100 books like On These Black Sands

Legend is one of those books that feels nostalgic when you read it. It perfectly mixes all of the elements from the 2010 dystopian classics, with a wonderful dual narration. In Legend we read the story through Day and June’s eyes. Both are from completely opposite parts of society, which makes the story twice as interesting. It even has elements of enemies to lovers! What this book does so well with its dual narration, is it lets you see more of the world that the author has created, which we wouldn’t normally get had she chosen to tell the book from one of these characters. Personally, I preferred Day’s POV, and the arc his story took. 

I had stopped reading children’s and teen fiction for a couple of years, for the first time in my half a century of life, and then I read A Curse So Dark and Lonely.

There’s a different sort of adventure here, and I think I related to Harper a little bit extra because I have a chronic illness and when it flares up, my limp is so very obvious. It felt good to see magic + that realism.

The combination of magic, a protagonist I could connect to, and fairy tale elements made me start opening the covers of other books I’d bought and shelved.

The main thing I loved was Leigh Bardugo’s writing. She has a way of being elegant yet succinct with her writing which makes it easier for me to get lost in the intricate world she creates. And what a world she creates!

I fell in love with all the characters in this book. They had deep flaws and the vulnerability made me love them so much – it made them so real. There’s a powerful female lead in Nina, a passionate, voluptuous grisha (type of witch) who loves food, making her immediately relatable. The plot had me hooked and I didn’t want the book to end.

I loved the high-seas, pirate vibe of this incredible book. The heroine's story starts in a harsh and tragic setting that I couldn’t help but get sucked into. And it was impossible for me not to admire Fable’s backbone, perseverance, and determination. She was so impressive!

I was immediately sucked into this story and rooting so hard for Fable. And the romantic tension that builds between her and one of the ship captains puts a perfect cherry on top of this lovely tale. 

Aveyard’s magical imagination is second to none. I’d never encountered books with so much magic wielded in so many unique ways. I consider these books lessons on how to write magic well. Although the Red Queen books feature a strong kickass heroine in Mare Barrow, they are different from the others that I’ve recommended in that they are set in an imaginary world. They also don’t have the same level of humour. But those differences don’t matter one bit. Aveyard’s characters evoke empathy, indignation, and hatred in equal measure. The pace is solid, and the stakes are high for the heroine, Mare Barrow. You won’t want this series to end (I know I didn’t).

This book can be described in one word: Fun. From a ship crewed by female pirates to a quest for treasure, it has all the witty dialogue and adventure to match the Pirates of the Caribbean franchise, but instead features a fierce, female captain named Alosa who has mad skills and a way of looking at the world that will make you laugh out loud and cheer her on. 

This is the first in a duology, so it’s also not too much of a commitment to read, unlike some longer series. Both books are equally fast-paced and enjoyable. If you’re like me, you’ll be ready to grab your pirate hat and strap on your sword by the end of this book.

With ever-increasing stakes, The Saltwater Heir is by far the best self-published fantasy book I’ve ever read.

The story follows a lost princess, war-torn kingdoms, and a love interest fated to die. It has the perfect balance of banter and sass, slow-burn romance, hilariously relatable sibling dynamics, and gut-wrenching plot twists to keep you on the edge of your seat. I laughed a lot; I sobbed even more.

I would recommend this book to readers who enjoy having their hearts captured in an emotional vise of stress, hope, and heartbreak.

This self-published beauty is the perfect soft, sweet pirate read to warm anyone’s heart. The main romance is to die for, and the descriptions within feel almost painted. Ryckman is a well-paced storyteller, and this debut novel from her reads almost like a fairytale. But best of all, it features plenty of piratey goodness and tons of adventure. 

When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.

Composing the sounds before the record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)

When I started playing rock guitar in the ‘60s I had no idea that it was built on the innovations of African-American blues and Gospel artists. Sound of the City traces how those innovations evolved into the dominant strains of ‘50s rock & roll, including artists like Bill Haley, New Orleans dance music, Memphis rockabilly, Chicago R&B, and vocal (“doo-wop”) groups. 

Gillette creates an extraordinarily detailed and very readable account of the music and musicians as well as a booming, often corrupt, and highly segregated music industry within a turbulent American social landscape. If you want to learn about American music in all its variety, this book is a must. Like Deep Blues, read it within reach of a music streaming service.