86 books like Once Upon a Broken Heart

I have no expertise on anything, but I do feel like I have had a lot of experience being around families and observing complex family dynamics. It’s funny because I would say I have never actually had the “family” experience myself. I grew up with just a mother and a younger sister. That’s it. I barely knew my father, barely knew my grandfather, sort of knew my grandmother. Barely knew my uncles. I found myself looking at other families with awe. Not with envy, but more with curiosity. And as someone who has had his own issues with my sole sibling, I am forever intrigued by that dynamic as well.   

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.

While supporting myself as I got my MFA, I worked as a bridal stylist at an upscale Beverly Hills wedding salon. Just like most of the main characters in these books, I was thrust into a new world that was full of couture, decadence, and wealth. It was also full of backstabbing, competition, and elitism and I endured my share of it. As a girl from a blue-collar family who grew up with no fashion sense whatsoever, it was an experience that fed my fascination with glittering societies that have dark sides and inspired my first young adult novel, A Dress for the Wicked.   

While supporting myself as I got my MFA, I worked as a bridal stylist at an upscale Beverly Hills wedding salon. Just like most of the main characters in these books, I was thrust into a new world that was full of couture, decadence, and wealth. It was also full of backstabbing, competition, and elitism and I endured my share of it. As a girl from a blue-collar family who grew up with no fashion sense whatsoever, it was an experience that fed my fascination with glittering societies that have dark sides and inspired my first young adult novel, A Dress for the Wicked.   

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

I developed an interest in classical literature while at university, folklore in particular. It’s fascinating how fairy tales originated in oral form before being written and rewritten all over the world for generations, and as such, many of them don’t have a single founding author. But each adaption generally maintains the basic plot points of the original tale, and it’s interesting to see how time, culture, and perspective affect a retelling. There’s always room for interpretation, especially when the traditional narratives often involve exhausted themes and stereotypes, and so with my latest novel, I didn’t hold back when it came to the creative possibilities of more than one fairy tale. 

I am Sonora Reyes, author of The Lesbiana's Guide to Catholic School. As a queer Mexican-American, I’ve only ever written (and probably only ever will) write stories about queer characters of color like myself. Growing up, I never had access to books that represented people like me, and it fills me with so much joy to see all the representation that exists today. I write for the queer kids of color who desperately need to see themselves in fiction. I write for my teenage self. For the kids who think they’re alone. For the kids who want to see joy in their own stories. And, most importantly, for myself, as I am today.