Here are 100 books that Celebrations of Death fans have personally recommended if you like
Celebrations of Death.
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I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society.
A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism.
In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture.
A pioneering work of high quality, this collection of anthropological studies provides one of the most detailed records available for an African society-or indeed for any group-of the semantics of ritual symbolism. It combines unusually detailed ethnographic description, based upon field work among the Ndembu of Zambia, with remarkable theoretical sophistication. Professor Turner describes the ritual phenomena in terms both of practice and of their sociological and psychological implications within a preliterate society.
Case histories illustrate the function of ritual in creating community harmony. Data on circumcision rites and medical practices and an essay on color classification have wide implications…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
Malinowski's pioneering work on people of the Trobriand Islands of Papua New Guinea still holds a thrill because, after a century, it remains unique in its depth and precision.
Malinowski was an aristocrat and a snob who, like the armchair thinkers he admired, considered himself a scientist after Darwin. But when World War I broke out, as a Pole in London, he risked deportation to Austria-Hungary or internment as an 'enemy alien'.
Instead, Malinowski remained 'stuck' in the Trobriands for the duration of the War where, with the scrupulousness of one trained in math and physics and the intensity of an 'imprisoned' participant-observer, he produced the first firsthand accounts of indigenous life.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
The discovery that 'rituals of transition' in the lives of individuals—birth, puberty, marriage, childbirth, death—are structurally the same and analogous to a destabilizing "passage" through 'no man's land'—is an insight of genius.
My enduring 'affection' for ivory tower thinkers comes from having actually applied their ideas among a people in the New Guinea Highlands over a period of 15 years.
The methods of these early masters are sometimes faulty—"shreds and patches" of exotic beliefs and practices are grouped together, torn from their contexts in time and geography—but by trying to extend Charles Darwin’s theory of biological evolution into the realm of culture, they came up with universals of human existence that should never be forgotten.
Folklorist Arnold van Gennep's masterwork, The Rites of Passage, has been a staple of anthropological education for more than a century. First published in French in 1909, and translated into English by the University of Chicago Press in 1960, this landmark book explores how the life of an individual in any society can be understood as a succession of stages: birth, puberty, marriage, parenthood, advancement to elderhood, and, finally, death. Van Gennep's command of the ethnographic record enabled him to discern crosscultural patterns in rituals of separation, transition, and incorporation. With compelling precision, he elaborated the terms that would both…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
This book consists of two exquisite essays, "The Collective Representation of Death" and "The Pre-Eminence of the Right Hand: A Study in Religious Polarity," written by an "armchair" philosopher searching for the origins and essence of human existence in exotic places: he looked for the meaning of death in the mortuary rites of the Dyak in Borneo; and the source of dualistic thinking in human anatomy.
The excitement of these works comes from recognizing ourselves in others, distant in time and space. They serve as a corrective and departure from the current exaggeration of cultures' uniqueness and national identities that lead, ultimately, to indifference about the fates of other peoples.
First published in English 1960. The historical value of Hertz's writings is that they are a representative example of the culmination of two centuries of development of sociological thought in France, from Montesquieu to Durkheim and his pupils. In the intervening years since publication, that development has grown into the systematic comparative study of primitive institutions, based on a great body of ethnographic facts from all over the world: in effect social anthropology.
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.
Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could…
By John Coleman Darnell and Colleen Darnell
Author
Why are we passionate about this?
We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.
Who doesn’t want to read about ancient Egyptian cannibalism? The title seems sensational, since no actual cannibalism is involved—at least as we might conceive of it in the world of the living—but Eyre employs the standard designation for the specific spell in the Pyramid Texts, the oldest major corpus of religious texts to survive from antiquity. A reader new to ancient Egypt might well read the translation of the Cannibal Hymn at the beginning of the book and be utterly confused. By the end of the book, however, the secrets of this 4300 year old text, including its relationship to butchery rituals and the mundane aspects of animal husbandry, are revealed.
The text of the Cannibal Hymn is here examined in its performative and cultural context. In its verbal recreation of a butchery ritual, style and format are typical of the oral-recitational poetry of pharaonic Egypt. It poses questions about the nature of rites of passage and rituals of sacrifice.
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
I’m an American author and writing teacher for both Harvard and Oxford’s online writing programs. I am also a mother of two who lived three years in a tiny backyard guest house with my family in an effort to focus more on what we love. Editing books is a practice I have honed over decades, and when my family was stuck in a living situation that felt unsustainable, the clearest way forward was for me to ask myself how I might edit our way out of it. It worked! In this book, I share the most valuable eight principles that we learned through the process.
A powerful case for thinking deeply and clearly about what legacies we leave behind for those we love.
Leder suggests that an ethical will—unlike an ordinary will—be a summary of our life’s wisdom. Asking such questions as ‘What do you regret?’ and ‘When did you lead with your heart?’ Leder offers a wise and inspiring way to live a life of value that is a blessing for others to remember.
From the bestselling author of The Beauty of What Remains, a guide to writing a meaningful letter about your life.
Writing an ethical will, a document that includes stories and reflections about your past, is an ancient tradition. It can include joy and regrets, and ultimately becomes both a way to remember a loved one who is gone and a primer on how to live a better, happier life. Beloved Rabbi Steve Leder has helped thousands of people to write their own ethical wills, and in this intimate book helps us write…
I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.
Excavations in the Crypt of Christ Church, Spitalfields, London in 1984-9 uncovered 1000 skeletons, of which 387 were in coffins with inscribed plates giving the names and ages of the deceased. A mixed team of specialists were able to analyse the bodies and follow up the documentary evidence to reveal extraordinary details of life, dentistry and funerary practices between 1729 and 1859 in this historically rich part of London.
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I loved this book because it’s a completely fresh perspective on death. While Stiff goes into the “lives” of cadavers and how they benefit society through research, this book covers the people who work with them in every aspect.
She talks to embalmers, crime scene cleaners, and death mask makers, and it’s just completely fascinating to me to learn about others’ experiences working among the dead. Plus, it’s beautifully written, with a kind and compassionate voice.
A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there.
We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look?
Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the…
