Here are 100 books that Patsy fans have personally recommended if you like
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As a quiet and very shy child, I found myself sitting alone reading books rather than playing with other kids. My love for reading at the time was restricted to children’s books like The Lion The Witch and the Wardrobe or Roald Dhal stories until I upgraded to Enid Blyton Books and Mills & Boon romances as a teen. It wasn’t until I reached my twenties when I actually found the genre I loved. It was through my love of these stories I came to realise I didn’t have to hide anymore, and my love for these stories planted a small seed in my mind that I would have the courage to write my own.
Carty-Williams tells a very clever and witty story of Queenie’s struggles navigating life as a young black woman in South East London, right where I grew up. I can relate to her work life, friendships, and love life so much it’s unreal. Whilst reading this book I could really feel myself within the plot as I’ve walked on some of the streets she talks about, been to places she talks about and of course, we all have a past and a story about our childhoods that make us who we are today, especially when they have been challenging.
ONE OF TIME’S 100 BEST BOOKS OF THE YEAR ONE OF NPR’S BEST BOOKS OF 2019
NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2019 BY WOMAN’S DAY, NEWSDAY, PUBLISHERS WEEKLY, BUSTLE, AND BOOK RIOT!
“[B]rilliant, timely, funny, heartbreaking.” —Jojo Moyes, #1 New York Times bestselling author of Me Before You
For fans ofLusterandI May Destroy You,a disarmingly honest,unapologetically black, and undeniably witty debut novel that will speak to those who have gone looking for love and found something very different in its place.
Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
There’s no escaping past actions in this book—from a dying man confessing he assumed the identity of a dead friend and began a new life to the exploits of the Paisley family during colonial-era Jamaica.
I love the way the family stories intertwine, how the book traces the movement of Jamaican people from the Caribbean island to England and America, and the way the ghosts in the family are not just people but also broader things: slavery, colonization, migration, and abandoned families.
Longlisted for the 2020 Center for Fiction First Novel Prize
A "rich, ambitious debut novel" (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.
*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazine's Top New Book of the New Decade*
Stanford Solomon's shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole…
Besides having come of age while Black, I’ve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myers’ Harlem-located Young Adult novels to Toni Morrison’s Sula and James Baldwin’s Go Tell It on the Mountain, I’ve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
I simply love these bracingly contemporary stories of Black Jamaican women who span the gamut from self-absorbed teenagers to Rihanna-inspired celebrities and overtaxed elders. These narratives take place both in JA and the USA and weave together elements of our twenty-first-century Black diaspora. Each of Arthurs’ stories sings in its own way, with exquisitely rendered details and moments of moral clarity. I love that these stories chronicle such a wide variety of Black women’s lives in such depth and detail.
'In this thrilling debut collection Alexia Arthurs is all too easy to love.' - Zadie Smith
Tenderness and cruelty, loyalty and betrayal, ambition and regret - these are the tensions at the heart of Alexia Arthurs' debut book about Jamaican immigrants and their families back home. Some stories ask big questions about the things that define a person, others explode small moments of deep significance and lasting effect. Sweeping from close-knit island communities to the streets of New York City, How to Love a Jamaican offers a portrait of a nation, a people, and a way of life.
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
Douglass is the kind of writer many of us are jealous of. Her skill with a pen is a marvel. Reading her sentences, I often wonder how she chose these words, how she came to think in this way, and how I could write less like myself and more like her. All of her books are worth reading, but this one’s tale of reincarnation and of life on the margins helped me see that the world is so much more magical than I often take it to be.
"Is me-Bob. Bob Marley." Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston's ghettoes to London, from Haile Selaisse's Ethiopian palace and back…
Marita Golden is an award-winning author of over twenty works of fiction and nonfiction. Her books include the novel The Wide Circumference of Love and the memoirs Migrations of the Heart, Saving Our Sons, and Don’t Play in the Sun One Woman’s Journey Through the Color Complex. She is the recipient of many awards including the Writers for Writers Award from Barnes & Noble and Poets and Writers, an award from the Authors Guild, and the Fiction Award for her novel After, from the Black Caucus of the American Library Association. She has appeared on The Oprah Winfrey Show, been featured as a question on Jeopardy!, and is a two-time NAACP Image Award nominee.
This memoir informed me of the psychological price of immigration and displacement on young children in ways that were searing and deep because of Wang’s mastery of the child’s perspective.
She lived in New York’s Chinatown with her parents two professionals who immigrated from China and experienced poverty, isolation, fear of deportation, working in a sweatshop. She was saved by her love of books and reading, and her mother’s determination to realize the life she left China to have. Wang creates innocence and trauma with a deft, poetic skill that makes this a classic.
BBC RADIO 4 BOOK OF THE WEEK, OBAMA 2021 BOOK PICK and INSTANT NEW YORK TIMES BESTSELLER
'Hunger was a constant, reliable friend in Mei Guo. She came second only to loneliness.'
In China she was the daughter of professors. In Brooklyn her family is 'illegal.'
Qian is just seven when she moves to America, the 'Beautiful Country', where she and her parents find that the roads of New York City are not paved with gold, but crushing fear and scarcity. Unable to speak English at first, Qian and her parents must work wherever they can to survive, all while…
Stories of migration journeys and their knock-on impact through the generations are part of my family history. Like Jacques, the key protagonist in Austerlitz, I too wasn’t told the whole story of my family’s past. Stumbling on stories of colonialism, migration, and racism as an adult has opened up an understanding of a very different world to that of my childhood. The books I have recommended are all excellent examples of migration stories and through the use of beautiful prose pack a punch in a ‘velvet glove’.
This is a book I have been recommending to teenagers and adults alike.
This is no ordinary romantic tale of girl meets boy; it is a very much contemporary take on the notion. Two very different protagonists, from two very different backgrounds are brought together in the immigrant ‘melting pot’ of New York City. In what could be seen as a modern-day Romeo and Juliet, the characters are much more self-aware than in Shakespeare’s original and thankfully this leads to a more enlightened outcome, for them, and the people they meet on their journey.
Using deceptively simple short chapters which chart the course of one day, it cleverly deals with so many of life's big issues (including migration) primarily through the two teenage narrators.
The internationally bestselling love story from Nicola Yoon, author of Everything, Everything - coming as a major film starring Yara Shahidi in 2019.
The internationally bestselling love story from Nicola Yoon, author of Everything, Everything. Now a major film starring Yara Shahidi and Charles Melton!
Natasha- I'm a girl who believes in science and facts. Not fate. Not destiny.
Or dreams that will never come true. I'm definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him.
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
Enrique’s Journey follows a 17-year-old boy from Honduras who migrates to the US in search of his mother who has been gone for 11 years. Although he is in touch with her via sporadic phone calls, his yearning to be with her is so deep that he undertakes a journey that is at once desperate, full of love and hope, and exceedingly dangerous.
The author, an award-winning journalist, documents Enrique’s journey to survive his trek northward that he undertakes with absolutely no money from a small Honduran village through Mexico atop freight trains, and his efforts to survive not only the dangerous train ride but the violence of those who prey on young migrants.
Though he does find his mother in North Carolina, his reunion is not easy as his resentment at being left behind plagues their relationship.
An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more—the definitive edition of a classic of contemporary America
Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject.
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I want to end this list on a strong note: this book by an immigrant to New York felt personal to me. Navigating life in New York is a dream for many immigrants, one that, realistically, I know I shouldn’t keep, but emotionally, I’m still connected to.
Still, this book carries more than just the background of NYC, it also has such a strong case against the idea that undocumented immigrants have nothing of value for the US. After reading this book, I kinda wanted Dan-el to be my friend.
An undocumented immigrant’s journey from a New York City homeless shelter to the top of his Princeton class
Dan-el Padilla Peralta has lived the American dream. As a boy, he arrived in the United States legally with his family. Together they had traveled from Santo Domingo to seek medical care for his mother. Soon the family’s visas lapsed, and Dan-el’s father eventually returned home. But Dan-el’s courageous mother decided to stay and make a better life for her bright sons in New York City.
Without papers, she faced tremendous obstacles. While Dan-el was only in grade school, the family joined…
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
I was searching for some good fiction by a Latinx author regarding immigration at the southern border when I discovered this gem. The narrative begins in Texas with an undocumented family—the mother’s constant dread of authorities; the aching memory of the father’s deportation; sickness and abuse engendered by farm work. Some youthful mischief by the two sons accidentally, and in an instant, splinters the household and transforms the mise en scèneto Mexico and the nightmare that, as the author eloquently demonstrates, NAFTA and the American drug wars have wrought: routine brutality, lethal superstition, destitution, desperation. Peña’s graceful prose packs into two hundred pages an epic journey of love and sacrifice, of terror and survival, of three people struggling under the most insurmountable circumstances to maintain their humanity.
Uli’s first flight, a late-night joy ride with his brother, changes their lives forever when the engine stops and the boys crash land, with “Texas to the right and Mexico to the left.” Before the accident, Uli juggled his status as both an undocumented immigrant and a high school track star in Harlingen, Texas, desperately hoping to avoid being deported like his father. His mother Araceli spent her time waiting for her husband. His older brother Cuauhtémoc, a former high-school track star turned drop-out, learned to fly a crop duster, spraying pesticide over their home in the citrus grove.
The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
The Son of Good Fortune (Excel) has an outrageous single mother who defies societal expectations. Maxima, a former B-movie action star in the Philippines, runs an online scam siphoning money from men.
She dominates the book with her humor and zest for life, even as she is forced to live in the margins as an undocumented immigrant, raising a child all on her own.
This is a funny and smart and poignant book. I loved the mother in this book and felt for her son, Excel, deeply.
A Recommended Book From: USA Today * The Chicago Tribune * Book Riot * Refinery 29 * InStyle * The Minneapolis Star-Tribune * Publishers Weekly * Baltimore Outloud * Omnivoracious * Lambda Literary * Goodreads * Lit Hub * The Millions
FINALIST FOR THE JOYCE CAROL OATES PRIZE WINNER OF THE NEW AMERICAN VOICES AWARD
From award-winning author Lysley Tenorio, comes a big hearted debut novel following an undocumented Filipino son as he navigates his relationship with his mother, an uncertain future, and the place he calls home
Excel spends his days trying to seem like an unremarkable American teenager.…
