100 books like The Cannibal Hymn

We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.

We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.

I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’. 

We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.

I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.

I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”

I was lucky enough to land a job teaching English at the University of Montevallo, a small public liberal arts college where I have had the opportunity to explore my strange academic interests and teach classes with titles like “Am I Human?” and “Southern Neogothic II: Disability, Hicksploitation, Meat.” When I got tenure, I also had the time and freedom to try my hand at writing the kind of Southern Gothic, Bizarro, and Horror tales that I have always adored. From Mad Magazine to MaddAddam, I have always craved dark satire, body horror, and the grotesque. It’s in my blood. 

I am a literary and cultural historian who has been studying death for three decades. But I am, first and foremost, a human who has suffered the loss of loved ones and grief and found my immediate culture an inhospitable place to experience, transform, and share those emotions. We have an urgent need to “re-imagine” the way we prepare for our own deaths, as well as experience the deaths of others. I hope my work, both as a scholar and a public citizen, will inspire people to form communities of conversation and action that will reshape the way we think about death, dying, and grief.

I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”

I am an archaeologist, mostly working in the Roman period. Until I retired in 2011, I was the Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University, having previously been the Director of Archaeological Museums for the University. My working life started by specialising in identifying those small items which come out of every excavation, but more and more I became interested in what those artefacts told us about the people who lived on the site. Reading books about peoples’ lives in other cultures and periods provides insight into those people of the past for whom we have little documentary evidence.