Here are 100 books that Faith and Vision fans have personally recommended if you like
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In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.
A brief invitation to all people to live creative lives. Stephen Roach is host of the Makers and Mystics podcast and founder of The Breath & the Clay creative arts movement takes the reader back to the initial creative acts of God at Creation and explores the implications of Adam naming the animals, drawing out applications on how that merciful gift informs creative acts today of all kinds.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
Kelly Crow of The Wall Street Journalsaid that the Art World is like a cocktail party that has been going on for quite some time. Without questionRainbows for the Fallen World: Aesthetic Life and Artistic Taskis a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party?Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with some intriguing artists—Sandra Bowden,…
Conversations with some of today's most intriguing artists-Sandra Bowden, Dan Callis, Mary McCleary, John Silvis, Edward Knippers, Erica Downer, Albert Pedulla, Tim Rollins and K.O.S., Joel Sheesley and Makoto Fujimura-focuses on the intersection of Christianity and creativity.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art.
Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God's perfect order; likewise, early Christians used art to…
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation.
Christianity has often been suspicious of the human imagination, equating it with what is imaginary or merely made-up, while in the secular world the arts are often seen as little more than a source of entertainment. In Lifting the Veil, Malcolm Guite explores the vision from which all his writing springs - that there is a radiant reality at the heart of things which our dulled sight misses, and that the imagination is an aspect of the image of God in us that can awaken us to the presence and truth of God shimmering through all creation.
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe.
Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture.
Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.
Andree Hayum approaches Matthias Grunewald's Isenheim Altarpiece, now at the Musee d'Unterlinden in Colmar, as a structural and iconographic entity and restores it to its broader cultural context in the early sixteenth century. She interprets the altarpiece in terms of its hospital context, then explores how this polyptych functions as a system of communication, in relation to contemporary sermons and in response to an emerging print culture. The meaning and motivation behind the direct visual appeal of the Isenheim panels are considered within the liturgy and the sacramental economy.
I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinkingabout thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!
The medieval images that survive today might seem like simplistic or bizarre pictures now. But medieval viewers saw them differently. They treated images as tools for understanding, analyzing, and remembering complex ideas about the world.
Bolzoni works to crack that “code” through the case of late medieval Italy: she illustrates how viewers’ relationships to images changed the more they learned, how preachers communicated with their congregations in ways that listeners would visualize and internalize, and how certain images—like six-winged angels or trees of life—served as effective conduits of information but alsoas platforms for layered conceptual associations that got increasingly sophisticated the more that authors and audiences thought about them.
This beautiful, fascinating book is well worth seeking out from a library or used bookseller.
Through her investigation of the mnemonic role of images in vernacular preaching and in mystical texts, Lina Bolzoni moves beyond the traditional art-historical approach to late Mediaeval and Renaissance art which tends to concentrate on style and iconography. She shows how these images were viewed at the time of their creation, and offers new ways of reconstructing their meaning. By bringing her knowledge of rhetoric and the art of memory to bear on the visual arts she opens up new perspectives for the study of religious art and literature of the Renaissance, and shows how these images actually functioned within…
I’m the founder of PreachersNSneakers, a network of social media accounts and books of the same title, which looks to get others to question the state of the modern church and our obsession with wealth, entertainment and fame. Going through the process of curating the accounts and writing the book has helped me develop expertise on mega churches, celebrity pastors, social media and the prosperity gospel. My goal is to get all people to laugh, think and live more authentically.
This book was perspective shifting for me because it brings together four experts on the bible and contrasts their very different views on one of the most important topics of our faith, eternity. As someone that grew up never thinking critically about hell, this book made me realize that there were still a lot of elements of my faith that I needed to investigate.
Recent years have seen much controversy regarding a unified Christian doctrine of hell: Do we go to heaven or hell when we die? Or do we cease to exist? Are believers and unbelievers ultimately saved by grace in the end?
By focusing on recent theological arguments, Four Views on Hell: Second Edition highlights why the church still needs to wrestle with the doctrine of hell.
In the fair-minded and engaging Counterpoints format, four leading scholars introduce us to the current views on eternal judgment, with particular attention given to the new voices that have entered the debate.
Instead of experiencing a mid-life academic crisis, I discovered Canada. Through George Rawlyk, a senior historian at Queen’s University in Ontario, and then through many fruitful contacts with older and younger Canadians as well as frequent visits north of the border, I became increasingly intrigued by comparisons with U.S. history. Most of my specialized scholarship has treated American developments, but I have been able to explain those matters more perceptively by keeping Canada’s alternative history in mind. The chance to introduce undergraduates at the University of Notre Dame to Canadian history provided a regular stimulus to think about a common subject (Christianity) taking somewhat different shapes in the two nations.
In his years as a historian at Queen’s University (Kingston, Ontario) Rawlyk inspired a wealth of solid writing on Canada’s religious history, while also inaugurating an ambitious series in religious history for the McGill-Queen’s University press that continues to this day. Rawlyk’s own research detailed the religious history of the Maritime Provinces, especially the dramatic, long-term impact of radical Christian revivals in the period of the American Revolution that were spearheaded by Henry Alline. A special feature of this book is the shrewd assessment of how Canada’s early religious history differed from parallel developments in the United States.
Rawlyk sees the Baptists of Nova Scotia and New Brunswick as reaching their zenith during the latter half of the nineteenth century. He makes some controversial comments on the differences between New Brunswick and Nova Scotia Baptists of both the present and past century. Ravished by the Spirit does not deal merely with a distnt historical past but raises some fundamental and disconcerting questions about the vulnerability of the Baptist denomination in contemporary Nova Scotia and New Brunswick.
I’m a writer, a storyteller, and a dreamer of absurdly ridiculous dreams. I’m an empath who feels big feelings and trusts my intuition as I make my way in this world. I know full well the power and importance of encouraging words, of being a friend, of looking for hope when nothing seems to be going your way.
These are the books I turn to when my soul, the truest part of what makes me “me,” needs a reminder of why I write, why I tell stories, and what it means to be human.
These are the books that dance across my synapses whenever I sit down to write and tell my own stories.
Martin Schleske is a German luthier and theologian. My daughter is a violinist. I picked up this book at the recommendation of Byron of Hearts & Minds Books, hoping to learn more about the violin-making process, and it has remained one of my favorite books ever since. Schleske slowly and carefully walks the reader through his process, from choosing the right trees, to designing the structure, to helping “closed” violins discover their sound. Along the way, he shares how his work crafting violins helps him grow in his faith.
I can only read a couple pages of this book at a time, as Schleske’s profound wisdom often leaves me with thoughts I need time to process and sort through. This is a book about how God, as the Artist, will continue to shape me, work with me, and help me be the best instrument I can be to make music…
Christianity Today Book Award in Culture and the Arts (2021)
“In the final analysis, music is prayer cast into sound.”
One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand…
Hey there, readers! One afternoon during my children’s naptime, I read a couldn’t-put-it-down young adult adventure story. It totally drew me in, but as much as I enjoyed it, I distinctly wished it had included Christian morals. The goal of my writing is to give God glory and encourage readers to grow in their faith. My hope is that seeing relatable characters choosing to let God’s light shine through them, even during hard situations, will inspire readers to trust God and strengthen their faith. Be inspired along with me when the characters in this book list courageously make the right choice.
While most of us won’t suddenly move from being homeschooled in an African village to attending a huge high school in California, readers can learn so much from Katie!
If you love books that emphasize strong families and congenial characters who face relevant issues, you’ll loveFaith Under Pressure.
I was inspired by the respect within Katie’s family, her desire to bloom where she’s planted, and her commitment to start a Christian club at school.
When agreeing to tutor a bully threatens her new friendships, Katie faces a new level of anxiety, and her faith will be tested like never before.
