Here are 100 books that If I'm Being Honest fans have personally recommended if you like
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I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
There’s never been a time I haven’t had a pen in my hand, crafting a good story. And as the YA literature movement grew, so did my love of it. There’s not a more “blooming” time of life when life and love and friendship can grow with such authenticity and excitement. And true to my Deep South roots, I write and gravitate to romance novels that capture the beauty of first love and Southern culture in tandem, from the slow, relaxed pace to the sometimes gritty culture to the never-meet-a-stranger, colorful personas. Where humidity is thick but the accents are thicker, that’s where you’ll find my Southern-fried heart!
Set in small-town Alabama, Sophie is working at the local florist while dreaming all the big city dreams but slowly falling for love interest, Andrew. I’m a sucker for slow-burn romances told in unconventional ways while enjoying a good Southern setting, and this book has it! Enemies-to-lovers over the course of a year’s events and with a heavy dose of family dynamics bubbling to the surface? Yes, please!
Beloved author Kasie West brings her signature witty banter and rom-com fun to a bold, fresh format. Think Four Weddings and a Funeral for YA.
One year. Nine events. Nine chances to . . . fall in love?Weddings. Funerals. Barbecues. New Year's Eve parties. Name the occasion, and Sophie Evans will be there. Well, she has to be there. Sophie works for the local florist, so she can be found at every big event in her small hometown, arranging bouquets and managing family dramas.Enter Andrew Hart. The son of the fancy new chef in town, Andrew is suddenly required to…
I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.
The moment I heard this was an adaptation of Sabrina, I was in! The main character Amelia has unreciprocated feelings for Ethan, but of course, it’s his brother Liam who’s her best match. The falling-for-the-brother trope is one of my favorites, and this one did not disappoint. The nerdy references in this book are also top-notch—as Liam is a slightly nerdy, cinnamon roll character you can’t help but root for. Short and sweet, this book was a super fun read.
In this YA retelling of Sabrina set in the glam fashion world, Amelia is whisked off to an amazing New York City fashion internship that changes her life--and quickly finds herself caught between two brothers.
A RITA finalist for Best First Book
If anyone saw the prom boards Amelia Blanco makes on her favorite fashion app, they'd think Ethan Laurenti was her boyfriend. They wouldn't know that all the plans she's made for them are just dreams, and that she's the girl who watches him from the kitchen while her parents cook for his famous family.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
I love the idea of taking a familiar story and making it fresh for a modern audience, which is probably why I’ve written two YA retellings. My first book (Match Me If You Can) is a retelling of A Midsummer Night’s Dream, and my sophomore novel (How To Speak Boy) is an adaptation of You’ve Got Mail. When I’m reading, I give bonus points to any adaptation that includes a love story, because I am all about the happily ever afters. So, if you’re like me and you enjoy the comforting familiarity of classics but want to be able to put yourself in the story, this list is for you.
Janette Rallison is one of my favorite authors, and this is one of my all-time favorite series! A bumbling “fair” godmother (she’s in training, but her grades are only “fair”) is assigned to help modern-day Savannah achieve her happily ever after. But of course, everything goes wrong, and Savannah ends up in several different fairytales when all she wanted was to find a good guy to take her to the prom. The flirty banter between Savannah and Tristan is laugh-out-loud funny and watching them come together is the icing on top. I’ve lost count of how many times I’ve reread this series.
After her boyfriend dumps her for her older sister, sophomore Savannah wishes she could find a true prince to take her to the prom. Enter Chrysanthemum Everstar: Savannah's gum-chewing, cell phone-carrying, high heel-wearing Fair Godmother. Despite a few wish-granting mishaps, Savannah's fairy-tale ending might not be as far off as she imagined.
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Jo Carney’s book is a wonderful way of appreciating both Shakespeare and contemporary literature that responds to the themes he developed all those centuries ago. This study explores more recent adaptations published in the last decade whereby women—either authors or their characters—talk back to Shakespeare in a variety of new ways. Carney puts modern works such as Prospero’s Daughter, Desdemona, Hag-Seed, The Gap of Time, The Porpoise, Station Eleven, and Hamnetinto dialogue with the playsOthello, The Tempest, The Winter’s Tale, Pericles, andKing Lear. This beautifully written and very accessible book allows us to think about contemporary issues of sexual assault, gender expectations, and differences in new and very exciting ways as well as allowing readers to develop a new appreciation of Shakespeare.
This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways.
"Talking back to Shakespeare", a term common in intertextual discourse, is not a new phenomenon, particularly in literature. For centuries, women writers-novelists, playwrights, and poets-have responded to Shakespeare with inventive and often transgressive retellings of his work. Thus far, feminist scholarship has examined creative responses to Shakespeare by women writers through the late twentieth century. This book brings together the "then" of Shakespeare with the "now" of contemporary literature by examining how many of…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to…
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
De Humani Corporis Fabrica Libri Septem ["On the Fabric of the Human Body in Seven Books"] will likely catch you by surprise since, unlike most books featured on this website, this one was printed back in 1543. Fortunately, this means that anyone with a working Internet connection and web browser can access this mystifying medical atlas from the sixteenth century. Annotated editions of On the Fabric of the Human Bodyare available online from numerous medical colleges, so please take the time to find and appreciate this masterpiece of anatomy and artistic imagination.
This book, "De humani corporis fabrica libri septem", by A. Vesalius, J. Dalton, G. Hartenfels, is a replication of a book originally published before 1568. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.
I have a Ph.D. in English from Lehigh University, and I have taught English for 30 years. I have studied and taught Shakespeare, Tudor drama, English linguistics, the Reformation, and various other aspects in the literary and cultural history of the 16th century. The 16th century is a time of great upheaval and the more I study it, the more I am fascinated by how pivotal this epoch is in the creation of the modern world, for better and for worse. I seek out books that chart, from grandest to most intimate, this momentous time’s transformations.
Shakespeare’s Dogis the craziest Shakespearean book I’ve ever read. Not only is the young Stratford Shakespeare’s tale told by his dog, Hooker ̶ the dog speaks a kind of faux-Shakespearean: full of Elizabethan-esque vocabulary and syntax, Anglo-Saxon bawdry, new-coined usages of common words (“the wind flummoxed”; “I knelled the truth”). Moreover, Rooke must really know his dogs. Because the dog-viewpoint (a frustrated Shakespeare “bites his toenails”) seems right on the money. The struggle of a prodigy youth and his prodigy dog to escape the tawdry, shallow, raucous banality of provincial small-town life is told with vividness, wit, and pathos.
Will Shakespeare's dog, named Hooker, reports on the young poet and playwright's tumultuous Stratford household and on his and his master's shared and growing desire to be away to London
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
This volume of essays about Shakespeare and historical drama catalyzed my doctoral research and my first book. It has been, without a doubt, the single most influential book on my research and early career as an academic.
The contributions are all distinctive, engaging, and carefully researched–and the volume offers an excellent introduction to the contexts of historical drama and writing ‘history’ during the sixteenth and seventeenth centuries, covering a wide range of plays and other primary texts.
It is often one of my top recommendations for students who are starting to work on historical culture. After each encounter with this book, my mind is still left brimming with ideas to explore.
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.
Examines each of Shakespeare's plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis.
Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems.
Each volume…
Taking only what they can quickly pack, 11-year-old Mardella and her mom secretly move away from their abusive home to start a fresh life in Haven, MN. But Mardella’s sure she's to blame—if only she hadn’t dialed 911, her dad wouldn’t be in jail, her mom wouldn't have been fired,…
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
Shakespeare the Manis not the best book out there on William Shakespeare. There are many others that are better researched and less opinionated. However, Rowse gave me the best impression of what Shakespeare has meant to centuries of dramatists and researchers. It was recommended to me by the late Dr. John M. Bell of NYU, who was the most knowledgeable man on Shakespeare I've ever known. I see why he recommended this. It's a short but thorough read, and very enjoyable. Just don't treat Rowse's every word as gospel. His book is about Shakespeare, the man and myth.
