Here are 74 books that Awakening fans have personally recommended if you like
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I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
I love the cunning, wit, and charm of the one-and-only Vlad Taltos. Though he’s an assassin, he’s never cruel or wicked; he merely does what he needs to appease the “mafia-feeling” organization he works for. He’s almost more a swashbuckling rogue than a killer.
In his interactions with his familiar, Loiosh, you see his more nuanced side, the morality beneath the magic and swordplay. And few fantasy worlds I’ve ever visited have been as rich and colorful as those created in the Vlad Taltos series.
The first three fantastical adventures of assassin Vlad Taltos—now in one volume.
A welcome addition to any fantasy fan's library, The Book of Jhereg follows the antics of the wise-cracking Vlad Taltos and his dragon-like companion through their first three adventures—Jhereg, Yendi, and Teckla.
There are many ways for a young man with quick wits and a quick sword to advance in the world. Vlad Taltos chose the route of assassin. From his rookie days to his selfless feats of heroism, the dauntless Vlad will hold readers spellbound—and The Book of Jhereg will take its place among the classic compilations…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
This book is about how trauma can force you to choose between memory and sanity… and how this problem gets worse when you live in a society of telepaths.
Said telepaths are the mer-person descendants of enslaved Africans who threw themselves off the boats from Africa to the Americas, but the emotional core of the book makes the deep weirdness of the premise pretty much an afterthought.
WINNER OF THE LAMBDA LITERARY LGBTQ SCIENCE FICTION/FANTASY/HORROR AWARD
The water-breathing descendants of African slave women tossed overboard have built their own underwater society-and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award-nominated song "The Deep" from Daveed Diggs's rap group clipping.
Yetu holds the memories for her people-water-dwelling descendants of pregnant African slave women thrown overboard by slave owners-who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one-the historian. This demanding role has been bestowed on…
I’m a writer of epic fantasy and paranormal romance, and my obsession is writing about the fashion, food, language, and social politics of the worlds I create. World building is vital if you intend to create a lived-in backdrop for your story, but intricate, elaborate world building will only take you so far. You (the author) must have a cast of characters equally well developed. I’ve tried to take lessons away from every book I’ve read and every author I’ve interviewed and worked to balance characters to fall in love with against places that feel absolutely alive. Their joy/terror/love/hate/experience becomes the readers. It’s that combination that makes a book unforgettable.
Although The Scar is the second book in the Bas Lag series, I prefer it to Perdido Street Station (which is also glorious.) The Scar takes to the seas, a place I always prefer to be, in the form of the floating, roving city of Armada.
We come aboard (as it were) and experience life on Armada—its precincts, villages, towns, secrets, and its people—swordsmen and librarians and vampires and the mysterious pair who run the place—The Lovers (that’s the only name we get) through the eyes of Bellis Coldwine, a prickly, difficult, but fascinating woman who would literally rather be anywhere else.
I get where she’s coming from but I would absolutely book a cruise on Armada!
A human cargo bound for servitude in exile... A pirate city hauled across the oceans... A hidden miracle about be revealed... This is the story of a prisoner's journey. The search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.From the author of Perdido Street Station, another colossal fantasy of incredible diversity and spellbinding imagination, which was acclaimed in The Times Literary Supplement as: 'An astonishing novel, guaranteed to astound and enthral the most jaded…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
The action in this book begins when Severian, an apprentice in the Torturers’ Guild, gives a convict a weapon to kill herself rather than be tortured.
The reason there’s a Torturers’ Guild is, allegedly, that it beats prison: Better to deliver a punishment and then let the punished person return to their life, the thinking goes, than confine them to a useless existence as a ward of the state. Severian is expelled from the Guild, but not from the profession, and wanders the world plying his trade, at least until the plot can’t spare him.
It’s a constant dissonance, looking through the eyes of a character whose training and purpose is the infliction of pain, who seems so decent and forthright in the story he narrates. (But don’t be fooled.)
In a thoroughly decadent world of the future, Severian the torturer is cast out from the torturer's guild when he falls in love with one of his victims and allows her to die
I always used to want to sleep with a nightlight. Then one night my dad said, “what does it matter, if when you close your eyes it’s dark anyway?” That’s when I realized, he was completely right. I'd been vulnerable to monsters this whole time and since none of them had tried to snack on me yet, then that must mean some were friendly… right? The only way to be sure was to learn more about them. So, I did. Here's a list of some of my favorite middle grade books featuring monsters. Because the only thing better than a book about a monster, is a book about kiddos that they scare or befriend.
Away from the lurking eyes of their parents for the summer, the Lumberjanes finally have a chance to cut loose and truly be themselves.
Of course, they’ll have to figure out “who” that is first. Luckily for them, they have some awesome friends to help them along the way. Unfortunately, or fortunately, depending on how you look at it, the path to discovery is paved with monsters and mystery.
This book does a wonderful job of showing how important the bonds of friendship can be, especially when you are facing the unknown.
Maybe I’ve just watched too much Buffy the Vampire Slayer, but I love stories about girls facing down terrifying monsters and coming out triumphant. These are often the kinds of books I like writing too, whether those monsters are ghosts, serial killers, or amorphous supernatural entities. As a writer of supernatural thrillers for teens, I know how empowering and cathartic it is to watch a character who has been through tough experiences face down her fears and fight for all she’s worth.
Sawkill Girls is so scary that I couldn’t read it before bed. In fact, I wouldn’t even bring it into my bedroom! But it’s also gorgeously written—eerie and atmospheric, with the most immersive worldbuilding. Its monster is terrifying, but the main characters—all girls—are so, so powerful. This is one of my top YA novels of all time.
"Reader, hang on for dear life. Sawkill Girls is a wild, gorgeous, and rich coming-of-age story about complicity, female camaraderie, and power." -Sarah Gailey, author of River of Teeth
"An eerie, atmospheric assertion of female strength." -Mindy McGinnis, author of The Female of the Species
FIVE STARRED REVIEWS
NAMED ONE OF YALSA'S 2019 BEST FICTION FOR YOUNG ADULTS
A BRAM STOKER AWARD NOMINEE
A LAMBDA LITERARY AWARD NOMINEE
From the New York Times bestselling author of Furyborn comes a breathtaking and spine-tingling novel about three teenage girls who face off against an insidious monster that preys upon young women. Perfect…
I am a 68-year-old Emergency Room Physician who deals with life and death and tremendous stress every hour at work. When I read, I want to relax and be entertained I personally like YA fantasy books. I do not want to read adult fictionized stories about the life I live every day. I want to be taken off to a new world. Emersed in it. And made to believe the unbelievable.
I loved this series because it took a person who was struggling in life and brought them into a new and more deadly world where her struggles became more intense and real. She had to grow, trust herself, and learn how and who to trust in this new world. It was filled with Runes magic and though character driven it had a plot that pulled you along.
On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read.
When I was writing my own kid book dealing with monsters, I picked this one up on a whim just to see how kid book authors handle monsters.
I was pleasantly surprised to find it dealt with everything I love: small towns, a gang of kids, and other worldly creatures—in this case vampire-werewolf hybrids. Think Mystic Pizza + Attack the Block. It’s exciting, monster-hunting fun.
Toby McGill dreams of becoming a world-famous chef, but up until now, his only experience has been watching the Food Network. When Toby lands a summer job at Killer Pizza, where pies like The Monstrosity and The Frankensausage are on the menu, things seem perfect. His coworkers, Annabel and Strobe, are cool, and Toby loves being part of a team. But none of them are prepared for what's really going on at Killer Pizza: It's a front for a monster-hunting organization!
Learning to cook pizzas is one thing, but killing hideously terrifying monsters? That's a whole…
I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. Itis rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere whilesimultaneously having a good chuckle.
When I recently read The Yark I was only disappointed in that I hadn’t discovered this book sooner. It has the morbid quip and charm of Roald Dahl combined with highly detailed and immersive illustrations. This is a monster story which will leave you far more afraid of children than what’s under your bed.
The Yark loves children...with the love of a gourmand! This hairy monster dreams of child buffets-ham of boy, orphan gratin, schoolchild puree, breaded babies, girl rillettes. But he has a problem: his delicate stomach can only tolerate nice children; liars give him heartburn, savages spoil his teeth. There are not nearly enough good, edible children around to keep him from starvation. Then the Yark does find delicious, sweet Madeleine. Will he gobble her up? Or will she survive long enough to change his life?
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
I picked up this book because it reminded me of a writing assignment I did in college. Instead of a traditional critical essay on Frankenstein, I wrote a “scene” in which Mary Shelley and Victor Frankenstein discussed the novel's themes. (I got a good grade if you are curious.) This isn’t the most lyrically written novel, but I loved the bold premise of bringing Victor into the real world to interact with the Villa Diodati group, telling them the unbelievable tale of his creation.
I admired the clever turns throughout, and the climactic discovery was well-earned. I’ve always been a fan of the fictional character stepping off the page. This one had me thinking long after I’d finished it.
Victor Frankenstein begins his anatomy experiments in a barn in the secluded village of Headington, near Oxford. The coroner's office provides the corpses he needs - but they have often died by violent means and are damaged and putrifying. Victor moves his coils and jars and electrical fluids to a deserted pottery manufactury in Limehouse. And, from Limehouse, makes contact with the Doomesday Men - the resurrectionists.
Victor pays better than any hospital for the bodies of the very recently dead. Even so, perfect specimens are hard to come by... until that Thames-side dawn when Victor, waiting, wrapped in his…
