Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
Armstrong, a former nun and author of many widely-read and well-reviewed books on the history of religion, takes the challenge of many critics who contend that violence is caused by religion. In a well-researched rebuttal, she chronicles the history of wars and attacks related to religion and finds that invariably they are caused by social and political conflict. Religion is just the vehicle through which they are expressed. Though she lets religion off too easily—she doesn’t explore why religion is so often associated with violence—her main point is on target. Religion doesn’t do anything by itself; we humans do.
It is the most persistent myth of our time: religion is the cause of all violence. But history suggests otherwise. Karen Armstrong, former Roman Catholic nun and one of our foremost scholars of religion, speaks out to disprove the link between religion and bloodshed.
* Religion is as old as humanity: Fields of Blood goes back to the Stone Age hunter-gatherers and traces religion through the centuries, from medieval crusaders to modern-day jihadists.
* The West today has a warped concept of religion: we regard faith as a personal and private matter, but for most of history faith has informed…
This is one of the classics in the field. I choose it not because I agree with all of it but because it has made such an impact and has such an ardent academic following. Girard picks up a thesis propounded by Sigmund Freud that symbolic expressions of violence in religion (the eating of Christ’s body and blood in the ritual of the eucharist, for example) helps to defuse real acts of violence. Girard regards mimesis—the imitation of the desires of a competitor—as the driving force behind violence and the instrument that is tamed through symbolic expressions.
"His fascinating and ambitious book provides a fully developed theory of violence as the `heart and secret soul' of the sacred. Girard's fertile, combative mind links myth to prophetic writing, primitive religions to classical tragedy."--Victor Brombert, 'Chronicle of Higher Education.'
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
A popular author of books on Islam and Christianity, Aslan in this book expounds on the idea of cosmic war that I have discussed in Terror in the Mind of God, and more recently as the central subject of my God at War: A Meditation on Religion and Violence. Aslan correctly asserts that struggles that are animated by visions of cosmic war are not easily defeated through conventional means. He cites the “war on terror” proclaimed by President George W. Bush as an ill-conceived effort to fight one concept of cosmic war with another and concludes that the best way to fight a cosmic war is to refuse to fight like one.
*Why do they hate us? An entire cottage industry has arisen to answer this question. But what no one has really figured out is, who exactly are they? Is it al-Qaeda? Islamic nationalists? The whole Muslim world?
*HOW TO WIN A COSMIC WAR lays out, for the first time, a comprehensive definition of the movement behind and surrounding al-Qaeda and the like, a global ideology properly termed Jihadism.
*Contrasting twenty-first-century religious extremism across Christianity, Judaism and Islam with its historical antecedents, Aslan demonstrates that while modern Jihadis may have legitimate social grievances - the suffering of the Palestinians, American support…
Those who know the field of religious violence may find my choice of Ashis Nandy’s book of essays to be a peculiar one since it deals with a variety of issues besides religious violence. But one of his essays, “The Discrete Charms of Indian Terrorists,” is worth the price of the book. In it, Nandy describes the remarkably civil behavior of young Sikh activists who hijacked an Indian plane in the 1980s. He then goes on to disagree with Gandhi that terrorism necessarily absolutizes a conflict, and he rejects the common perspective, especially in the West, that terrorism is always evil. Though Nandy’s analysis does not fit all, or perhaps most, instances of religion-related terrorism it makes us reconsider our assumptions about the use of violence in certain situations.
One of India's leading public intellectuals, Ashis Nandy is a highly influential critic of modernity, science, nationalism, and secularism. In this, his most important collection of essays so far, he seeks to locate cultural forms and languages of being and thinking that defy the logic and hegemony of the modern West. The core of the volume consists of two ambitious, deeply probing essays, one on the early success of psychoanalysis in India, the other on the justice meted out by the Tokyo War Crimes Tribunal to the defeated Japanese. Both issues are viewed in the context of the psychology of…
A Sumerian tale of irrigation, floods, and the creation of man
By
Ken Goudsward,
Contrary to popular belief, the Atrahasis Epic is not merely a flood myth. In some ways it can be called a creation myth. However, it does not concern itself with the creation of the universe or even of the earth. Rather, the created work in question is one of culture…
This modern classic by a Harvard anthropologist is about torture and inflicted body pain in general, though it has abundant examples from the bible and religion-related conflicts. Her main thesis is that acts of torture are attempts to destroy the worlds of the victim and remake them in the mold of the torturer. It helps us understand that acts of religious violence are always so some extent a clash of worldviews and the attempt to forcibly destroy one view of reality with another.
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Henry Kissinger. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain difficult to describe in words, it also actively destroys language, reducing sufferers in the most extreme cases to an inarticulate state of cries and moans.…
Terror in the Mind of God: The Global Rise of Religious Violence (University of California Press).Now in its 4th edition, this is only one of many books on religious violence that I have written, but it’s the one that endures. It is based on my conversations with militants in every religious tradition—from Islam and Judaism to Buddhism and Christianity--and tries to get inside their worldviews. It explores the idea of terrorism as performance violence, and probes the role that religious images of cosmic war play in contemporary struggles from ISIS to the Christian right.
1184 BCE. Ramesses III, who will become the last of the great pharaohs, is returning home from battle. He will one day assume the throne of the Egyptian empire, and the plots against him and his children have already started. Even a god can die.
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career…
