Here are 100 books that How to Love a Jamaican fans have personally recommended if you like
How to Love a Jamaican.
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I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
I felt so seen in this story. Elizabeth Acevedo paints a spectacular character (Xiomara) who is caught between worlds—the “old” world of her parents and their strict traditions and the “new” world where she can perform spoken word poetry on stage.
I laughed and cried as I read this book, which was told in verse, especially regarding Xiomara’s relationship with her mother. I could relate so much to Xiomara and the arguments she got into with her mother. I was reminded of my own adolescence and the many fights I had with my mom. It’s all good now, but wow. We used to really get into it during those rocky years.
WINNER OF THE THE CILIP CARNEGIE MEDAL 2019
SHORTLISTED FOR THE WATERSTONES CHILDREN'S BOOK PRIZE 2019
THE WINNER OF THE 2018 NATIONAL BOOK AWARD
THE WINNER OF THE MICHAEL L.PRINTZ AWARD
THE WINNER OF THE PURA BELPRE AWARD
THE WINNER OF THE BOSTON GLOBE-HORNBOOK AWARD
'I fell in love at slam poetry. This one will stay with you a long time.' - Angie Thomas, bestselling author of The Hate U Give
'This was the type of book where "I'll just do 50 pages" turned into finishing it in 2 reads. I felt very emotional, not just because the story and…
As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.
Carty-Williams tells a very clever and witty story of Queenie’s struggles navigating life as a young black woman in South East London, right where I grew up. I can relate to her work life, friendships, and love life so much it’s unreal. Whilst reading this book I could really feel myself within the plot as I’ve walked on some of the streets she talks about, been to places she talks about and of course, we all have a past and a story about our childhoods that make us who we are today, especially when they have been challenging.
ONE OF TIME’S 100 BEST BOOKS OF THE YEAR ONE OF NPR’S BEST BOOKS OF 2019
NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2019 BY WOMAN’S DAY, NEWSDAY, PUBLISHERS WEEKLY, BUSTLE, AND BOOK RIOT!
“[B]rilliant, timely, funny, heartbreaking.” —Jojo Moyes, #1 New York Times bestselling author of Me Before You
For fans ofLusterandI May Destroy You,a disarmingly honest,unapologetically black, and undeniably witty debut novel that will speak to those who have gone looking for love and found something very different in its place.
Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
There’s no escaping past actions in this book—from a dying man confessing he assumed the identity of a dead friend and began a new life to the exploits of the Paisley family during colonial-era Jamaica.
I love the way the family stories intertwine, how the book traces the movement of Jamaican people from the Caribbean island to England and America, and the way the ghosts in the family are not just people but also broader things: slavery, colonization, migration, and abandoned families.
Longlisted for the 2020 Center for Fiction First Novel Prize
A "rich, ambitious debut novel" (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.
*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazine's Top New Book of the New Decade*
Stanford Solomon's shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole…
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
Douglass is the kind of writer many of us are jealous of. Her skill with a pen is a marvel. Reading her sentences, I often wonder how she chose these words, how she came to think in this way, and how I could write less like myself and more like her. All of her books are worth reading, but this one’s tale of reincarnation and of life on the margins helped me see that the world is so much more magical than I often take it to be.
"Is me-Bob. Bob Marley." Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston's ghettoes to London, from Haile Selaisse's Ethiopian palace and back…
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I won’t regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two characters—a mother and child—that they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her…
Injustice has always motivated my research and activism. I have always been fascinated by nature and by the complexity of cities. For 25 years I have pursued these passions through the lens of sustainability. In 1996, I co-founded the not-for-profit Sustainable Calgary Society. My extensive work and travel in Asia, Africa, and Latin America, have given me a healthy skepticism of the West’s dominant cultural myths of superiority and benevolence and a keen awareness of the injustice of the global economic order. My book selections shed light on these myths and suggest alternative stories of where we come from, who we are, and who we might become.
In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.
In a sweeping narrative that traverses 600 years, one that eloquently weaves precise historical detail with poignant personal reportage, Pulitzer Prize finalist Howard W. French retells the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in America and the fulfillment of so-called Enlightenment ideals all grew out of Europe's dehumanising engagement with the "darkest" continent.
Born in Blackness dramatically retrieves the lives of major African historical figures whose stories have been repeatedly etiolated and erased over centuries, from unimaginably rich medieval African emperors who traded with Asia; to Kongo sovereigns who…
Besides having come of age while Black, I’ve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myers’ Harlem-located Young Adult novels to Toni Morrison’s Sula and James Baldwin’s Go Tell It on the Mountain, I’ve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
I’ve long been fascinated with Walker’s life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now I’m working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.
When teaching African-American Literature courses, I’ve found Walker’s Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.
In 1829 David Walker, a free black born in Wilmington, North Carolina, wrote one of America's most provocative political documents of the nineteenth century, Walker's Appeal to the Coloured Citizens of the World. Decrying the savage and unchristian treatment blacks suffered in the United States, Walker challenged his "afflicted and slumbering brethren" to rise up and cast off their chains. Walker worked tirelessly to circulate his book via underground networks in the South, and he was so successful that Southern lawmakers responded with new laws cracking down on "incendiary" antislavery material. Although Walker died in 1830, the Appeal remained a…
Besides having come of age while Black, I’ve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myers’ Harlem-located Young Adult novels to Toni Morrison’s Sula and James Baldwin’s Go Tell It on the Mountain, I’ve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
“Peoples,” the protagonist of Jackson’s coming of age novel is apt to announce, an African-Americanized riff on Shakespeare’s “Friends, Romans, countrymen” which Jackson’s narrator voices from the recesses of his Mississippi, Portland neighborhood. Everything about this book is centered by the protagonist’s remarkable voice, a voice that very much inspired me to write my book. This is to say nothing of the deeply tragic, crack-era intergenerational family drama that The Residue Years tells.
'This novel is written with a breathtaking, exhilarating assurance and wit. Terrific' The Times
'A wrenchingly beautiful debut by a writer to be reckoned with' Jesmyn Ward
Mitchell S. Jackson grew up black in a neglected neighbourhood in America's whitest city, Portland, Oregon. In the '90s, those streets and beyond had fallen under the shadow of crack cocaine and its familiar mayhem. In his commanding autobiographical novel, Jackson writes what it was like to come of age in that time and place, with a breakout voice that's nothing less than extraordinary.
The Residue Years switches between the perspectives of a…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
If you want to nod your head along with the greats of Jamaican music, this book is for you.
I would not be writing about this music without this book. The way that Bradley writes this oral history captures so much feeling and vibe that you cannot stop reading it. So many musicians, producers, and engineers are interviewed about the rise of Jamaican music that you must read this book.
I believe that this book is the center of all writing on Jamaican popular music and it is a must read for anyone who loves the sound.
The first major account of the history of reggae, black music journalist Lloyd Bradley describes its origins and development in Jamaica, from ska to rock-steady to dub and then to reggae itself, a local music which conquered the world. There are many extraordinary stories about characters like Prince Buster, King Tubby and Bob Marley. But this is more than a book of music history: it relates the story of reggae to the whole history of Jamaica, from colonial island to troubled independence, and Jamaicans, from Kingston to London.
Long before I fell in love with History as an academic subject, I fell in love with stories. And as the granddaughter of Caribbean immigrants, true stories of my grandparents’ early lives could transport me to another place as vividly as fiction. So although I have studied History to Master’s level, where I specialized in the legacy of slavery, it is always to fiction that I turn to breathe life into the past. My favourite books are those that are unsettling in the unfamiliarity of the world they create, and yet deeply moving because, at heart, the characters are motivated by timeless and human things like grief, ambition, or love.
This novel is about the experience of the Windrush generation – the Caribbean people who moved to Britain after the Second World War.
Andrea Levy so perfectly captures the experiences of these people that I feel like I can see my own grandparents on the page.
But what I love most about this book is that it sees itself as telling a part of British history – showing how the Caribbean and Britain were connected, but also exploring with equal empathy the experiences of white British characters during and after the War.
As someone mixed race, it is so rare to find books that speak to both sides of my heritage, and this is one of them.
Hortense shared Gilbert's dream of leaving Jamaica and coming to England to start a better life. But when she at last joins her husband, she is shocked by London's shabbiness and horrified at the way the English live. Even Gilbert is not the man she thought he was. Queenie's neighbours do not approve of her choice of tenants, and neither would her husband, were he there. Through the stories of these people, Small Island explores a point in England's past when the country began to change.
