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The Rites of Passage.
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I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society.
A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism.
In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture.
A pioneering work of high quality, this collection of anthropological studies provides one of the most detailed records available for an African society-or indeed for any group-of the semantics of ritual symbolism. It combines unusually detailed ethnographic description, based upon field work among the Ndembu of Zambia, with remarkable theoretical sophistication. Professor Turner describes the ritual phenomena in terms both of practice and of their sociological and psychological implications within a preliterate society.
Case histories illustrate the function of ritual in creating community harmony. Data on circumcision rites and medical practices and an essay on color classification have wide implications…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
Malinowski's pioneering work on people of the Trobriand Islands of Papua New Guinea still holds a thrill because, after a century, it remains unique in its depth and precision.
Malinowski was an aristocrat and a snob who, like the armchair thinkers he admired, considered himself a scientist after Darwin. But when World War I broke out, as a Pole in London, he risked deportation to Austria-Hungary or internment as an 'enemy alien'.
Instead, Malinowski remained 'stuck' in the Trobriands for the duration of the War where, with the scrupulousness of one trained in math and physics and the intensity of an 'imprisoned' participant-observer, he produced the first firsthand accounts of indigenous life.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
This book consists of two exquisite essays, "The Collective Representation of Death" and "The Pre-Eminence of the Right Hand: A Study in Religious Polarity," written by an "armchair" philosopher searching for the origins and essence of human existence in exotic places: he looked for the meaning of death in the mortuary rites of the Dyak in Borneo; and the source of dualistic thinking in human anatomy.
The excitement of these works comes from recognizing ourselves in others, distant in time and space. They serve as a corrective and departure from the current exaggeration of cultures' uniqueness and national identities that lead, ultimately, to indifference about the fates of other peoples.
First published in English 1960. The historical value of Hertz's writings is that they are a representative example of the culmination of two centuries of development of sociological thought in France, from Montesquieu to Durkheim and his pupils. In the intervening years since publication, that development has grown into the systematic comparative study of primitive institutions, based on a great body of ethnographic facts from all over the world: in effect social anthropology.
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A fascinating in-depth look at why ideas of Dead White Men of the late 19th and early 20th Century—Émile Durkheim, Arnold van Gennep, Robert Hertz—still matter and are, indeed, indispensable for understanding funerals and death rituals in places like Borneo, Bali, Thailand, early Egypt, Africa, and America.
By examining mortuary rites cross-culturally, the authors expose elements of a 'deep structure' in ritual that may be universal, thus offering the 'thrill of recognition' of ourselves in others.
This revised edition of a cross-cultural study of rituals surrounding death has become a standard text in anthropology, sociology and religion. Part of its fascination is that in understanding other people's death rituals we are able to gain a better understanding of our own. The authors refer to a wide variety of examples, from different continents and epochs. They compare the great tombs of the Berawan of Borneo and the pyramids of Egypt, as well as the dramas of medieval French royal funerals and the burial alive of the Dinka 'masters of the spear' in the Sudan, and other rituals…
I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.
I’m passionate about writing well-researched history which appeals to the general reader and endeavours to present compelling, authentic pictures of times past. Hutton’s book was a great help in understanding the religious and secular festivals which were celebrated by Dame Alice, her peers, and workers, on the days when she served high-status food at her dinner table. Together they appear to have enjoyed many traditional rituals, like Candlemas, Plough days, and the Harvest festival.
Here’s one example: Hutton emphasizes New Year’s Day was important for gift-giving and feasting: on January 1st, 1413 Dame Alice bought gloves and rings for her staff and fed over 300 people at her Suffolk home on hog roast, swan, mutton, and rabbit. A harper was also in attendance so, presumably, there was dancing and merriment too.
Highly readable and entertaining, Ronald Hutton's acclaimed work is the first comprehensive account of the religious and secular rituals of late medieval and early modern England.
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
This is one of the classics in the field. I choose it not because I agree with all of it but because it has made such an impact and has such an ardent academic following. Girard picks up a thesis propounded by Sigmund Freud that symbolic expressions of violence in religion (the eating of Christ’s body and blood in the ritual of the eucharist, for example) helps to defuse real acts of violence. Girard regards mimesis—the imitation of the desires of a competitor—as the driving force behind violence and the instrument that is tamed through symbolic expressions.
"His fascinating and ambitious book provides a fully developed theory of violence as the `heart and secret soul' of the sacred. Girard's fertile, combative mind links myth to prophetic writing, primitive religions to classical tragedy."--Victor Brombert, 'Chronicle of Higher Education.'
I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!
Since the first page, I have not been able to stop thinking about Whitten’s gorgeously immersive world.
With a main character named Red and something about a wolf, you may think that this is just another Little Red Riding Hood rewriting…but it is so much more. A magical murderous forest, prophesies, blood pacts, destiny, love—all the things I already knew I loved, but then add even more—haunted trees, a twisting sickness caused by shadow, and two sisters fighting to determine their own fate.
This last aspect lends a specialness to Whitten’s novel and reminds me of my favorite novels growing up. These are not your average princesses. For the Wolf teeters on that edge between NA and adult, and the language alone is worth the read!
AN INSTANT NEW YORK TIMES BESTSELLER AND TIKTOK SENSATION!
The first daughter is for the Throne. The second daughter is for the Wolf.
An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood.
As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return…
Masks have been fascinating to me for a long time, in both the literal and metaphorical sense. Whether by choice or not, the masks we wear say a lot about us. It’s also interesting to me how they can represent freedom or captivity, depending on context. At a masquerade, that anonymity provides a sense of freedom, a chance to act like someone you’re not, or the courage to act braver. But when forced into a role or status that comes with certain masks, you can be trapped, forced to act a certain way. The range gives us so much to work with.
The Gilded Ones begins in a community where women wear masks after going through a coming-of-age ritual to show their purity and dedication. Deka wants nothing more than to complete the ritual and be found pure. However, when the village is attacked and Deka learns she is one of the impure and therefore cannot die, she is recruited into the emperor’s army of impure girls. Then, after 20 years of service, she will be made pure and will be able to wear a mask like any other woman. This opportunity is what drives her, and watching her goals change as she learns more about herself and the unique world around her made this read so interesting.
The must-read new bold and immersive West African-inspired fantasy series, as featured on Cosmo, Bustle, Book Riot and Refinery 29. In this world, girls are outcasts by blood and warriors by choice, perfect for fans of Children of Blood and Bone and Black Panther.
Sixteen-year-old Deka lives in Otera, a deeply patriarchal ancient kingdom, where a woman's worth is tied to her purity, and she must bleed to prove it. But when Deka bleeds gold - the colour of impurity, of a demon - she faces a consequence worse than death. She is saved…
I became a mother while a graduate student. Bombarded by societal expectations and advice on pregnancy, childbirth, and motherhood, I quickly combined this life experience with my scholarly interests and wrote a dissertation on Christian women and childbirth. I later began to explore expressions of religion and spirituality outside of traditional religion – a topic that found expression in my book Sacred Pregnancy. I am a professor of American Studies and Religion at Goucher College in Baltimore, MD and have a Ph.D. in Religious Studies from the University of Virginia. I hope you enjoy these books as much as I have!
This book is a classic and essential reading for anyone interested in the evolution of thinking and practicing of childbirth in the United States.
More than that, it makes a compelling argument that birth should be seen as an American rite of passage. Through a history of the development of current norms and rituals of childbirth as a medicalized procedure and comparison of that paradigm to more holistic treatments of pregnancy and birth, Davis-Floyd opens the door to thoughtful and sustained attention to the support and options we provide birthing people moving forward.
This classic book, first published in 1992 and again in 2003, has inspired three generations of childbearing people, birth activists and researchers, and birth practitioners-midwives, doulas, nurses, and obstetricians-to take a fresh look at the "standard procedures" that are routinely used to "manage" American childbirth. It was the first book to identify these non-evidence-based obstetric interventions as rituals that enact and transmit the core values of the American technocracy, thereby answering the pressing question of why these interventions continue to be performed despite all evidence to the contrary. This third edition brings together Davis-Floyd's insights into the intense ritualization of…
My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
This is a wonderful, sophisticated yet accessible book that provides readers with a vivid community study that is also a wide-ranging introduction to the anthropology of religion. The title refers to a small adobe house in the community of Rapaz that serves as a temple for religious practices directed to sacred mountains. Each chapter explores aspects of the temple and related ritual practices from a different theoretical vantage point, in order to “put before students’ eyes one case, an Andean temple, and treat it as an example for pondering the possibly pan-human matter of sacred ritual” (p.9). It’s beautifully written, personal and thought-provoking.
In high-Andean Peru, Rapaz village maintains a temple to mountain beings who command water and weather. By examining the ritual practices and belief systems of an Andean community, this book provides students with rich understandings of unfamiliar religious experiences and delivers theories of religion from the realm of abstraction. From core field encounters, each chapter guides readers outward in a different theoretical direction, successively exploring the main paths in the anthropology of religion.
As well as addressing classical approaches in the anthropology of religion to rural modernity, Salomon engages with newer currents such as cognitive-evolution models, power-oriented critiques, the ontological…
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