10 books like On the Way Home,

Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

Since an early age, I loved getting lost in a good story and knew I wanted to be a writer one day. As an adult, I tried writing in many genres but it was when I had my children that I knew I wanted to write children’s bedtime stories. I loved that special time at the end of a busy day when I could snuggle down with my children and get lost in a story with them. I now write children's bedtime stories for a podcast called Koko Sleep. The stories are written in a soothing way and are designed to help the listeners drift easily to sleep.

I’ve been a children’s author for over 35 years, had over 150 books published, and won a number of awards. But I began my professional life as Editorial Director of a major children’s book club, during which time I read thousands of books for young readers, from tiny tots to teenagers. As for scary books, I’ve written quite a number and read them to hundreds of children during school visits. I know what works, and I understand how to control scariness so that it delivers a delightful frisson that leaves children wanting to experience more of the same over and over again.

From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.

Rachel is a heart-minded professional specializing in current and relevant approaches in support of individuals and workplaces following a loss or trauma. She is a best-selling author, seasoned keynote speaker, and business consultant. She began her career serving in management of Fortune 500 companies, overcoming her own adversity following the sudden death of her husband while raising a 2-year-old. She was immediately confronted with the see-saw created when personal and professional trajectories collide, giving her the opportunity to provide invaluable insights about loss. Her books include best-selling Living with Loss One Day at a Time, Finding Peace, and Grief in the Workplace: A Comprehensive Guide for Being Prepared.

As a thirteen-year-old boy, I read Sigmund Freud’s Interpretation of Dreams and I became totally fascinated by Freud’s slow, methodical questioning that eventually revealed deeply hidden unconscious conflicts in the lives of his patients. Then and there I resolved to become a psychiatrist. As a psychiatrist, I explored my patients’ early memories. Over the years, I authored seven books, including The Secret Life of the Unborn Child, published in 28 countries now. I have previously taught at Harvard University, the University of Toronto, York University (Toronto), and St. Mary’s University. This book takes my studies of memory a step further and drills right down to the intelligence of cells.

To me there is a connection to something larger than myself, an overriding sense of spirit that I only seem to encounter in the outdoors, beneath the canopy of old-growth forest, or within the gaze of ancient snow-capped peaks. Since arriving in Alaska over 30 years ago it is something I have continually sought among this state’s striking landscape and in many of my own adventures here. It's an attitude, a sensibility I also seek in the stories I read, an authenticity tied to place, but also an inclination toward hope and optimism, even a tenuous one, that we can all relate to; a sentiment I have always tried to incorporate into my own writing.

I’m a survivor of childhood and domestic violence who grew up and still lives in South Africa. We don’t talk about abuse much, but it's everywhere. It’s a beautiful place to live, and a hard and heartbreaking place, as well. I wanted to write my books to make sense of my experiences, then also to extend hope and possibility to others dealing with similar things. I admire hard-headed female characters who are making their way on their own terms, and I'm a believer in the power of love. I hope that readers will see themselves in Iris, and even though they might want to shake her at times, they’ll cheer for her through it all!

I am a paramedic. I like being a medic. Not so much because of the science and medicine related to the job, but I like connecting with people. People from every walk of life. I like the chaos and unpredictability of the streets. The books on my list portray what it’s like to be out there. Not just war stories. But stories of humility and grace.