Here are 100 books that Objects of Grace fans have personally recommended if you like
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In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.
A brief invitation to all people to live creative lives. Stephen Roach is host of the Makers and Mystics podcast and founder of The Breath & the Clay creative arts movement takes the reader back to the initial creative acts of God at Creation and explores the implications of Adam naming the animals, drawing out applications on how that merciful gift informs creative acts today of all kinds.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
The best mediator over the past several decades in the awkward relationship between Art and the Church has been Christians in the Visual Arts (CIVA). The beginning of their story was told beautifully in Faith and Vision: Twenty-Five Years of Christians in the Visual Arts. Between its covers are more than 200 images that showcase the work of CIVA’s most accomplished artists and highlight the quality and breadth of its many traveling exhibitions, conferences, directories, and publications. Founded in 1979, Christians in the Visual Arts (CIVA) was born as a response to the absence of a tangible Christian community within the contemporary American art world. As it matured, CIVA grew to become a place of aesthetic stimulation and spiritual encouragement both to its members and to the several thousand artists and institutions in its formal network. This book is the record of a generation or two of Christians…
This book is a record of the first 25 years of Christians in the Visual Arts and features more than 200 images that showcase the work of CIVA’s most accomplished artists and highlight the quality and breadth of its many traveling exhibitions, conferences, directories, and publications.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art.
Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God's perfect order; likewise, early Christians used art to…
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation.
Christianity has often been suspicious of the human imagination, equating it with what is imaginary or merely made-up, while in the secular world the arts are often seen as little more than a source of entertainment. In Lifting the Veil, Malcolm Guite explores the vision from which all his writing springs - that there is a radiant reality at the heart of things which our dulled sight misses, and that the imagination is an aspect of the image of God in us that can awaken us to the presence and truth of God shimmering through all creation.
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
I’m so sick of the culture wars in America. That’s why Makoto Fujimura’s call towards Culture Care was so refreshing and encouraging.
He acknowledges how artists may end up as border walkers, gaining inspiration by living on the edges of society. But mere rebellion isn’t enough. I was so inspired by his encouragement to see cultural care as comparable to environmental work. How do we create estuaries where new growth and ideas can emerge? As a painter, Mako brings his visions to life on canvas. Yet, this book challenged me to usher more beauty into my community through any medium.
Outreach Magazine Resource of the Year Christianity Today's Book of the Year Award of Merit
"Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated."
Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians…
I am a Bible college graduate whose faith has always been a practical matter. Because I learned to find the “so what” of the Bible, when I became a teacher of the Bible in the public schools of Rowan County, North Carolina, my elective courses had waiting lists for students to get in to. As I now teach in Maine, I found I could continue to share a practical Christian faith through my writing. The books I have listed here do the very thing that I seek in my own writing.
Some Wildflower in My Heartreminded me that people are the way they are for a reason. Margaret, the woman who seems to have a heart of stone, had a child and young adulthood of trauma.
As I followed Margaret through the story, I found that looking deeper into a person can reveal treasures I did not know existed. Margaret lived through tragic events and she rejects God because she feels he let her down.
I understood her anger with God and when her heart softens, because of a relationship she forms with an authentic Christian coworker, I see it is a genuine realization and not some unbelievable event an author is trying to force on me.
Margaret Tuttle's story is one of love unsought, for she had been perfectly content with the well-ordered and conveniently predictable life she had arranged for herself.But something dark lurks beneath the surface of her placid and uncluttered being, something dusty with neglect, yet painful to the touch. Birdie Freeman is everything Margaret is not: homely, humble, and generous. It is Birdie who manages, through nothing but acts of love, to dredge up Margaret's memories of things better left buried. Then Margaret discovers that Birdie harbors secrets of her own.
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Thinking of this book still leaves me with a warm, fuzzy feeling. I can’t say precisely why, but this book by a Jesuit monk discussing horror struck me as intelligent and deeply personal.
Conversant with many kinds of scary stories associated with religion, this is the most academic book on my list. The fact that Edward Ingebretsen discusses Stephen King really gives readers something to think about. This isn’t the only book to discuss Stephen King and religion—Douglas Cowan also wrote a book about this—but it does so in a way that brings some “aha moments” to your reading.
From its beginnings in Puritan sermonising to its prominent place in contemporary genre film and fiction, this book traces the use of terror in the American popular imagination. Entering American culture partly by way of religious sanction, it remains an important heart and mind shaping tool.
I’m a writer, a storyteller, and a dreamer of absurdly ridiculous dreams. I’m an empath who feels big feelings and trusts my intuition as I make my way in this world. I know full well the power and importance of encouraging words, of being a friend, of looking for hope when nothing seems to be going your way.
These are the books I turn to when my soul, the truest part of what makes me “me,” needs a reminder of why I write, why I tell stories, and what it means to be human.
These are the books that dance across my synapses whenever I sit down to write and tell my own stories.
Martin Schleske is a German luthier and theologian. My daughter is a violinist. I picked up this book at the recommendation of Byron of Hearts & Minds Books, hoping to learn more about the violin-making process, and it has remained one of my favorite books ever since. Schleske slowly and carefully walks the reader through his process, from choosing the right trees, to designing the structure, to helping “closed” violins discover their sound. Along the way, he shares how his work crafting violins helps him grow in his faith.
I can only read a couple pages of this book at a time, as Schleske’s profound wisdom often leaves me with thoughts I need time to process and sort through. This is a book about how God, as the Artist, will continue to shape me, work with me, and help me be the best instrument I can be to make music…
Christianity Today Book Award in Culture and the Arts (2021)
“In the final analysis, music is prayer cast into sound.”
One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.
Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
I believe the Bible is God’s Word, that Jesus Christ is the Savior of the world, and that he loves us. But after enduring years of physical, mental, and emotional pain, special needs in one of our children, two job losses, and a degenerative ankle, I’ve struggled to understand why he’s allowed it. Over the years, God has been teaching me that there is more to our suffering than meets the eye. And what we see as pointless, God promises to redeem and use for his good purposes. As I’ve grown to trust Jesus, he’s changed me, and given me comfort, hope, and joy in the midst of my sorrows.
Sometimes the pain of our suffering is multiplied because those around us act as though grieving is a sign of weakness and lack of faith. Although we live in a world with many wonderful things, we will all experience suffering at some point. And trying to numb or avoid our pain doesn’t make our hurt and grief disappear. For that reason, I’ve been helped and encouraged by Mark Vroegop’s book because it teaches us to lament, which is acknowledging our grief and pain to God, giving ourselves the space and time to grieve while holding onto hope at the same time.
This book seeks to restore the lost art of lament in order to help readers discover the power of honest wrestling with the questions that come with grief and suffering.
