Here are 100 books that Into The Woods fans have personally recommended if you like
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Having been a Hollywood writer for thirty years, and now written a novel that although satirical still accurately describes the creation of a TV series, I’ve long been amazed at how many Hollywood stories – including films made in Hollywood – offer fantasies that have even less to do with the reality of love and work in film and television than Game of Thrones does with the real Middle Ages. I’ve written fantasy myself, but for people fascinated by Hollywood, or who want to work in film and TV, there’s a reason too to read books that capture the reality, especially when like the books listed here, they do so astonishingly well.
This book coined the maxim far and away the most quoted in Hollywood to this day: “Nobody knows anything.” I first read it the year before I broke in. My copy is heavily annotated with yellow highlighter and red pen; a black paperclip still marks the second of Goldman’s two capitalized maxims, “Screenplays are structure.” The value of this book to anyone wanting to understand – or survive in – Hollywood is that, ironically, Goldman, one of the most successful screenwriters and novelists in Hollywood history, knew almost everything, not only about screenwriting, but also the psychology, cautious care, and perilous feeding of actors, directors, executives, and the rest of the Hollywood zoo. It’s both a textbook and survival guide, illustrated with a veteran’s vivid stories about life behind the tinsel.
No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get…
I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.
“You never really succeed,” Andrew W. Marlowe tells the editors of Tales from the Script, “You always fail at a higher level.” So: first you can’t finish your script, then you can’t get it read, then you can’t sell it, then you can’t get it made, then it’s made – but badly. Or, in Marlowe’s case, it’s made into Air Force One and you’re asked to repeat the trick. “Even when you get to the top there’s this realization: ‘Okay, the view is great, but tomorrow I gotta get up and start climbing the mountain again.’” If you find that depressing, don’t be a screenwriter. If you see it as a challenge, read on…
Few modern art forms are as misunderstood as the craft of creating movie scripts, but "Tales from the Script" puts readers in the trenches of the Hollywood development process. Readers will revel in the exploits of Shane Black ("Lethal Weapon"), John Carpenter ("Halloween'), Frank Darabont ("The Shawshank Redemption"), Nora Ephron ("When Harry Met Sally"), William Goldman ("The Princess Bride"), David Hayter ("Watchmen"), Bruce Joel Rubin ("Ghost"), Paul Schrader ("Taxi Driver"), Ron Shelton ("Bull Durham"), and dozens of others. They'll learn how these writers surmounted the incredible odds against breaking into Hollywood, transformed their ideas into films that topped the box…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
Sidney Lumet directed Twelve Angry Men and The Verdict, among many others, and the beauty of this short book is just how practical he is about his craft. In the magazine interviews and hagiographies about directors, we seldom get a true sense of the working day on a movie set, or what happens long before shooting begins and months after it finishes. But here Lumet reveals why he always tried to schedule a very simple shot for the first set-up on day 1 of production, the value of a rehearsal period (if he was granted one) and that he took a lunchtime nap. From first being offered a script to the final sound mix, this is what a movie director really does.
“Invaluable.... I am sometimes asked if there is one book a filmgoer could read to learn more about how movies are made and what to look for while watching them. This is the book.” —Roger Ebert, The New York Times Book Review
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio…
I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.
Once upon a time, in a small apartment in Brooklyn, an unemployed, unproduced, unagented writer sat down to start a script. Three days later he finished it. Twelve months of rewrites and he sold it. Four years later it was made. And a year after that it won the Oscar for Best Original Screenplay. But, Michael Arndt notes in his modest introduction to the shooting script, this isn’t “a rewards-of-virtue narrative”; it’s a story about the razor-thin line between success and failure – and how, as Dwayne says in the movie, you should “do what you love and fuck the rest”. Words to live – and write – by.
Here is the official screenplay book tie-in to the uproarious American family road comedy. Brazenly satirical yet deeply human, Little Miss Sunshine introduces audiences to one of the most endearingly fractured families in recent cinema history. Meet the Hoovers, a motley six-member family who treks from Albuquerque to Redondo Beach, California, to fulfill the deepest wish of seven-year-old Olive, an ordinary little girl with big dreams.
Starring Greg Kinnear, Toni Collette, Steve Carell, Abigail Breslin, Paul Dano, and Alan Arkin, the film strikes a nerve with everyone who's ever been awestruck by how their muddled families seem to make it…
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
I love reading a thriller with a complex plot that has me trying to figure out who did what, where and when, and what or who may be connected in the main or subplot.
This was one of those books I had to read twice, not because I didn’t “get it” but because I admired the way Chandler weaved his characters around, like the actors in a Whitehall farce play. This is a book I kept turning back a few pages to keep up with the who, where, and when. Fantastic read.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I spent twenty years as a book publishing executive learning how the trade works before launching myself as a full-time author wanting to make the world a better place. My books use state-of-the-art scholarship for history you can read on the beach, and focus on ‘hinge’ moments, great turnings of the world, as well as on forgotten and unsung heroes.
What ideas do you have about what the first peoples were like, and how human society developed?
Maybe you’ve even read the popular authors on this topic such as Diamond, Harari, Pinker, Hobbes, and Rousseau. Prepare to have all of your notions and received opinions upended and turned to dust by David Graeber (a man universally acknowledged as a genius) and the book he worked on for the last ten years of his life, which brings revolutionary ideas to 30,000 years of civilization.
A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation.
For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction…
At age eighteen, as a part-time employee of a prisoners’ rights group, I visited an archipelago of decrepit prisons, all relics of an earlier age. My job was gathering inmates’ accounts of bucket toilets, unheated cells, bugs, molds, and rats. Soon after, I began reading and writing about prison reform and its history. And in the many decades since, whether practicing or teaching criminal law, I never lost sight of prisons and their problems. Several of these five books fed my young fascination with prison reform. All of them still challenge me to imagine true and enduring reform.
Though Foucault’s book appeared at almost the same moment as Ignatieff’s, Foucault painted a far darker image of early penitentiaries. He cast them not as places of reform but as instruments of disciplinary control, rendering inmates docile and amenable to the monastic repression and routine of schools and factories.
Foucault’s book taught me decades ago that history is crafted, not discovered, and that skilled chroniclers can weave very different plotlines from similar facts.
A brilliant work from the most influential philosopher since Sartre.
In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
Brooks is interested in what makes for a good society and how we as individuals can lead moral, principled lives that benefit others. This must be a subject of interest to everyone but I think has a particular application for writers trying to portray men and women of character and moral purpose. In Brooks’ metaphor the first mountain consists of career, family, wealth, reputation, and everything you would put into your CV. The second mountain is what they might say about you after you die when none of that matters anymore. The issue now is character not achievements. Were you kind, hospitable, generous, compassionate, and humble in your outlook, or ego-centric and proud? For any one trying to write a character with character this is fascinating reading.
#1 NEW YORK TIMES BESTSELLER • Everybody tells you to live for a cause larger than yourself, but how exactly do you do it? The author of The Road to Character explores what it takes to lead a meaningful life in a self-centered world.
“Deeply moving, frequently eloquent and extraordinarily incisive.”—The Washington Post
Every so often, you meet people who radiate joy—who seem to know why they were put on this earth, who glow with a kind of inner light. Life, for these people, has often followed what we might think of as a two-mountain shape. They get out of…
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
Martin Cruz Smith’s first book in his Arkady Renko series, Gorky Park, did very well and was made into a successful film. Later books are perhaps not so well known which I think is a great pity. Smith’s books ooze atmosphere, intrigue, and authenticity taking us into other worlds—in this case, that of Russian oligarchs and the deadly exclusion zone round Chernobyl. Arkady Renko is an incorruptible investigator in a society where everyone is on the make—another parallel I’ve found very applicable to my own work. And, unlike many thriller authors, Smith is also a brilliant writer of scintillating, gripping narrative. I’d love David Hidalgo and Arkady Renko to meet and have a chat over a few glasses of red wine, vodka, or both!
Don't miss the latest book in the Arkady Renko series, THE SIBERIAN DILEMMA by Martin Cruz Smith, 'the master of the international thriller' (New York Times) - available to order now!
AN ARKADY RENKO NOVEL: #5
'One of those writers that anyone who is serious about their craft views with respect bordering on awe' Val McDermid
'Makes tension rise through the page like a shark's fin' Independent
*** The iron curtain has fallen and a screen of nouveau capitalism stands in its place. Though the New Russia is foreign to Renko, the corruption and brutality that he encounters are all…
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
I could easily recommend any of Robert Harris’s “intelligent thrillers” however I’ve picked this one because I like the idea of an “ordinary” man who finds himself in the midst of a dangerous mystery. Briefly, The Second Sleep is set in the future after our civilisation has destroyed itself and where life is now functioning at the medieval level. The church, which controls everything, has banned investigation into the past. A humble priest is sent to visit a village in his parish and begins to suspect that things are not as they seem. Eventually, against the orders of the church, he decides to try to penetrate the past with alarming consequences. So, as for my character, David Hidalgo, we find that ordinary people can make a difference!
THE LATEST NOVEL FROM ROBERT HARRIS: chosen as a Book of the Year by The Times, Sunday Times, Guardian, Telegraph, Mail on Sunday, and Express
WHAT IF YOUR FUTURE LIES IN THE PAST? _____________________________________ 'One word: wonderful. Two words: compulsive reading. Three words: buy it tomorrow. Four words: tonight, if it's possible.' STEPHEN KING 'A thoroughly absorbing, page-turning narrative.' SUNDAY TIMES 'Genuinely thrilling.' DAILY TELEGRAPH _____________________________________ Dusk is gathering as a young priest, Christopher Fairfax, rides across a silent land.
It's a crime to be out after dark, and Fairfax knows he must arrive at his destination - a remote…
