Here are 100 books that Making Democracy Work fans have personally recommended if you like
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I accidentally fell in love with Latin America, a love that has lasted my lifetime. When I was young, I lived in a Dominican neighborhood in New York, learning Spanish from my neighbors. After I graduated from Columbia Graduate School of Journalism I got a job covering the Cuban community in New Jersey because I spoke Spanish. Eventually I ended up living in Colombia and then Managua as a foreign correspondent. Now I edit a magazine at Harvard about Latin America. It's not just the news that interests me; I love the cadence of the language, the smell and taste of its varied cuisine, the warmth of the people, the culture, and, yes, soccer.
Greg Grandin is a historian's historian, a brilliant researcher, a captivating writer. It's honestly hard to pick which of his books to feature here. But since The End of the Myth won the Pultizer Prize, I'll choose it as my favorite. What I loved about this book is that it gives me a new perspective about the history of my own country—about which, frankly, I do not know that much—and the region I have reported on for most of my life, Latin America. He makes connections and does so in a compelling fashion.
The book focuses on the United States and the border, but it sheds much light on how the myth of manifest destiny has shaped the way we think of ourselves and our relationship with our southern neighbors.
A new and eye-opening interpretation of the meaning of the frontier, from early westward expansion to Trump’s border wall.
Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall.
In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history…
I am the grandson of a political refugee. My grandfather was a gunrunner in the Greek resistance to Turkish occupation of Chios prior to the 1st Balkan War. His guerilla activity placed his life in danger. He fled pursuit by the Turks, which led to his eventual emigration to the United States. From childhood my family experience was of lively discussions that were inflected by my grandfather’s experience of resistance and US citizenship. They sparked my fascination with the role of citizen voices in a democracy. That was a main focus of my academic career, teaching rhetoric for more than 40 years at Penn State University and the University of Colorado Boulder.
The idea of citizenship is vague and can be complicated. Sometimes it refers to a person recognized as a natural-born or naturalized denizen of a nation, sometimes the right to cast a ballot, sometimes law-abiding behavior, sometimes civic engagement, and, too seldom, engaging in public work. Bellah and his associates conducted a series of interviews with ordinary citizens across the US to ascertain their understanding and values with respect to private and public (citizenly) life.
Overwhelmingly, those interviewed (mostly white, middle-class Americans) attached great value to their private lives, while acknowledging the importance of civic participation. They commonly expressed a belief that they should be publicly involved. However, when they discussed public life, they had a limited range of ideas about what that participation might look like, especially compared to the rich descriptions they offered for private life and why they valued it so.
First published in 1985, "Habits of the Heart" continues to be one of the most discussed interpretations of modern American society, a quest for a democratic community that draws on our diverse civic and religious traditions. In a new preface the authors relate the arguments of the book both to the current realities of American society and to the growing debate about the country's future. With this new edition one of the most influential books of recent times takes on a new immediacy.
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.
Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.
I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.
"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."-Natalie Zemon Davis
Confrontations between the powerless and powerful are laden with deception-the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule…
I am the grandson of a political refugee. My grandfather was a gunrunner in the Greek resistance to Turkish occupation of Chios prior to the 1st Balkan War. His guerilla activity placed his life in danger. He fled pursuit by the Turks, which led to his eventual emigration to the United States. From childhood my family experience was of lively discussions that were inflected by my grandfather’s experience of resistance and US citizenship. They sparked my fascination with the role of citizen voices in a democracy. That was a main focus of my academic career, teaching rhetoric for more than 40 years at Penn State University and the University of Colorado Boulder.
Perhaps the most widespread engagement by ordinary citizens in political relations is with the education of their children. School boards are increasingly regarded as a site of passionate political contest over what our children will learn, especially when it comes to learning history and its consequences for their understanding of their community and nation. Challenges of Ordinary Democracy reports on three years in the life of a local school board. The voices of administrators, teachers, parents, and the press are examined when dissent takes center stage in the school board’s deliberations. Given that ordinary citizens will disagree, often vehemently, Tracy asks us to consider the parameters of reasonable hostility and why reasonable hostility is important for the voices of ordinary citizens to matter in deciding issues that affect their lives.
Is there any place in America where passionate debate plays a more vital role in democratic discourse than local school board meetings? Karen Tracy conducted a thirty-five-month study of the board meetings of the Boulder Valley School District between 1996 and 1999 to analyze just how democracy operates in practice. In Challenges of Ordinary Democracy, she reveals the major role that emotion plays in real-life debate and discerns value in what might easily be seen as negative forms of discourse-voicing platitudes, making contradictory assertions, arguing over a document's wording, speaking angrily, attacking a person's character. By illuminating this one arena…
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
Many people get involved with Africa through their concern for its’ poverty and with a genuine desire to help “develop” Africa. Ferguson’s analysis shows how counter-productive this is without an understanding of the ways in which African society differs from western society. Much social theory is generalizations based on interpretations of western development. These ideas are then projected into Africa on the basis that the more they are like us, the more developed they will be. I hope these five books help you un-learn this perspective and embrace the originality and genius of Africa.
Development, it is generally assumed, is good and necessary, and in its name the West has intervened, implementing all manner of projects in the impoverished regions of the world. When these projects fail, as they do with astonishing regularity, they nonetheless produce a host of regular and unacknowledged effects, including the expansion of bureaucratic state power and the translation of the political realities of poverty and powerlessness into "technical" problems awaiting solution by "development" agencies and experts. It is the political intelligibility of these effects, along with the process that produces them, that this book seeks to illuminate through a…
This topic, adaptive collaborative management, has been dear to my heart for nearly a quarter of a century (indeed longer if one includes my involvement in farming systems research and development, a similar agricultural concept with less emphasis on the environment). I have long felt that deep involvement with local communities is crucial if we want to avoid ‘the sins of the past’ in conservation and development. My hope and that of my colleagues has been that by involving local people in a respectful, iterative, inclusive, learning, collaborative process, together we can steer policies and actions in a benign direction that may in fact endure (unlike most such projects).
This book is the fourth in a series on forest decentralization globally, a series for which I edited the other three books. So I was gratified to see how this one turned out. I appreciate it because it provides some of the same contextual material on governance in Africa – an area I know less well – that the book by Moeliono et al. provided for Borneo. Some of the authors and one editor had also been members of the original ACM teams in Africa (in the early 2000s), bringing some of their own related insights into the discussion.
Many countries around the world are engaged in decentralization processes, and most African countries face serious problems with forest governance, from benefits sharing to illegality and sustainable forest management. This book summarizes experiences to date on the extent and nature of decentralization and its outcomes - most of which suggest an underperformance of governance reforms - and explores the viability of different governance instruments in the context of weak governance and expanding commercial pressures over forests.
Findings are grouped into two thematic areas: decentralization, livelihoods and sustainable forest management; and international trade, finance and forest sector governance reforms. The authors…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.
The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.
As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.
Irving Stone's classic biographical novel of Michelangelo-the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
His time-the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...
His loves-the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love-the beautiful, unhappy Vittoria Colonna...
His genius-a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...
His name-Michelangelo Buonarroti. Creator of the David, painter of the ceiling…
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion,
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.
'Moorehead paints a wonderfully vivid and moving portrait of the women of the Italian Resistance...an excellent book... She depicts a tragic fate that is timeless, of dreams forged in adversity, shattered by collisions with practical politics' MAX HASTINGS, SUNDAY TIMES
A Spectator Book of the Year
The extraordinary story of the courageous women who spearheaded the Italian Resistance during the Second World War
In the late summer of 1943, when Italy changed sides in the War and the Germans - now their enemies - occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015 WINNER OF THE GOLDSMITHS PRIZE 2014 WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless,…
