Here are 100 books that Enrique's Journey fans have personally recommended if you like
Enrique's Journey.
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As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devilâs Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their âguideâ are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
Villasenorâs Rain of Gold is the first of a trilogy about his family's migration to the United States in the early part of the 20th Century.
Published in 1991, I was fascinated by the bookâs rich detail, the numerous layers of stories about his family regarding their life in Mexico, their decision to leave, the challenges they faced finding work and struggling to fit into the United States.
The book covers his parentsâ lives as children and the trials their families faced in surviving the Mexican Revolution. His parents meet when they are very young and eventually move to Carlsbad, California. Villasenorâs trilogy highlights the importance of family and personal integrity. I was especially intrigued that the author was able to transform his familial history into a work of literature.
This is the Hispanic Roots, an all-American story of poverty, immigration, struggle and success. It focuses on three generations of Villaseñor's kin, their spiritual and cultural roots in Mexico, their immigration to California and their overcoming the poverty, prejudice and economic exploitation. It is the warm-hearted, humorous and tragic, true story of the wily, wary, persevering forebears of Villaseñor.
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Moralesâ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in peopleâs lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
The Real Boys of the Civil War
by
J. Arthur Moore,
The Real Boys of the Civil War is a research about the real boys who served during the war, opening with a historiography research paper about their history along with its 7-page source document. It then evolves into a series of collections of their stories by topic, concluding with aâŠ
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
Grandeâs memoir focuses on her life south and north of the U.S.-Mexico border, which seem like two distinct lives, though neither is easy.
Her life in Mexico is marked by longing for her father who migrates northward to better support his family. Her mother eventually joins her father, and the three children are left with a harsh and insensitive paternal grandmother. When her mother returns because her father has fallen in love with someone else, Reynaâs hopes for a happy family reunion are shattered.
Eventually, Reynaâs father visits and takes her to the US following a perilous journey through the desert. Reyna struggles to adjust to life in the US, but eventually is awarded citizenship. She finds refuge in reading and writing and eventually tells her family story.
I found Grandeâs memoir moving because she writes it from a child's perspective and successfully captures the raw and fragile emotions ofâŠ
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border.
Reyna Grande vividly brings to life her tumultuous early years in this "compelling...unvarnished, resonant" (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to "El Otro Lado" (The Other Side) in pursuit of the American dream, Reyna and her siblings are forcedâŠ
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I want to end this list on a strong note: this book by an immigrant to New York felt personal to me. Navigating life in New York is a dream for many immigrants, one that, realistically, I know I shouldnât keep, but emotionally, Iâm still connected to.
Still, this book carries more than just the background of NYC, it also has such a strong case against the idea that undocumented immigrants have nothing of value for the US. After reading this book, I kinda wanted Dan-el to be my friend.
An undocumented immigrantâs journey from a New York City homeless shelter to the top of his Princeton class
Dan-el Padilla Peralta has lived the American dream. As a boy, he arrived in the United States legally with his family. Together they had traveled from Santo Domingo to seek medical care for his mother. Soon the familyâs visas lapsed, and Dan-elâs father eventually returned home. But Dan-elâs courageous mother decided to stay and make a better life for her bright sons in New York City.
Without papers, she faced tremendous obstacles. While Dan-el was only in grade school, the family joinedâŠ
Stories of migration journeys and their knock-on impact through the generations are part of my family history. Like Jacques, the key protagonist in Austerlitz, I too wasnât told the whole story of my familyâs past. Stumbling on stories of colonialism, migration, and racism as an adult has opened up an understanding of a very different world to that of my childhood. The books I have recommended are all excellent examples of migration stories and through the use of beautiful prose pack a punch in a âvelvet gloveâ.
This is a book I have been recommending to teenagers and adults alike.
This is no ordinary romantic tale of girl meets boy; it is a very much contemporary take on the notion. Two very different protagonists, from two very different backgrounds are brought together in the immigrant âmelting potâ of New York City. In what could be seen as a modern-day Romeo and Juliet, the characters are much more self-aware than in Shakespeareâs original and thankfully this leads to a more enlightened outcome, for them, and the people they meet on their journey.
Using deceptively simple short chapters which chart the course of one day, it cleverly deals with so many of life's big issues (including migration) primarily through the two teenage narrators.
The internationally bestselling love story from Nicola Yoon, author of Everything, Everything - coming as a major film starring Yara Shahidi in 2019.
The internationally bestselling love story from Nicola Yoon, author of Everything, Everything. Now a major film starring Yara Shahidi and Charles Melton!
Natasha- I'm a girl who believes in science and facts. Not fate. Not destiny.
Or dreams that will never come true. I'm definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him.
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most belovedâand dislikedâwomen of her day. She worked toâŠ
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word âbest,â so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I wonât regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two charactersâa mother and childâthat they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica herâŠ
Marita Golden is an award-winning author of over twenty works of fiction and nonfiction. Her books include the novel The Wide Circumference of Love and the memoirs Migrations of the Heart, Saving Our Sons, and Donât Play in the Sun One Womanâs Journey Through the Color Complex. She is the recipient of many awards including the Writers for Writers Award from Barnes & Noble and Poets and Writers, an award from the Authors Guild, and the Fiction Award for her novel After, from the Black Caucus of the American Library Association. She has appeared on The Oprah Winfrey Show, been featured as a question on Jeopardy!, and is a two-time NAACP Image Award nominee.
This memoir informed me of the psychological price of immigration and displacement on young children in ways that were searing and deep because of Wangâs mastery of the childâs perspective.
She lived in New Yorkâs Chinatown with her parents two professionals who immigrated from China and experienced poverty, isolation, fear of deportation, working in a sweatshop. She was saved by her love of books and reading, and her motherâs determination to realize the life she left China to have. Wang creates innocence and trauma with a deft, poetic skill that makes this a classic.
BBC RADIO 4 BOOK OF THE WEEK, OBAMA 2021 BOOK PICK and INSTANT NEW YORK TIMES BESTSELLER
'Hunger was a constant, reliable friend in Mei Guo. She came second only to loneliness.'
In China she was the daughter of professors. In Brooklyn her family is 'illegal.'
Qian is just seven when she moves to America, the 'Beautiful Country', where she and her parents find that the roads of New York City are not paved with gold, but crushing fear and scarcity. Unable to speak English at first, Qian and her parents must work wherever they can to survive, all whileâŠ
I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuffâmaking up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were notdestituteâmy sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race.
I was searching for some good fiction by a Latinx author regarding immigration at the southern border when I discovered this gem. The narrative begins in Texas with an undocumented familyâthe motherâs constant dread of authorities; the aching memory of the fatherâs deportation; sickness and abuse engendered by farm work. Some youthful mischief by the two sons accidentally, and in an instant, splinters the household and transforms the mise en scĂšneto Mexico and the nightmare that, as the author eloquently demonstrates, NAFTA and the American drug wars have wrought: routine brutality, lethal superstition, destitution, desperation. Peñaâs graceful prose packs into two hundred pages an epic journey of love and sacrifice, of terror and survival, of three people struggling under the most insurmountable circumstances to maintain their humanity.
Mal's older brother has disappeared into thin air. Laura's parents went away for the weekend and when she gives them a call, they have no idea who she is. In pursuit of answers, the teens become entangled with two others similarly targeted by a force they don't understand and now,âŠ
The first time I learned that I was raised by a âbadâ mother was when I was in the first grade. The teachers complained that my mother hadnât shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
The Son of Good Fortune (Excel) has an outrageous single mother who defies societal expectations. Maxima, a former B-movie action star in the Philippines, runs an online scam siphoning money from men.
She dominates the book with her humor and zest for life, even as she is forced to live in the margins as an undocumented immigrant, raising a child all on her own.
This is a funny and smart and poignant book. I loved the mother in this book and felt for her son, Excel, deeply.
A Recommended Book From: USA Today * The Chicago Tribune * Book Riot * Refinery 29 * InStyle * The Minneapolis Star-Tribune * Publishers Weekly * Baltimore Outloud * Omnivoracious * Lambda Literary * Goodreads * Lit Hub * The Millions
FINALIST FOR THE JOYCE CAROL OATES PRIZE WINNER OF THE NEW AMERICAN VOICES AWARD
From award-winning author Lysley Tenorio, comes a big hearted debut novel following an undocumented Filipino son as he navigates his relationship with his mother, an uncertain future, and the place he calls home
Excel spends his days trying to seem like an unremarkable American teenager.âŠ