100 books like Lizzie Bright and the Buckminster Boy

What are you made of, really? Who hasn’t conjured up a survival scenario in which you are the protagonist? How would you fare?

I loved this book because the author put you on that plane in that horribly inconceivable situation in which you simply know you will likely die. But you don’t—not immediately, anyway. But then the real struggle begins. This book resonates with me because every difficult, life-changing scenario is utterly plausible, unnerving, and interesting. 

After I heard author Rita Williams-Garcia speak at a NYC book event, I knew I had to read this book, even if it was for kids. After all, in 1968, I was the same age as the main character, Delphine, and from Brooklyn, just like her. That year, the Vietnam War, antiwar protests, and the assassinations of Martin Luther King Jr. and Bobby Kenedy punctuated headlines.

Delphine and her younger sisters make a trek to California to visit their estranged mother. Instead of meeting Mickey and friends at Disney, they find Mom works for Huey, Bobby, and the Black Panthers! I was impressed with the way Rita used warmth and humor to chisel out difficult social issues we still face today. I learned a lot reading this family saga.    

In my mind, this book shows one of the great character arcs in literature. The persnickety thirteen-year-old Charlotte begins her 1832 voyage from London to America admiring iron-fisted Captain Jaggery of the Seahawk. When she overhears the crew speaking of mutiny, she snitches on them.

At one point, I was hoping she’d get swept overboard. But Charlotte bonds with the ship’s black cook, Zachariah, and begins to see life beyond her vantage of a rich white child of privilege. As conditions worsen on the Seahawk, Charlotte sides with the crew, becomes a deckhand, and eventually their captain!

This is an old-time, swashbuckling, wind to yer back, sea adventure. I can still smell the bilgewater years after reading it.  

Reading this book is like the first breath you take when opening a door to a winter blizzard. Your lungs freeze.

What I admired most about this muscular tale is Preus doesn’t pull any punches for her young readers. Like an ice ball covered in snow, she packs Nordic folktales and myths around the harsh realities of two Norwegian sisters who escape from a lecherous goat farmer to join their father in America.

The book title ties into the moment every day before total darkness takes over. The way I see it, this book shows that a good story, honestly told, sheds light everywhere. 

I treasure this book and recently reread it alongside my own teen! It profoundly showcases the courage required to challenge deep-seated prejudices within a community and family.

Witnessing Scout Finch's perspective on her father Atticus' stand against racial injustice amidst moral dilemmas serves as a powerful reminder of the strength needed to confront and transcend the biases we inherit, a journey that resonates with my own experiences of overcoming familial legacies.

Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.

I read this book years ago but it’s always stayed with me.

The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.

He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.

As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy. 

Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.

Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.

Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master… show more.

Who doesn’t love a good coming-of-age story—especially one set on the beautiful, summery, and storied beaches of Cape Cod?

It’s the type of location I find irresistible. Set in the 1980s, the book centers on a young, aspiring novelist named Eve who crosses path with a literary power couple at their Cape Cod home. She lands a job as a research assistant, falls in love with their intriguing son, and scores an invitation to their famous book party.

This novel made me nostalgic for the time I was Eve’s age, full of dreams and waiting for the world to open its arms to me! So atmospheric and evocative!

I was transported back to a time that I don’t often think about, a time that was magical while it lasted. I didn’t want the book to end!