Here are 100 books that Ordinary Girls fans have personally recommended if you like
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I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
I felt so seen in this story. Elizabeth Acevedo paints a spectacular character (Xiomara) who is caught between worlds—the “old” world of her parents and their strict traditions and the “new” world where she can perform spoken word poetry on stage.
I laughed and cried as I read this book, which was told in verse, especially regarding Xiomara’s relationship with her mother. I could relate so much to Xiomara and the arguments she got into with her mother. I was reminded of my own adolescence and the many fights I had with my mom. It’s all good now, but wow. We used to really get into it during those rocky years.
WINNER OF THE THE CILIP CARNEGIE MEDAL 2019
SHORTLISTED FOR THE WATERSTONES CHILDREN'S BOOK PRIZE 2019
THE WINNER OF THE 2018 NATIONAL BOOK AWARD
THE WINNER OF THE MICHAEL L.PRINTZ AWARD
THE WINNER OF THE PURA BELPRE AWARD
THE WINNER OF THE BOSTON GLOBE-HORNBOOK AWARD
'I fell in love at slam poetry. This one will stay with you a long time.' - Angie Thomas, bestselling author of The Hate U Give
'This was the type of book where "I'll just do 50 pages" turned into finishing it in 2 reads. I felt very emotional, not just because the story and…
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.
I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
All I can say is the pigeon scene. You will have to read the novel to find out what I am referencing, but oh my God, this novel is so good. Dominicans and Dominican-Americans in 1960s New York City? Fierce female protagonists? Writing that makes me stop and want to copy down sentences on a Post-It? Yes, please. I was cracking up, teary-eyed, and satisfied when reading this gem of a novel. I would read anything Angie Cruz writes.
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
Oh my goodness—this book! I couldn’t see the pages in those final chapters because I was crying for these characters and all they went through crossing the southern border into the United States.
To this day, I still remember vivid images and moments from the novel. I won’t spoil the story for you, but here’s one: a female character wearing a baseball cap and jacket and pretending to be a male because the journey north is often much harder and riskier for women. I know I will think about this trio of characters for a long time.
A poignant novel of desperation, escape, and survival across the U.S.-Mexico border, inspired by current events.
A Pura Belpré 2021 Young Adult Author Honor Book! A BookPage Best Book of 2020! A Chicago Public Library Best of the Best of 2020! A School Library Journal Best Book of 2020! A New York Public Library 2020 Top 10 Best Book for Teens!
Pulga has his dreams. Chico has his grief. Pequeña has her pride.
And these three teens have one another. But none of them have illusions about the town they've grown up in and the dangers that surround them. Even…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
In Vega’s third novel, the eponymous Omaha Bigelow falls for a young and gifted Puerto Rican Taina priestess, Maruquita Salsipuedes. Smitten by the “gringo whiteboy,” and driven by her desire to have a “gringorican baby,” Maruquita asks her mother to perform the bohango ceremony on Omaha to enlarge his small penis. Breaking his vow never to use this new bohango on another woman, Omaha pays the consequences for his betrayal. Full of metafictional intrusions, a subplot concerning a secret, subversive plot to liberate Puerto Rico, and rambling discursive rants, this maximalist novel is more than a parodic romantic story. Vega’s fictional world is often complex, imaginative, iconoclastic, and attuned to American culture and society as seen through the eyes of arguably the most accomplished, talented diasporican fiction writer to date.
From one of the most powerful voices in contemporary fiction comes a fantastic adventure through the concrete jungle of New York City
Failed in all his career aspirations, recently laid off from Kinko's, and burdened with a frustrating anatomical shortcoming, Omaha Bigelow finds salvation on the streets of New York City's Lower East Side in the form of a Nuyorican homegirl equipped with an array of powers to cure his problems. Their misbegotten romance transforms him from a perpetual loser to an overnight success, but fame comes with a hefty price. Omaha must soon struggle to remain faithful as he…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, which…
I am a historian of the early Americas, and while I often teach courses such as “The U.S. to 1865,” my real passion lies in the Caribbean. As the first site of encounter between the Indigenous inhabitants of the place we came to call the "Americas," Africans, and Europeans, this, to me, is where "American" history began, yet the history of the Caribbean—particularly in the era surrounding European arrival—remains relatively little known. As a Canadian teaching American history at a university in the U.S., I try to disrupt familiar historical narratives by showing my students that American history also unfolded beyond the borders of the modern nation-state.
Anderson-Córdova asks readers to question many things they may have been told about the Indigenous Caribbean, including the very labels used to describe the region’s inhabitants.
The supposed dichotomy between the Taínos of the Greater Antilles and the Caribs of the Lesser Antilles obscures significant exchange and movement between islands both before and after European arrival, she argues, while the very term “Taíno” is an ahistorical one, popularized by scholars in the late nineteenth and early twentieth centuries.
Drawing on archeological and historical sources, Anderson-Córdova provides a wealth of information about the multiethnic nature of the Indigenous Caribbean before and long after colonization.
Surviving Spanish Conquest reveals the transformation that occurred in Indian communities during the Spanish conquest of Hispaniola and Puerto Rico from 1492 to 1550.
In Surviving Spanish Conquest: Indian Fight, Flight, and Cultural Transformation in Hispaniola and Puerto Rico, Karen F. Anderson-Cordova draws on archaeological, historical, and ethnohistorical sources to elucidate the impacts of sixteenth-century Spanish conquest and colonization on indigenous peoples in the Greater Antilles. Moving beyond the conventional narratives of the quick demise of the native populations because of forced labor and the spread of Old World diseases, this book shows the complexity of the initial exchange between…
Ever since traveling across Cuba as a teenager in 2006, I’ve been fascinated by the Caribbean and Latin America. That trip inspired me to learn Spanish, study abroad in Mexico, and write a college honors thesis at Harvard about the Batista and Trujillo regimes in Cuba and the Dominican Republic respectively. Upon graduation, I merged this interest with my desire to serve my country by joining the Coast Guard – the military branch most involved in the Western Hemisphere. This proved to be a wise decision, as the two years I spent stationed in Puerto Rico and patrolling the Caribbean were two of the most enjoyable years of my life.
Esmeralda Santiago portrays the 19th-century journey of Ana Cubillas from imperial Spain to colonial outpost Puerto Rico. Cubillas has a complicated relationship with her family, slavery, and Puerto Rico, and the reader never knows quite what to think of her. Like Cubillas, Puerto Rico itself is complicated. I lived in San Juan for two years and grew to love the island, but I never felt like I quite understood it – any outsider who says they do is probably lying.
As a young girl growing up in Spain, Ana Larragoity Cubillas is powerfully drawn to Puerto Rico by the diaries of an ancestor who traveled there with Ponce de Leon. And in handsome twin brothers Ramon and Inocente—both in love with Ana—she finds a way to get there. Marrying Ramon at the age of eighteen, she travels across the ocean to Hacienda los Gemelos, a remote sugar plantation the brothers have inherited. But soon the Civil War erupts in the United States, and Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs…
I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic.
It is written in a distinct, comedic, matter-of-fact voice that carries the reader through a fascinating narrative.
Set in Puerto Rico, the protagonist embarks on a Latin journey that is full philosophy and humour while making a statement on the times. It is the perfect book to take travelling, and worth re-reading every few years or so.
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THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE STARRING JOHNNY DEPP
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'Remarkable - a genuine, 100% proof discovery of great literary importance' - Mail on Sunday
'Hilarious, utterly real and tragic ... A lithe, well-crafted gem of a novel which leaves the reader disturbed and grinning in a way that makes people sitting nearby change seats' - Scotland on Sunday
'Crackling, twisted, searing, paced to a deft prose rhythm ... a shot of Gonzo with a rum chaser' - San Francisco Chronicle
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The sultry classic of a journalist's sordid life in Puerto Rico
Paul Kemp has moved…
Hola, I’m Yawatta Hosby, and I have an open mind about monsters, ghosts, and urban legends. I believe they’re real, especially the Loch Ness Monster and Bigfoot. Earth is too big to only have humans. I have a passion for the topic being terrorized by things that go bump in the night. My book, Urban Legends, plays into that theme. October, the spooky season, is my favorite. Halloween is my favorite holiday. Every year, I watch a horror movie every day for 31 days straight. I also love reading horror books and researching urban legends. I’d like to think I’m an expert in horror, but it could all be in my head haha.
I was surprised at the beginning because I thought Vico would be a main character, but he ended up being the monster’s victim in the first few pages. A very chilling scene. The author was great at describing Puerto Rico to the point I could picture the setting vividly without ever visiting Puerto Rico in real life. All the scenes were interesting and moved the plot forward. I really liked how the teenagers teamed up to try and solve the mystery of the monster. They each had a past they regretted. My favorite line in the book, "You’ve been watching too many movies. Things just aren’t that interesting in real life.”
Ann Dávila Cardinal's Five Midnights is a “wickedly thrilling” (William Alexander) and “flat-out unputdownable” (Paul Tremblay) novel based on the el Cuco myth set against the backdrop of modern day Puerto Rico.
2019 Digital Book World Award Winner for best Suspense/Horror Book
Five friends cursed. Five deadly fates. Five nights of retribución.
If Lupe Dávila and Javier Utierre can survive each other’s company, together they can solve a series of grisly murders sweeping though Puerto Rico. But the clues lead them out of the real world and into the realm of myths and legends. And if they want to catch…
