Here are 100 books that Culture Care fans have personally recommended if you like
Culture Care.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am through and through a storytelling creature and fell in love with books as a child. I first aspired to be a librarian, then an author. Life took me in other directions, and when I found songwriting as a teen, I figured it would be the closest I would ever come to my original dreams. It was not until I escaped from my abusive family as a young adult and dove headfirst into therapy that I realized my story was far darker than I had ever let myself admit. I am now a singer-songwriter and memoirist who believes that sharing our stories with one another will change the world.
Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.
Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
I get frustrated by organizations and systems that are so devoted to metrics that they miss the creative opportunities at hand.
Daniel Pink’s A Whole New Mind flips the script on the AI-driven world we’re inheriting, insisting that the right-brained approach to creativity will unlock a brighter future for us all. I’ve found that his focus on story and design moves audiences far more than spreadsheets and PowerPoints.
Pink reminds us why empathy and playfulness are the kinds of superpowers we must rediscover amid so much machine learning.
This is a book that you have to read. A Whole New Mind is a groundbreaking look at how we should live our lives in a world turned upside down by rising affluence, the outsourcing of good jobs abroad, and the computerization of our lives a world fast shifting from the Information Age to the Conceptual Age. Lawyers. Accountants. Radiologists. Software engineers. That's what our parents encouraged us to be when we grew up. But Mum and Dad were wrong. The future belongs to a very different kind of person - a person with a very different kind of mind.…
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
As a young man who loved the violent films of Martin Scorsese and the soothing sounds of Gregorian chants, I wanted to reconcile these seemingly contradictory passions.
Madeleine L’Engle offers wise words of encouragement for integrating our faith and our art. While I’d enjoyed her science fiction novels like A Wrinkle in Time, I was surprised by the practical, down-to-earth aspects of Walking on Water. This book slowed me down, allowing child-like wonder to return. She challenged me to develop a daily creative practice because one day off ends up disconnecting us for three.
In this classic book,Madeleine L'Engle addresses the questions, What does it mean to be a Christian artist? and What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one's own art.
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
I wonder about the relationship between art and activism. I’ve long loved the sharp and prophetic songs of Sho Baraka.
Like his raps, Sho’s book simultaneously enlightened and entertained me. It has rhythm and flow, interweaving short stories and poems with insightful and enduring truths. I appreciated how he explained where hip-hop comes from and connected it to Scriptural roots. He discusses how flawed so many of our heroes may be, and yet they still accomplish amazing things.
After reading Sho’s provocative work, I want to practice the same kind of integration of faith and action.
A deep exploration of the intersection of faith, creativity, and justice from acclaimed hip-hop artist and creative polymath Sho Baraka
“Sho has the courage to say what many are thinking and the candor to say what many are not. His words have positively influenced me for years—now this book gives the world that influence.”—Lecrae
You were created to help bring truth and beauty into this broken world. God made you with an imagination and a yearning for justice. No matter your calling or vocation, you can help shape a better world around you through your creativity.
As a freshman in my Columbia University humanities class, I remember when we debated whether Achilles did the right thing in fighting Hector when Achilles could have led a peaceful life as a shepherd. I was arguing that only in risking our lives could we fully live them. A senior challenged me, saying, “I’ve struggled here for four years. I want a life of ease.” That debate has guided me through my years as a professor of English literature and philosophy and then as a management consultant. Only in conversations over the good life do admirable ways of treating customers, managing employees, or competing come to life.
This is the most readable philosophy book I know. Nietzsche wrote it in his brilliantly witty, epigrammatic style. Each episode is about a page long.
Concentrate on "Book Four." There, Nietzsche famously tells us that God is dead. Find out what he really means. (We criticize everything and can feel no true reverence.) Consequently, we seek convenience and flexibility over and over again. Stunningly, Nietzsche sets out four contrarian, incompatible good lives. (Philosophers have always sought to define one good life.)
If you read nothing else, read epigrams 290, 295, and 303: "The life of constant revision to perfect a style," "The life of short stories," "The life of brilliant improvisation," and "The risk-taking life." I use Nietzsche’s model of good lives to help business leaders restore their businesses and themselves.
The book Nietzsche called "the most personal of all my books." It was here that he first proclaimed the death of God—to which a large part of the book is devoted—and his doctrine of the eternal recurrence.
Walter Kaufmann's commentary, with its many quotations from previously untranslated letters, brings to life Nietzsche as a human being and illuminates his philosophy. The book contains some of Nietzsche's most sustained discussions of art and morality, knowledge and truth, the intellectual conscience and the origin of logic.
Most of the book was written just before Thus Spoke Zarathustra, the last part five years…
I first became intrigued by secret societies when a student who I worked with suggested that the French Upper Paleolithic painted caves might have been decorated and used by secret societies. I subsequently enlisted another student to study the spatial use of the paintings from this perspective. Combined with the observations of Robert Hare on the motivations of psychopaths and sociopaths to control others, I realized that secret societies plausibly constituted powerful forces promoting certain cultural changes that appeared later and continued into our own modern societies. I found the prospects for understanding our own cultures fascinating and wanted to document how this all came about in my own book.
Mircea Eliade is one of the foremost historians of religion,The Sacred and the Profane is probably his most readable book. It clearly describes what traditional (oral) religions are like and how they differ from global (book) religions. Traditional religions provide critical background for understanding some contemporary ritual practices, but most importantly for me, traditional religions provide a context for understanding the emergence of secret societies. This will be a good read for anyone interested in traditional religions, whether native American, Australian, African, or pre-Christian Europe. I highly recommend it.
In The Sacred and the Profane, Mircea Eliade observes that while contemporary people believe their world is entirely profane or secular, they still at times find themselves connected unconsciously to the memory of something sacred. It's this premise that both drives Eliade's exhaustive exploration of the sacred—as it has manifested in space, time, nature and the cosmos, and life itself—and buttresses his expansive view of the human experience.
I feel strongly that large segments of the population—young and old alike—have thrown out the baby of spirituality with the bathwater of organized religion. Given the current level of interreligious hatred and misunderstanding in today’s world, two things have to change. First, we need to know the basics of the world’s major religious traditions and how they evolved so that we are not making value judgments based on erroneous information and lack of understanding. Then, we have to look through the external dogmas and rituals to the spiritual principles and experiences that are of most value and that may not be reliant on any one institutional religion.
Renowned for brilliant visionary novels like Brave New World and Island, Huxley also wrote one of the most insightful books about the underlying truth running through the great mystics of the world’s spiritual traditions.
By quoting mostly from the mystics of both East and West themselves rather than the Bible, Huxley focused on the common essence of the experience of divine union. Along with many unsung Christian mystics, he also quotes from Eastern masters and sacred scriptures, including Rumi, Lao Tzu, Shankara, and from scriptures like the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and the Upanishads, by way of showing that the universal Reality both transcends and is embodied in individual traditions.
An inspired gathering of religious writings that reveals the "divine reality" common to all faiths, collected by Aldous Huxley
"The Perennial Philosophy," Aldous Huxley writes, "may be found among the traditional lore of peoples in every region of the world, and in its fully developed forms it has a place in every one of the higher religions."
With great wit and stunning intellect—drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam—Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the…
As a psychologist with environmental interests people often ask me about hope. It goes something like this: “Climate change is pushing us toward disaster! What is your source of hope?” I finally figured out that I only have one source of hope. It is that we, as people, are able to work together just well enough to keep it all afloat. There’s a lot involved in working together – learning to listen with compassion, run good meetings, empower everyone to give of their best, and rebuild trust when it starts to break down. I’ve been researching these topics in community settings for the past 15 years.
After the first edition of Psychology for a Better World was published, I was on the search for a symbol or metaphor to capture the drive of so many people to contribute to the common good. It needed to be something that worked in secular settings and would resonate with the big social movements for the environment, justice, and wellbeing. I heard Carse speak about the infinite game on a podcast and immediately bought his book.
The notion is simple – in life, there are at least two kinds of games: finite games in which the object is to win, and the infinite game in which the object is to keep the game in play. That is it, I thought, life is about keeping the game in play. You don’t have to believe anything, but if you want, you can join the infinite game. Carse describes how these games play…
"There are at least two kinds of games," states James P. Carse as he begins this extraordinary book. "One could be called finite; the other infinite. A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play."
Finite games are the familiar contests of everyday life; they are played in order to be won, which is when they end. But infinite games are more mysterious. Their object is not winning, but ensuring the continuation of play. The rules may change, the boundaries may change, even the participants may change-as long as…
I am a retired federal constitutional law professor, the former Fredric C. Tausend Professor of Constitutional Law at Seattle University Law School. Moreover, I am the coauthor of more than ten books, most of them focusing on First Amendment free speech topics. Often, I wrote at the intersection of popular culture and free speech rights. My booklist reflects my passion for books about the history, purposes, and practices of freedom of speech, particularly as it is exercised in the United States.
Freedom of speech means many things to many people, but often the advocates of free speech have not thought very clearly or deeply about the purposes for protecting speech and the reasons for the American free speech system.
Of all of the books on free speech theory that I have read, I appreciate Fred Schauer’s book the most. It is truly a classic about the philosophical foundations of freedom of speech. Do not be intimidated by the idea of free speech theory: Schauer’s book can be understood by any serious nonfiction reader, and I highly recommend it for its powerful reasoning and beautiful prose.
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…