer's Notebook

Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.

A comedy that exposes “prize-based meritocracy” in the literary profession, where prizes lead to best-sellers, where sponsors influence outcomes to promote their own image instead of works of artistic merit, and where writers sell their souls, and bodies, for that elusive prize. The literary stereotypes are present: nymphomaniacal ingenues, insomniacal agonizers, paradoxical theorists, opportunistic editors, and self-published authors with money to burn – all weaving and bobbing around each other to gain personal advantage.

St. Aubyn presents this story in elegant prose, moving the plot brilliantly, while exposing the underbelly of the literary establishment, in which the result of all this finagling is mediocrity.

A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.

A story about a biographer who pokes into the corners of a Nobel-winning author’s salacious life to write an exposé is juicy enough, but what happens when the latter uses the opportunity to write a counter-exposé on the former? Unstructured in plot and other novel-craft, this book is laden with pithy quotes on the writing life. The biographer and his subject are libidinous, adulterous, and self-absorbed, a testament to the fact that a writer has to be appreciated separately from their work. Also on display are the strategies employed by the publishing industry to keep the reputation and marketability of a once best-selling author alive, long after their effective shelf-life. 

Excavations in the Crypt of Christ Church, Spitalfields, London in 1984-9 uncovered 1000 skeletons, of which 387 were in coffins with inscribed plates giving the names and ages of the deceased. A mixed team of specialists were able to analyse the bodies and follow up the documentary evidence to reveal extraordinary details of life, dentistry and funerary practices between 1729 and 1859 in this historically rich part of London.

A fascinating in-depth look at why ideas of Dead White Men of the late 19th and early 20th Century—Émile Durkheim, Arnold van Gennep, Robert Hertz—still matter and are, indeed, indispensable for understanding funerals and death rituals in places like Borneo, Bali, Thailand, early Egypt, Africa, and America. 

By examining mortuary rites cross-culturally, the authors expose elements of a 'deep structure' in ritual that may be universal, thus offering the 'thrill of recognition' of ourselves in others.

Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.    

I am so humbled and grateful for the death professionals of all stripes who help families with the transition of their loved one, whether it’s the hospice care doctors, nurses, and staff who think about the right cues and context or, as explored in this book, the folks re-thinking funerals and burial practices.

I have been to several in the last few years—a home funeral and a green burial stand out in particular—that have really deepened my sense of what we can do better. Reading this book opened up my imagination of what is possible for this crucial community experience. It triggered deep emotions from my personal experience, but in a way that helped me imagine a new path forward. 

I had to pick this book because it is air travel that brings Hadley and Oliver together. In this case, they are on a flight together to London where Hadley’s father is getting married after a difficult divorce from her mother. Hadley believes she is dealing with the worst possible thing, but she later learns what brings Oliver to London which is something far more difficult. It is the time on the plane when everything else fades away that draws me to this book. If they hadn’t ended up on the same flight, they never would have met.

This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.

This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.