100 books like Visual Faith

What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.

Kelly Crow of The Wall Street Journal said that the Art World is like a cocktail party that has been going on for quite some time. Without question Rainbows for the Fallen World: Aesthetic Life and Artistic Task is a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party? Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with some intriguing artists—Sandra Bowden,… show more.

The best mediator over the past several decades in the awkward relationship between Art and the Church has been Christians in the Visual Arts (CIVA). The beginning of their story was told beautifully in Faith and Vision: Twenty-Five Years of Christians in the Visual Arts. Between its covers are more than 200 images that showcase the work of CIVA’s most accomplished artists and highlight the quality and breadth of its many traveling exhibitions, conferences, directories, and publications. Founded in 1979, Christians in the Visual Arts (CIVA) was born as a response to the absence of a tangible Christian community within the contemporary American art world. As it matured, CIVA grew to become a place of aesthetic stimulation and spiritual encouragement both to its members and to the several thousand artists and institutions in its formal network. This book is the record of a generation or two of Christians… show more.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I always feel that personal stories are the best recommendation for what people believe. Dan Graves gives us many prominent scientists who were at the same time sincere Christian believers.

They lived over many centuries and worked in various scientific fields, making some of the most important discoveries. Some were Catholics; some were protestants. I think this is a very readable book, and if anyone ever tries to say that a good scientist can’t be a Christian or the other way around, it provides complete proof that this is untrue.

If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.

Sensbach combines impressive archival skills with sophisticated analyses of textual and visual evidence to reconstruct the extraordinary life of a formerly enslaved woman of African descent, whose interracial marriage and missionary calling took her from the Caribbean to Germany and West Africa.

Rebecca’s Revival is a methodological tour de force, working from fragmentary evidence to reveal the complexity of issues of slavery, religion, and identity in the transatlantic eighteenth-century world.

Refusing to over-simplify the certainty of the evidence or its implications, Sensbach’s frequent use of words like “may,” “might,” “if,” and “perhaps” reflects not the weakness of indecision but rather the strength of a historian who discriminates the known from the unknown, and more importantly, the possible from the probable.

This country was settled primarily by Puritan extremists who imprinted their deep distrust of the body’s needs onto future generations. The Calvinist obsession with sin and predestination led to a uniquely American situation. As wealth became a sign of grace, poverty indicated moral failure.

Weber’s classic book describes the process in which a perspective that began in renunciation was transformed into the drive to work incessantly in the pursuit of worldly success and, eventually, conspicuous consumption. As the strictly religious fervor dissipated over time, the competitive quest for efficiency, productivity, wealth, and the self-validation they symbolized remained and became our most fundamental value.

What others would later call the “American Dream” endures because, like no other myth, it promises fulfillment both in this world and the next. This helped me understand our obsession with individualism and why America ignores or mistreats many of its children simply because their parents are… show more.

Aimee Semple McPherson lived a trailblazing life as the founder of the Four-Square Gospel Pentecostal church in Los Angeles, the first woman to own a US radio station, and a captivating, theatrical preacher. The beauty of Sutton’s book is the way he shows how McPherson’s sexual charisma—as well as her nearly career-ending sexual scandals—enabled her to define herself as the embodiment of Christian virtue. Wearing white and preaching with props and scenery worthy of a Hollywood set, McPherson used a show business savvy to portray conservative Christianity as the bedrock of Americanism.

Strangely, very few books about the Christian right explain the differences between southern and northern evangelicals. Hill’s book is an eye-opener. It links theology directly to politics. A historian, Hill is a wonderful writer.