Here are 100 books that If I'm Being Honest fans have personally recommended if you like
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I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
There’s never been a time I haven’t had a pen in my hand, crafting a good story. And as the YA literature movement grew, so did my love of it. There’s not a more “blooming” time of life when life and love and friendship can grow with such authenticity and excitement. And true to my Deep South roots, I write and gravitate to romance novels that capture the beauty of first love and Southern culture in tandem, from the slow, relaxed pace to the sometimes gritty culture to the never-meet-a-stranger, colorful personas. Where humidity is thick but the accents are thicker, that’s where you’ll find my Southern-fried heart!
Set in small-town Alabama, Sophie is working at the local florist while dreaming all the big city dreams but slowly falling for love interest, Andrew. I’m a sucker for slow-burn romances told in unconventional ways while enjoying a good Southern setting, and this book has it! Enemies-to-lovers over the course of a year’s events and with a heavy dose of family dynamics bubbling to the surface? Yes, please!
Beloved author Kasie West brings her signature witty banter and rom-com fun to a bold, fresh format. Think Four Weddings and a Funeral for YA.
One year. Nine events. Nine chances to . . . fall in love?Weddings. Funerals. Barbecues. New Year's Eve parties. Name the occasion, and Sophie Evans will be there. Well, she has to be there. Sophie works for the local florist, so she can be found at every big event in her small hometown, arranging bouquets and managing family dramas.Enter Andrew Hart. The son of the fancy new chef in town, Andrew is suddenly required to…
I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.
The moment I heard this was an adaptation of Sabrina, I was in! The main character Amelia has unreciprocated feelings for Ethan, but of course, it’s his brother Liam who’s her best match. The falling-for-the-brother trope is one of my favorites, and this one did not disappoint. The nerdy references in this book are also top-notch—as Liam is a slightly nerdy, cinnamon roll character you can’t help but root for. Short and sweet, this book was a super fun read.
In this YA retelling of Sabrina set in the glam fashion world, Amelia is whisked off to an amazing New York City fashion internship that changes her life--and quickly finds herself caught between two brothers.
A RITA finalist for Best First Book
If anyone saw the prom boards Amelia Blanco makes on her favorite fashion app, they'd think Ethan Laurenti was her boyfriend. They wouldn't know that all the plans she's made for them are just dreams, and that she's the girl who watches him from the kitchen while her parents cook for his famous family.
I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.
Janette Rallison is one of my favorite authors, and this is one of my all-time favorite series! A bumbling “fair” godmother (she’s in training, but her grades are only “fair”) is assigned to help modern-day Savannah achieve her happily ever after. But of course, everything goes wrong, and Savannah ends up in several different fairytales when all she wanted was to find a good guy to take her to the prom. The flirty banter between Savannah and Tristan is laugh-out-loud funny and watching them come together is the icing on top. I’ve lost count of how many times I’ve reread this series.
After her boyfriend dumps her for her older sister, sophomore Savannah wishes she could find a true prince to take her to the prom. Enter Chrysanthemum Everstar: Savannah's gum-chewing, cell phone-carrying, high heel-wearing Fair Godmother. Despite a few wish-granting mishaps, Savannah's fairy-tale ending might not be as far off as she imagined.
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Jo Carney’s book is a wonderful way of appreciating both Shakespeare and contemporary literature that responds to the themes he developed all those centuries ago. This study explores more recent adaptations published in the last decade whereby women—either authors or their characters—talk back to Shakespeare in a variety of new ways. Carney puts modern works such as Prospero’s Daughter, Desdemona, Hag-Seed, The Gap of Time, The Porpoise, Station Eleven, and Hamnetinto dialogue with the playsOthello, The Tempest, The Winter’s Tale, Pericles, andKing Lear. This beautifully written and very accessible book allows us to think about contemporary issues of sexual assault, gender expectations, and differences in new and very exciting ways as well as allowing readers to develop a new appreciation of Shakespeare.
This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways.
"Talking back to Shakespeare", a term common in intertextual discourse, is not a new phenomenon, particularly in literature. For centuries, women writers-novelists, playwrights, and poets-have responded to Shakespeare with inventive and often transgressive retellings of his work. Thus far, feminist scholarship has examined creative responses to Shakespeare by women writers through the late twentieth century. This book brings together the "then" of Shakespeare with the "now" of contemporary literature by examining how many of…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare’s magnificent history plays have been described as “a feast of Henrys and Richards.” Who were those kings in real life? This book tells their true stories, and compares those stories to what Shakespeare wrote about them. Turns out he stuck pretty close to history!
I am passionate about solving problemsof any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He musthave had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!
Alan Green hosts a popular Youtube channel that explores the mysteries and secret codes built into the works of Shakespeare and his decryptions are quite extraordinary in their depth.
Green has been investigating these hidden “Bard codes” for more than 15 years and his book reflects the incredible effort he has put into his work. He was at one time the musical director of The Monkees!)
Six years' of intense research into Shakespeare's grave, monument, and Sonnets dedication, went into producing this ground-breaking work. Readers are taken on a fascinating journey in which they're guided to solve the codes that explain a hitherto completely unsuspected side to the greatest literary mystery ever. In a revelation of detective work, the author thoroughly documents the supporting role of Dr. John Dee, alchemist, mathematician, and leading cryptographer in the Elizabethan court.The codes predict an actual location — the Holy of Holies Altar Stone within the poet's church in Stratford-upon-Avon — where the Bard claims to have left physical evidence…
I am an award-winning and USA Today bestselling South African author, social anthropologist, and transformational life coach. Human transformation and the question of human social nature are key themes in all of my writing, which explores the experiences of people on the margins or with a background of overlapping cultures. I am a book dragon who loves reading adventures in almost every genre and that broad scope of my reading explorations has wormed its way into my writing style which, though broadly defined as fantasy, encompasses elements from other styles in a rich and ‘aromatic’ blend.
I absolutely adore the concept of taking the epic Star Wars franchise and transforming it into a Shakespearean play. It is humorous and so totally unexpected, which is the best thing about reading adventures—I love surprises! Blending ideas or combining very different styles resonates very deeply with me because of my own blended background as a German-Italian-South African. I absolutely love it when the unexpected melding of two different things bring forth something entirely new, like fusion cooking.
The popular, NYT best-selling Elizabethan/sci-fi mashup series continues, with a Shakespearean take on the first Star Wars prequel, The Phantom Menace. When the best-selling William Shakespeare's Star Wars presented the classic George Lucas film in the form of an Elizabethan drama, the results blew the minds of Star Wars fans and Shakespeare buffs alike. Now the curtain rises once again on that star-crossed galaxy far away, this time revealing the tragedy, hubris, and doomed romance that will lead to the fall of the Republic and the rise of an Empire. The saga starts here with this reimagining of Episode I,…
Ken began his career as an Assistant Professor of German Studies at the University of North Carolina. After ten years in academe, he went to the Harvard Business School, following which he embarked on a 36-year career banking.
Ken worked at Shawmut Bank, Bank of New England, and from 1990 through 2019 at Silicon Valley Bank.
Mr. Wilcox earned a master’s degree in business administration from Harvard Business School, as well as a PhD in German studies Ohio State University.
He published Leading Through Culture: How Real Leaders Create Cultures that Motivate People to Achieve Great Things and soon he'll be publishing a second book One Bed Two Dreams: When Western Companies Fail in China.
People often ask themselves, why study literature. What’s the use?
This is the only book I have ever read that attempts to show how literature applies to leadership and management. The authors, one a professor of Shakespearian literature, and the other a management consultant, attempts to show how Shakespeare’s play contain practical lessons for leaders.
The chapter I liked most talks about how and why the CEO doesn’t always want their successor to succeed, and how they sometimes sabotage their successor’s success.
What Can Shakespeare teach us about effective leadership? Everything, according to John Whitney, leading professor at Columbia Business School, and Tina Packer, founder, president and artistic director of the critically acclaimed theatre group Shakespeare & Company. Whether we are dealing with an indecisive Hamlet or a corporate Lear, this innovative approach to management helps us tap into the timeless wisdom and profitable genius of the Bard. The issues fuelling the intricate plots of Shakespeare's 400-year-old plays are the same common yet complex issues that business leaders contend with today. John Whitney and Tina Packer compare Shakespeare's plays with management techniques,…
