Here are 100 books that My Rock 'n' Roll Friend fans have personally recommended if you like
My Rock 'n' Roll Friend.
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I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
The definitive, authorised Johnny Thunders biography, beautifully written by a beloved confidant of the late New York Doll. With a star like Thunders, lesser writers would give in to the temptation to mythologise, but Antonia is a balanced, clear-eyed biographer, presenting her friend’s complex story with style, compassion, grace, and honesty. Nina is the bohemian queen of decadence and rock ‘n’ roll’s darker side, and this book is one of many jewels in her crown.
The official biography of the New York Dolls and Heartbreakers' guitarist. ‘Johnny Thunders: In Cold Blood’ is the cult bible of all things Thunders. It is the definitive portrait of the condemned man of rock'n'roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers and beyond. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent. Johnny was a hugely influential figure in both the glam-rock and punk eras and his music and style still resonates today.
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
Carol Clerk was something of a rock star in her own right: a major force in music writing, Clerk’s tough, witty voice continues to resound years after her untimely passing. Her biography of countercultural hippy icons Hawkwind is fascinating, and she weaves together the voices, memories, tales, and travails with effortless brio. Like Nina Antonia, she had a kinship with the musicians she wrote about, garnering stories with ease because they trusted her, and rightly so.
Hawkwind emerged in 1969 from Ladbroke Grove, the heartland of London's counterculture, to become a 'people's band' supported by bikers and hippies alike as they staged free gigs, benefits and protests and welcomed the involvement of any number of creative people - writers, poets, dancers - from within their community. They have had more line-up changes than their only remaining founder member Dave Brock, can remember. Motorhead's Lemmy and legendary Cream drummer Ginger Baker were just two of the musicians sacrificed along the way as the band went head to head with the police, customs, the taxman - and each…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
I love to see different takes on music biography: shifts away from conventional formats are a happy place for me. Stripe, inspired by the 90s series Star Test (which I was obsessed with too) takes on the notorious Fat White Family, presenting them in all of their demonic rock ‘n’ roll depravity through exclusive interview material. Cradduck’s folklorically inspired illustrations in the Rough Trade edition complement the text with grotesque perfection.
A revealing examination of the dysfunctional songwriting partnership at the heart of one of Britain’s most unpredictable and controversial contemporary rock ’n’ roll bands, Sweating Tears with Fat White Family features candid interviews by author Adelle Stripe with Fat White Family singer Lias Saoudi and guitarist Saul Adamczewski. From childhood traumas to adult squalor and critical success, it is a tale of bitterness, humour, excess, cruelty, and the vile affections that bind this exceptional pairing on their continued Orphean descent into the underworld. This exclusive edition features demonic engravings by printmaker Lisa Cradduck, inspired by Berber folklore and the grotesque…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
This enduring LGBTQ icon might have been famously enigmatic, but O’Brien presents the story of the cool queen of blue-eyed soul with depth, precision, and humanity, qualities present in all of O’Brien’s books. Dusty’s tale is multi-faceted, often troubled, and tremendously relatable, but her profound strength comes through in this meticulously researched book, which also features an array of interviews with contemporaries and colleagues such as Tom Jones, Lulu, and Jerry Wexler.
FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.
'Provocative and deadly accurate' - Time Out
Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female…
I’ve always had a soft spot for books on sisterhood. Perhaps it’s because I have a sister, but it’s partly because I’ve also lucked out on wonderful girlfriends who’ve taken the role of sisters at various stages of my life. There is an immense power in female relationships, and it’s a theme I often explore through my writing. Both my novels, The Marriage Clock and The Retreat center around strong women who consistently and generously show up for each other. I’ve compiled a list of books to celebrate the many sisters in our lives—through blood and friendship. I hope you find them as enjoyable to read as I have!
This novel shows us how the sisters in our lives aren’t always connected by blood. That sometimes, our chosen sisters are the ones who carry us through life’s difficult moments.
Malek, Kees, and Jenna have been lifelong friends, but when a single argument threatens to pull them apart, can they find their way back to one another? Alternating between each woman’s story, the novel explores deeper themes of love, family, and faith while also shedding light on both the strengths and fragility of female relationships.
A *Read With Jenna Today Show Book Club pick* and razor‑sharp debut novel of three best friends navigating love, sex, faith, and the one night that changes it all.
It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, aunties and uncles, they’ve learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend's place is disguised as a best friend’s sleepover, and tiredness can be blamed on studying instead of partying. They know they’re existing in a perfect moment. With growing older…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
As a kid, our public library in the basement of the Methodist church became my second home. However, I considered any visit a bitter disappointment that didn’t result in one or two dog stories in the stack I signed out. Big Red, Old Yeller, Lassie, Lad a Dog, Call of the Wild, White Fang (the occasional wolf was also okay), I loved them all. That experience has continued to affect the adult I’ve become. As I’ve turned to reading, and writing, stories of family, relationships, and, lately, of aging, it’s become clear to me that I’ve never found a story that wasn’t improved by the appearance of a good dog.
In Sigrid Nunez’s The Friend a terrible event (a dear friend and mentor’s suicide) results in the unnamed narrator’s acceptance, out of a sense of responsibility, of an unwanted burden (the heartbroken Great Dane, Apollo−the narrator admitting she is more of a cat person).
I love that by book’s end, that obligation turns out to be a precious gift that assuages both their griefs, serving to connect them to the departed one they both loved. Along the way we, lucky readers, get to eavesdrop on the literary discourse of an agile mind attempting to parse the unparsable as the narrator, a writer herself, addresses both the lost (her mentor) and the found (the dog).
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
I flew through Wahala. Pacy, suspenseful, and binge-able, this novel did not disappoint; it delivered in all areas. Zany, memorable characters – tick. Messy, complicated entanglements – tick. Tantalising, mouth-watering descriptions of Nigerian food served in south London restaurants – tick, tick. (The author kindly included a few recipes at the back of the book!) Wahala reminded me of how enjoyable reading can be when you find a widely-entertaining book that you can kick back and sink your teeth into. An engrossing, riveting read that explores the complexity of adult female friendships, I highly recommend it.
Fabulous friendship novel with a killer edge for fans of BIG LITTLE LIES and EXPECTATION
SOON TO BE A MAJOR BBC TV SERIES
'A journey of friendship, revenge and finding your true self. Gripping' STYLIST MAGAZINE
'I would definitely recommend this book to friends. I already have!' BBC RADIO 2 BOOK CLUB
'What makes this slow-burn story of friendship and vengeance refreshing and original is the exhilarating ease with which it portrays a London steeped in the colours and sounds of Lagos' THE TIMES, Best Popular Fiction Books of 2022
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Ronke, Simi, Boo are three mixed-race friends living in…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
I loved this book so very much because it’s honest, raw, and so funny. I think that most of us can agree that life is both beautiful and brutal. It’s okay to admit that even the best of times can be rife with bullshit. The events leading up to some of my best memories were disastrous. The author gets that and unabashedly tells her embarrassing, uncomfortable, cringe-worthy, tragic stories.
I felt seen and in good company when reading it. Here’s the thing: I relished cackling over the stories of Ellis and her people because they felt familiar—they felt like my people. Ellis is the funny one in her friend group. I am the funny one in mine. I feel she and I could get into some real trouble together. Even better? We could co-write a killer essay in the aftermath.
The bestselling author of American Housewife and Southern Lady Code returns with a viciously funny, deeply felt collection of essays on friendship among grown-ass women.
When Helen Ellis and her lifelong friends arrive for a reunion on the Redneck Riviera, they unpack more than their suitcases: stories of husbands and kids; lost parents and lost jobs; powdered onion dip and photographs you have to hold by the edges; dirty jokes and sunscreen with SPF higher than they hair-sprayed their bangs senior year; and a bad mammogram. It's a diagnosis that scares them, but could never break their bond. Because women…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Written during COVID, but not about the pandemic, BFF is for those of us who are less-than-perfect friends.
Her lifelong struggles to define and live up to her impossible ideals of friendship are instantly relatable. She’ll annoy you and maybe make you mad, but you’ll cheer her on for her desire to do the right thing. Her challenges are ours, too.
In fact, reading how she coped with the loss of her best friend was a comfort to me. Because I read it at a time when I was devastated by a similar loss.
From the author of Group, a New York Times bestseller and Reese's Book Club Pick, comes a moving, heartwarming, and powerful memoir about Christie Tate's lifelong struggle to sustain female friendship, and the friend who helps her find the human connection she seeks.
After more than a decade of dead-end dates and dysfunctional relationships, Christie Tate has reclaimed her voice and settled down. Her days of agonizing in group therapy over guys who won't commit are over, the grueling emotional work required to attach to another person tucked neatly into the past.
