Here are 100 books that My Rock 'n' Roll Friend fans have personally recommended if you like
My Rock 'n' Roll Friend.
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I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
The definitive, authorised Johnny Thunders biography, beautifully written by a beloved confidant of the late New York Doll. With a star like Thunders, lesser writers would give in to the temptation to mythologise, but Antonia is a balanced, clear-eyed biographer, presenting her friend’s complex story with style, compassion, grace, and honesty. Nina is the bohemian queen of decadence and rock ‘n’ roll’s darker side, and this book is one of many jewels in her crown.
The official biography of the New York Dolls and Heartbreakers' guitarist. ‘Johnny Thunders: In Cold Blood’ is the cult bible of all things Thunders. It is the definitive portrait of the condemned man of rock'n'roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers and beyond. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent. Johnny was a hugely influential figure in both the glam-rock and punk eras and his music and style still resonates today.
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Carol Clerk was something of a rock star in her own right: a major force in music writing, Clerk’s tough, witty voice continues to resound years after her untimely passing. Her biography of countercultural hippy icons Hawkwind is fascinating, and she weaves together the voices, memories, tales, and travails with effortless brio. Like Nina Antonia, she had a kinship with the musicians she wrote about, garnering stories with ease because they trusted her, and rightly so.
Hawkwind emerged in 1969 from Ladbroke Grove, the heartland of London's counterculture, to become a 'people's band' supported by bikers and hippies alike as they staged free gigs, benefits and protests and welcomed the involvement of any number of creative people - writers, poets, dancers - from within their community. They have had more line-up changes than their only remaining founder member Dave Brock, can remember. Motorhead's Lemmy and legendary Cream drummer Ginger Baker were just two of the musicians sacrificed along the way as the band went head to head with the police, customs, the taxman - and each…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
I love to see different takes on music biography: shifts away from conventional formats are a happy place for me. Stripe, inspired by the 90s series Star Test (which I was obsessed with too) takes on the notorious Fat White Family, presenting them in all of their demonic rock ‘n’ roll depravity through exclusive interview material. Cradduck’s folklorically inspired illustrations in the Rough Trade edition complement the text with grotesque perfection.
A revealing examination of the dysfunctional songwriting partnership at the heart of one of Britain’s most unpredictable and controversial contemporary rock ’n’ roll bands, Sweating Tears with Fat White Family features candid interviews by author Adelle Stripe with Fat White Family singer Lias Saoudi and guitarist Saul Adamczewski. From childhood traumas to adult squalor and critical success, it is a tale of bitterness, humour, excess, cruelty, and the vile affections that bind this exceptional pairing on their continued Orphean descent into the underworld. This exclusive edition features demonic engravings by printmaker Lisa Cradduck, inspired by Berber folklore and the grotesque…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
This enduring LGBTQ icon might have been famously enigmatic, but O’Brien presents the story of the cool queen of blue-eyed soul with depth, precision, and humanity, qualities present in all of O’Brien’s books. Dusty’s tale is multi-faceted, often troubled, and tremendously relatable, but her profound strength comes through in this meticulously researched book, which also features an array of interviews with contemporaries and colleagues such as Tom Jones, Lulu, and Jerry Wexler.
FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.
'Provocative and deadly accurate' - Time Out
Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female…
I’ve always had a soft spot for books on sisterhood. Perhaps it’s because I have a sister, but it’s partly because I’ve also lucked out on wonderful girlfriends who’ve taken the role of sisters at various stages of my life. There is an immense power in female relationships, and it’s a theme I often explore through my writing. Both my novels, The Marriage Clock and The Retreat center around strong women who consistently and generously show up for each other. I’ve compiled a list of books to celebrate the many sisters in our lives—through blood and friendship. I hope you find them as enjoyable to read as I have!
This novel shows us how the sisters in our lives aren’t always connected by blood. That sometimes, our chosen sisters are the ones who carry us through life’s difficult moments.
Malek, Kees, and Jenna have been lifelong friends, but when a single argument threatens to pull them apart, can they find their way back to one another? Alternating between each woman’s story, the novel explores deeper themes of love, family, and faith while also shedding light on both the strengths and fragility of female relationships.
A *Read With Jenna Today Show Book Club pick* and razor‑sharp debut novel of three best friends navigating love, sex, faith, and the one night that changes it all.
It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, aunties and uncles, they’ve learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend's place is disguised as a best friend’s sleepover, and tiredness can be blamed on studying instead of partying. They know they’re existing in a perfect moment. With growing older…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
The twists in this book pull you in and keep you from putting it down. I love when I get surprised and think “I never saw that coming!”
Well-developed characters, outstanding description, Setterfield draws book lovers (and bookstore lovers) right into the heart of the story. I couldn’t put it down. It was the only novel in our book club that received a unanimous 10/10
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
In Sigrid Nunez’s The Friend a terrible event (a dear friend and mentor’s suicide) results in the unnamed narrator’s acceptance, out of a sense of responsibility, of an unwanted burden (the heartbroken Great Dane, Apollo−the narrator admitting she is more of a cat person).
I love that by book’s end, that obligation turns out to be a precious gift that assuages both their griefs, serving to connect them to the departed one they both loved. Along the way we, lucky readers, get to eavesdrop on the literary discourse of an agile mind attempting to parse the unparsable as the narrator, a writer herself, addresses both the lost (her mentor) and the found (the dog).
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
I flew through Wahala. Pacy, suspenseful, and binge-able, this novel did not disappoint; it delivered in all areas. Zany, memorable characters – tick. Messy, complicated entanglements – tick. Tantalising, mouth-watering descriptions of Nigerian food served in south London restaurants – tick, tick. (The author kindly included a few recipes at the back of the book!) Wahala reminded me of how enjoyable reading can be when you find a widely-entertaining book that you can kick back and sink your teeth into. An engrossing, riveting read that explores the complexity of adult female friendships, I highly recommend it.
Fabulous friendship novel with a killer edge for fans of BIG LITTLE LIES and EXPECTATION
SOON TO BE A MAJOR BBC TV SERIES
'A journey of friendship, revenge and finding your true self. Gripping' STYLIST MAGAZINE
'I would definitely recommend this book to friends. I already have!' BBC RADIO 2 BOOK CLUB
'What makes this slow-burn story of friendship and vengeance refreshing and original is the exhilarating ease with which it portrays a London steeped in the colours and sounds of Lagos' THE TIMES, Best Popular Fiction Books of 2022
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Ronke, Simi, Boo are three mixed-race friends living in…
I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.
Someone call the police, because Heisey has broken into my brain, looked around, and written a story containing every thought I’ve ever had.
There’s nothing quite like feeling seen on the page to make you feel less alone as you flounder, break down, circle the drain, and look down the barrel of total oblivion, and it’s a rare privilege to find a story that does all of this with wit and warmth.
The term “sad girl lit” gets thrown around a lot, and while no one could accuse protagonist Maggie of being happy (or content, or even stable), Heisey resists the sinkhole of self-pity and exhausting melancholy that so often turns books in this niche into a chore.
Self-destructive yet self-aware women who make all the worst decisions and come to their own rescue – unite!
The No. 2 SUNDAY TIMES Bestseller
An Observer Best Debut of the Year
'Intoxicating ... heralds a really good author to watch' The Times
'Hilarious and profound' Dolly Alderton, author of Everything I Know About Love
'Wildly funny and almost alarmingly relatable' Marian Keyes, author of Again, Rachel
'Monica Heisey is a genius' Nina Stibbe, author of Reasons to be Cheerful
One of the most hotly anticipated, hilarious and addictive debut novels of 2023, from Schitt's Creek and Workin' Moms screenwriter and electric new voice in fiction, Monica Heisey.
I feel like when you get a divorce everyone's wondering how…
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