100 books like Hawaii

I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.  

From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God,  Science, and Human Nature. 

"There is no frigate like a book"—my grade school teacher, Mrs. Gundy, liked to quote Emily Dickinson as she encouraged us to read. I became a novelist because I found imagination has the power to transport a reader across centuries and perhaps national boundaries and into a character’s heart and soul. After growing up in the Mennonite/Amish culture of Pennsylvania I published four novels, three of them three historical novels that present that culture. What do I look for in good historical fiction? An unforgettable character and a good capture of the Zeitgeist, the spirit of the times in which that character lives. The five books I recommend all do that.

I’m driven to understand the lives and mentalities of poor workers at the time of the Industrial Revolution. It’s a subject on which a great has been written but I’ve always been surprised that, in a British context, the subject of hunger has been largely ignored. The great joy of being a historical scholar is that freedom to follow your nose in the archive, to trust your instinct, and to uncover untold stories of the forgotten. Their experiences of hunger might relate to a now seemingly distant world, but such hunger histories are also amazingly prescient in our new age of food banks and famines. 

Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.

I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.

My love for wildlife has produced several award-winning nonfiction books about animals for children (bats, lizards, dragonflies, hummingbirds, and more). To observe wildlife, I travel often to wild areas, such as the Amazon, Galapagos Island, the Pantanal. A former full professor at Miami Dade College, I taught Creative Writing, English Composition, and Survey of Children’s Literature and was an adviser to the college’s award-winning literary magazine. My children’s nonfiction picture books about wild animals have won several awards: Silver Eureka for nonfiction, Silver Nautilus, two Bronze Florida Book Awards, and a Purple Dragonfly honor. Born in Brazil, I have lived in Miami for most of my life.

Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.

Growing up, I was always the outcast. I wasn't the smartest in class. I wasn't the strongest in sports. I was always the shy kid in the back, trying not to make a noise. But when I made a connection with someone or they made the effort to say hi. I treasured our friendship. I love writing and sharing stories where we are talking about inclusion and building empathy toward each other. I hope you will enjoy these books on the list.

Two books that I read as a young child were very important to me. The 500 Hats of Bartholomew Cubbins by Dr. Seuss made me think about riches, poverty, and the power that rich people have to make stupid rules; and poor people have no choice but to obey them. The Japanese Twins from Lucy Fitch Perkins' series on twins from different cultures gave me a life-long interest in cultural differences. Not only did they think differently, depending on their culture, they also had different skin colours. Later I learned about racism when I worked with unhappy displaced children and interpreted for asylum-seekers. I write from a child's perspective, making books accessible to all ages.